Collecting Across Cultures
Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World
Daniela Bleichmar
Peter C. Mancall
Series: The Early Modern Americas
Copyright Date: 2011
Published by: University of Pennsylvania Press
Pages: 392
https://www.jstor.org/stable/j.ctt3fhbdc
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Book Info
Collecting Across Cultures
Book Description:

In the early modern age more people traveled farther than at any earlier time in human history. Many returned home with stories of distant lands and at least some of the objects they collected during their journeys. And those who did not travel eagerly acquired wondrous materials that arrived from faraway places. Objects traveled various routes-personal, imperial, missionary, or trade-and moved not only across space but also across cultures. Histories of the early modern global culture of collecting have focused for the most part on European Wunderkammern, or "cabinets of curiosities." But the passion for acquiring unfamiliar items rippled across many lands. The court in Java marveled at, collected, and displayed myriad goods brought through its halls. African princes traded captured members of other African groups so they could get the newest kinds of cloth produced in Europe. Native Americans sought colored glass beads made in Europe, often trading them to other indigenous groups. Items changed hands and crossed cultural boundaries frequently, often gaining new and valuable meanings in the process. An object that might have seemed mundane in some cultures could become a target of veneration in another. The fourteen essays in Collecting Across Cultures represent work by an international group of historians, art historians, and historians of science. Each author explores a specific aspect of the cross-cultural history of collecting and display from the dawn of the sixteenth century to the early decades of the nineteenth century. As the essays attest, an examination of early modern collecting in cross-cultural contexts sheds light on the creative and complicated ways in which objects in collections served to create knowledge-some factual, some fictional-about distant peoples in an increasingly transnational world.

eISBN: 978-0-8122-0496-4
Subjects: History
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  1. Front Matter
    Front Matter (pp. I-VI)
  2. Table of Contents
    Table of Contents (pp. VII-X)
  3. List of Illustrations
    List of Illustrations (pp. XI-XIV)
  4. FOREWORD
    FOREWORD (pp. XV-XVIII)
    Malcolm Baker

    The publication of Collecting Across Cultures marks a significant moment within the history of collecting as it has developed as a distinctive discipline over the previous quarter century. But what of its lineage? The generally acknowledged starting point for this area of study was Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaisssance, published in 1908, with its analysis of that astonishing range of material that made up the “Cabinet of Curiosity.” After that, however, the most innovative work on collecting was concerned largely with art collecting, led by Francis Haskell with his Patrons and Painters: A Study in the...

  5. Introduction
    Introduction (pp. 1-12)
    Daniela Bleichmar and Peter C. Mancall

    Soon after Hernán Cortés arrived in Mexico in 1519, he recognized that he had entered a world very different from the one he had known in Spain. Like Christopher Columbus and other Europeans who had arrived in the Americas after 1492, Cortés knew it was important to record what he saw. In his case, he wrote a series of letters to King Charles V, the sponsor of his mission. In the course of that report, he mentioned that he had had a tour of some of Emperor Moctezuma’s many properties in the great city of Tenochtitlan. One in particular struck...

  6. I. COLLECTING AND THE CONSTRUCTION OF KNOWLEDGE IN THE EARLY MODERN WORLD
    • CHAPTER 1 Seeing the World in a Room: Looking at Exotica in Early Modern Collections
      CHAPTER 1 Seeing the World in a Room: Looking at Exotica in Early Modern Collections (pp. 15-30)
      Daniela Bleichmar

      The large collection compiled by Vincencio Juan de Lastanosa (1607–81) in his residence in Huesca, a city in the Spanish region of Aragon, included an impressive range of objects.¹ Lastanosa, a minor nobleman interested in antiquities, coins, and the arts, is best remembered today for his patronage of the celebrated writer Baltazar Gracián (1601–58). Lastanosa’s collection attests to his interest in fashioning a cultivated identity and in presenting his palace as a site of civility and sociability. A visitor to the palace would encounter the collection distributed among many rooms. It included naturalia and artificialia and all sorts...

    • CHAPTER 2 Collecting Global Icons: The Case of the Exotic Parasol
      CHAPTER 2 Collecting Global Icons: The Case of the Exotic Parasol (pp. 31-57)
      Benjamin Schmidt

      Do palm trees grow in New England? Fanciful and incongruous as this horticultural proposition may seem, it was seriously contemplated by early modern Europeans, particularly those who amassed materials depicting the exotic world—those who “collected across cultures.” Such materials were produced abundantly in the late seventeenth and early eighteenth century, and they circulated widely—New England palm trees, in various forms, seemed to spring up across much of early Enlightenment Europe. Among the many sources showcasing this remarkable phenomenon was Johannes van Keulen’s enormously popular Paskaart van Niew Engeland, which was printed as a single-sheet map, included in the...

    • CHAPTER 3 Ancient Europe and Native Americans: A Comparative Reflection on the Roots of Antiquarianism
      CHAPTER 3 Ancient Europe and Native Americans: A Comparative Reflection on the Roots of Antiquarianism (pp. 58-80)
      Alain Schnapp

      Antiquity embodied a horizon of thought that obsessed European curiosity from the Renaissance through the Enlightenment. The Greeks, the Romans, and even the Egyptians were omnipresent in the discourses of philologists, in the scholarly research of antiquarians, and in the obsession of men of state and even sovereigns. We owe the discovery of Herculaneum and Pompei to Bernardo Tanucci and his king, Charles of Naples, Charles III of Spain. For the king and his first minister, the buried cities of the area around Vesuvius were not just a simple field of ruins, an open mine of the antique; they were...

  7. II. COLLECTING AND THE FORMATION OF GLOBAL NETWORKS
    • CHAPTER 4 Aztec Regalia and the Reformation of Display
      CHAPTER 4 Aztec Regalia and the Reformation of Display (pp. 83-98)
      Carina L. Johnson

      After Hernán Cortés shipped the first cargos of gold, silver, gems, and feather treasure from Mexico to Europe, they were viewed with marvel and admiration. The treasure was a gift from the conquistador to Charles V, king of Castile and elected Holy Roman Emperor. Albrecht Dürer’s delighted view of these objects, at Charles’s court in Brussels in August 1520, is often quoted:

      I have seen these things, which have been brought to the King [Charles] from the new golden land. . . . They are so splendid, that one would treasure them at a hundred thousand guldens’ worth. And I...

    • CHAPTER 5 Dead Natures or Still Lifes? Science, Art, and Collecting in the Spanish Baroque
      CHAPTER 5 Dead Natures or Still Lifes? Science, Art, and Collecting in the Spanish Baroque (pp. 99-115)
      José Ramón Marcaida and Juan Pimentel

      This work arises from an inquiry concerning two of the most influential intellectual enterprises of the seventeenth century: the new sciences and baroque culture. Equally imprecise in terms of definition and historiographical characterization, both projects shared a somewhat similar social, political, and cultural background. Historians of science, however, seem to have overlooked many of these connections. Since Heinrich Wölfflin and Werner Weisbach introduced “baroque” as a category in the history of art, the term has been widely used in numerous areas: architecture, painting, literature, drama, and so forth. This category, however, has not succeeded in entering the field of natural...

    • CHAPTER 6 Crying a Muck: Collecting, Domesticity, and Anomie in Seventeenth-Century Banten and England
      CHAPTER 6 Crying a Muck: Collecting, Domesticity, and Anomie in Seventeenth-Century Banten and England (pp. 116-133)
      Robert Batchelor

      According to Bernard Bailyn, we owe our concept of the Atlantic world to an article by Walter Lippmann in the New Republic from February 1917, encouraging the United States to enter the Great War and defend the integrity of this early modern construction. Compared with that piece, “Some Jacobean Links Between America and the Orient” by Boise Penrose, appearing in Virginia Magazine of History and Biography in October 1940 and January 1941, seems quite obscure, albeit also in its own way prescient. Penrose contended that “of the leading figures in the early history of the East India Company and of...

    • CHAPTER 7 Collecting and Translating Knowledge Across Cultures: Capuchin Missionary Images of Early Modern Central Africa, 1650–1750
      CHAPTER 7 Collecting and Translating Knowledge Across Cultures: Capuchin Missionary Images of Early Modern Central Africa, 1650–1750 (pp. 134-154)
      Cécile Fromont

      This essay analyzes the role played by images in the collection and communication of knowledge across cultures in the context of seventeenth- and eighteenth-century Central Africa. It is based on the study of a set of illustrated manuscripts created between approximately 1650 and 1750 by Capuchin friar missionaries to the West Central African Kingdom of Kongo and Portuguese colony of Angola. These documents vary in size from a single page ink-on-paper panel to longer, richly illustrated manuscripts ranging between fifteen and over one hundred folios. Yet they form a cohesive group united by a common mode of operation that centers...

    • CHAPTER 8 European Wonders at the Court of Siam
      CHAPTER 8 European Wonders at the Court of Siam (pp. 155-174)
      Sarah Benson

      With this fragment of dialogue begins the likewise fragmentary journal of Ok-Phra Wisut Sunthon, known more familiarly as Kosa Pan, Siamese ambassador to France in 1686–87.¹ The next event in his narration, “Those ladies then departed,” allows us to reconstruct the scene. Kosa Pan is aboard the Oiseau, the ship that has brought him and two coadjutants from Siam on a diplomatic mission to the court of Louis XIV. There he has been the object of curiosity for the first French women to get a look at him after his arrival in their country, and he has assured them...

    • Color Plates
      Color Plates (pp. None)
  8. III. COLLECTING PEOPLE
    • CHAPTER 9 Collecting and Accounting: Representing Slaves as Commodities in Jamaica, 1674–1784
      CHAPTER 9 Collecting and Accounting: Representing Slaves as Commodities in Jamaica, 1674–1784 (pp. 177-191)
      Trevor Burnard

      When Thomas Thistlewood died in late November 1786, he was eulogized in an obituary in the Cornwall Gazette on December 16, 1786 as follows:

      In Westmoreland, on Thursday the 30th of November, in the 65th year of his age, Thomas Thistlewood, Esq., a gentleman whose social qualities, during a residence of upwards of thirty years in that parish, had greatly endeared him to a whole circle of his neighbours and acquaintances and whose attainments, in many branches of natural knowledge, in which he was peculiarly communicative, rendered him a most desirable companion to men of science.¹

      Thistlewood was a gentleman...

    • CHAPTER 10 “Collecting Americans”: The Anglo-American Experience from Cabot to NAGPRA
      CHAPTER 10 “Collecting Americans”: The Anglo-American Experience from Cabot to NAGPRA (pp. 192-214)
      Peter C. Mancall

      In the early modern era, some European visitors to the Western Hemisphere thought they would take indigenous Americans home with them. Christopher Columbus was the first to do so, but soon after, Sebastian Cabot did the same thing, as did many Europeans who traveled to the Americas before the mid-eighteenth century. Historians have tended to understand the movement of Americans across the Atlantic Ocean as a portent of incipient slavery, the development of long-distance diplomacy, or the expression of a European craving to understand the “other.”¹ But this particular population movement can also be understood as a problem in the...

  9. IV. EUROPEAN COLLECTIONS OF AMERICANA IN THE EIGHTEENTH AND NINETEENTH CENTURIES
    • CHAPTER 11 Spanish Collections of Americana in the Late Eighteenth Century
      CHAPTER 11 Spanish Collections of Americana in the Late Eighteenth Century (pp. 217-235)
      Paz Cabello Carro

      This essay surveys some of the many late eighteenth-century collections of Spanish Americana, attempting whenever possible to match extant objects that are held today in contemporary museums to the inventories and textual descriptions that survive from when they were originally gathered. Although archaeological curiosities were shipped from the Indies to Europe before the eighteenth century and it is known that the Spanish Crown maintained American collections, those early collections seem to have perished in the 1734 fire at the Reales Alcázares in Madrid, which destroyed most of the royal palace. Thus, a new era of royal collecting of Americana began...

    • CHAPTER 12 Martínez Compañón and His Illustrated “Museum”
      CHAPTER 12 Martínez Compañón and His Illustrated “Museum” (pp. 236-253)
      Lisa Trever and Joanne Pillsbury

      As bishop of the intendancy of Trujillo, Peru, during the 1780s, the Basque priest Baltasar Jaime Martínez Compañón y Bujanda (1737–97) created what was surely the most systematic and best-documented collection of natural history and pre-Columbian art and artifacts assembled in late eighteenth-century Peru.¹ In 1788 and 1790, the bishop sent box upon box of flora, fauna, metals and minerals, northern Peruvian antiquities, ethnographic objects, and colonial artworks from Cartagena, across the Atlantic, to the Bourbon crown in Spain.² Although the current location of the natural history collections is unknown, fortunately many of the artifacts the bishop collected survive...

    • CHAPTER 13 Europe Rediscovers Latin America: Collecting Artifacts and Views in the First Decades of the Nineteenth Century
      CHAPTER 13 Europe Rediscovers Latin America: Collecting Artifacts and Views in the First Decades of the Nineteenth Century (pp. 254-268)
      Pascal Riviale

      The disciplines of anthropology and archaeology underwent a spectacular development in the nineteenth century: the entire world could now be studied and classified. A major focus of this ambitious scientific project was the Americas. The artifacts and images that explorers and collectors brought back from the Americas documented peoples and cultures that were profoundly different from anything known in Europe.

      Due to colonial Spain’s and Portugal’s efforts to control the circulation of ideas, merchandise, and information between Latin America and Europe, little information about the indigenous history of Latin America reached Europe before the early nineteenth century.¹ Countries such as...

    • CHAPTER 14 Image and Experience in the Land of Nopal and Maguey: Collecting and Portraying Mexico in Two Nineteenth-Century French Albums
      CHAPTER 14 Image and Experience in the Land of Nopal and Maguey: Collecting and Portraying Mexico in Two Nineteenth-Century French Albums (pp. 269-288)
      Megan E. O’Neil

      These words mark the beginning of Mexique, 1865, an album of Louis Falconnet, a French officer in Emperor Maximilian’s military cabinet during the French “Intervention” or occupation of Mexico in the mid-1860s, when Maximilian of Habsburg was placed by Napoleon III as the “emperor” of Mexico.¹ Although in Mexico on official business, Falconnet makes the rhetoric of the album personalized, both in this poem and in the original watercolors, hand-written descriptions, collected cartes de visite, and even a scrap of cloth pasted on the album’s paper pages.² In this “Pensée, “Falconnet claims that never would he efface Mexico from his...

    • NOTES
      NOTES (pp. 289-338)
    • List of Contributors
      List of Contributors (pp. 339-342)
    • INDEX
      INDEX (pp. 343-362)
    • ACKNOWLEDGMENTS
      ACKNOWLEDGMENTS (pp. 363-363)
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