Saving Shame
Saving Shame: Martyrs, Saints, and Other Abject Subjects
Virginia Burrus
Series: Divinations: Rereading Late Ancient Religion
Copyright Date: 2008
Published by: University of Pennsylvania Press
Pages: 208
https://www.jstor.org/stable/j.ctt3fhcv3
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Book Info
Saving Shame
Book Description:

Virginia Burrus explores one of the strongest and most disturbing aspects of the Christian tradition, its excessive preoccupation with shame. While Christianity has frequently been implicated in the conversion of ancient Mediterranean cultures from shame- to guilt-based, and thus in the emergence of the modern West's emphasis on guilt, Burrus seeks to recuperate the importance of shame for Christian culture. Focusing on late antiquity, she explores a range of fascinating phenomena, from the flamboyant performances of martyrs to the imagined abjection of Christ, from the self-humiliating disciplines of ascetics to the intimate disclosures of Augustine. Burrus argues that Christianity innovated less by replacing shame with guilt than by embracing shame. Indeed, the ancient Christians sacrificed honor but laid claim to their own shame with great energy, at once intensifying and transforming it. Public spectacles of martyrdom became the most visible means through which vulnerability to shame was converted into a defiant witness of identity; this was also where the sacrificial death of the self exemplified by Christ's crucifixion was most explicitly appropriated by his followers. Shame showed a more private face as well, as Burrus demonstrates. The ambivalent lure of fleshly corruptibility was explored in the theological imaginary of incarnational Christology. It was further embodied in the transgressive disciplines of saints who plumbed the depths of humiliation. Eventually, with the advent of literary and monastic confessional practices, the shame of sin's inexhaustibility made itself heard in the revelations of testimonial discourse. In conversation with an eclectic constellation of theorists, Burrus interweaves her historical argument with theological, psychological, and ethical reflections. She proposes, finally, that early Christian texts may have much to teach us about the secrets of shame that lie at the heart of our capacity for humility, courage, and transformative love.

eISBN: 978-0-8122-0151-2
Subjects: Religion
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  1. Front Matter
    Front Matter (pp. i-vi)
  2. Table of Contents
    Table of Contents (pp. vii-viii)
  3. Preface: My Shame
    Preface: My Shame (pp. ix-xii)
  4. Introduction: Outing Shame
    Introduction: Outing Shame (pp. 1-9)

    Shame is an emotion of which we frequently seem deeply ashamed. Famously the great inhibitor, shame at once suppresses and intensifies other affects with which it binds.¹ Shame can even bind with shame: “Shame, indeed, covers shame itself—it is shameful to express shame.”² Evidence of this (if we needed any) is the fact that, until lately, shame has been a taboo topic even among psychoanalysts, psychotherapists, and psychologists, who have been “trained to celebrate guilt and demean embarrassment as its vaguely indecent sibling,” as Donald Nathanson notes. In recent decades, however, the tide has begun to turn, exemplified by...

  5. Chapter 1 Shameless Witnesses
    Chapter 1 Shameless Witnesses (pp. 10-43)

    The centrality of spectacle and performance in imperial Roman culture is widely acknowledged. The spectacles of the arena in particular—ranging from gladiatorial combat to fights with wild animals to mock military battles to various forms of dramatized execution—have exerted a powerful fascination for modern readers, as for ancient spectators. In the arena, rites of sacrifice to the gods, displays of military triumph over non-Romans, assertions of social order through the punishment of criminals, and manifestations of aristocratic munificence all converge in symbolically saturated performances that embrace (in principle at least) the breadth of a highly differentiated society at...

  6. Chapter 2 An Embarrassment of Flesh
    Chapter 2 An Embarrassment of Flesh (pp. 44-80)

    One spectacle of shame remains yet to be disclosed—the shameful spectacle of Jesus’ death on a cross. Unlike death in the gladiatorial or martyrial arena, execution by crucifixion offered little possibility for glorious transformation: arguably, even the canonical gospels fail to make a triumphant spectacle of the cross. Mark’s Jesus, executed along with two bandits and mocked mercilessly by his spectators, does not, after all, defiantly proclaim his divine identity but instead poignantly pronounces his God-forsaken abjection (15.34). The earliest narratives of crucifixion seem already to require the supplemental account of resurrection to secure Jesus’ undying glory in the...

  7. Chapter 3 The Desire and Pursuit of Humiliation
    Chapter 3 The Desire and Pursuit of Humiliation (pp. 81-109)

    Ancient Christians understood that the divine Logos submitted to the humiliation of flesh in order to redeem humanity. It might seem, then, that the corresponding path laid out for humans was one of sheer ascent to glory. Yet the practices of ascetics, as well as the examples of martyrs, suggest otherwise. A plunge into the abyss of abjection was necessarily undertaken by those who aspired to transcendence. In imitation of Christ, holy men and women of late antiquity engaged in elaborate rituals of self-humiliation through which they might hope to escape the unbearable weight of selfhood registered in the relentless...

  8. Chapter 4 Shameful Confessions
    Chapter 4 Shameful Confessions (pp. 110-147)

    In the spectacle of martyrdom, words are reduced to a bare minimum: “I am Christian!” The broken body itself becomes the book shamelessly splayed and displayed before many witnesses, and the truth that it inscribes, or makes, is split, doubled—testimony both to the coercive power of the torturer and to the defiant resistance of the one tortured, to the overwhelming greatness of God and to the abysmal abjection of humanity. This palpably Christlike confession of flesh, at once exacted and volunteered, is echoed by the confession of words in other arenas of ancient Christian performance, not least Augustine’s famous...

  9. Afterword: Shame, Politics, Love
    Afterword: Shame, Politics, Love (pp. 148-154)

    In the face of an alarming increase of public appeals to shame and disgust, Martha Nussbaum yearns for something that she also does not imagine to be fully realizable—namely, an eschatological community of citizens who do not hide from their humanity, as she puts it, but are able to acknowledge their finitude and need for one another. A society without shame? Not quite. Rather, a society in which shame—or perhaps more accurately the temptation to deny shame by projecting it onto others—is disciplined by rationality. Shame, argues Nussbaum, not unlike disgust, is a complex emotional gesture in...

  10. Notes
    Notes (pp. 155-176)
  11. Bibliography
    Bibliography (pp. 177-186)
  12. Index
    Index (pp. 187-194)
  13. Acknowledgments
    Acknowledgments (pp. 195-195)
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