Metropolitan Philadelphia
Metropolitan Philadelphia: Living with the Presence of the Past
STEVEN CONN
Series: Metropolitan Portraits
Copyright Date: 2006
Published by: University of Pennsylvania Press
Pages: 288
https://www.jstor.org/stable/j.ctt3fhj08
Search for reviews of this book
Book Info
Metropolitan Philadelphia
Book Description:

As America's fifth largest city and fourth largest metropolitan region, Philadelphia is tied to its surrounding counties and suburban neighborhoods. It is this vital relationship, suggests Steven Conn, that will make or break greater Philadelphia. The Philadelphia region has witnessed virtually every major political, economic, and social transformation of American life. Having once been an industrial giant, the region is now struggling to fashion a new identity in a postindustrial world. On the one hand, Center City has been transformed into a vibrant hub with its array of restaurants, shops, cultural venues, and restored public spaces. On the other, unchecked suburban sprawl has generated concerns over rising energy costs and loss of agriculture and open spaces. In the final analysis, the region will need a dynamic central city for its future, while the city will also need a healthy sustainable region for its long-term viability. Central to the identity of a twenty-first century Metropolitan Philadelphia, Conn argues, is the deep and complicated interplay of past and present. Looking at the region through the wide lens of its culture and history, Metropolitan Philadelphia moves seamlessly between past and present. Displaying a specialist's knowledge of the area as well as a deep personal connection to his subject, Conn examines the shifting meaning of the region's history, the utopian impulse behind its founding, the role of the region in creating the American middle class, the regional watershed, and the way art and cultural institutions have given shape to a resident identity. Impressionistic and beautifully written, Metropolitan Philadelphia will be of great interest to urbanists and at the same time accessible to the wider public intrigued in the rich history and cultural dynamics of this fascinating region. What emerges from the book is a wide-ranging understanding of what it means to say, "I'm from Philadelphia."

eISBN: 978-0-8122-0408-7
Subjects: Sociology
You do not have access to this book on JSTOR. Try logging in through your institution for access.
Log in to your personal account or through your institution.
Table of Contents
Export Selected Citations Export to NoodleTools Export to RefWorks Export to EasyBib Export a RIS file (For EndNote, ProCite, Reference Manager, Zotero, Mendeley...) Export a Text file (For BibTex)
Select / Unselect all
  1. Front Matter
    Front Matter (pp. [i]-[viii])
  2. Table of Contents
    Table of Contents (pp. [ix]-[x])
  3. PROLOGUE: The Naked City
    PROLOGUE: The Naked City (pp. 1-28)

    There are a million stories in the naked city.

    That line closes the 1948 classic film noir The Naked City.¹ The film, drenched in shadow and filled with the grit and swelter of a hot city summer, is a crime story set in New York. The movie, innovatively filmed in the city itself, out in the open, without stage sets, also purports to be, as the narrator explains, a story about the city. Its closing line, uttered by that same narrator over scenes of the city at night, has always struck me as the most astute characterization of any city:...

  4. CHAPTER ONE Echoes of William Penn
    CHAPTER ONE Echoes of William Penn (pp. 29-70)

    It is fair to say, I think, that no other American city is still so thoroughly identified with its founder as Philadelphia is with William Penn. Bostonians might remember John Winthrop’s connection to the founding of their city, and New Yorkers have named a high school after Peter Stuyvesant, but Philadelphians live and work, literally and figuratively, in the shadow of William Penn. His statue, all thirty-six feet and twenty-six tons of it, gazes upon his city from the top of City Hall tower, and his name is attached to everything, from the Penn City Elevator Company to the state...

  5. CHAPTER TWO The Ghosts That Haunt Us
    CHAPTER TWO The Ghosts That Haunt Us (pp. 71-114)

    The moviemaker M. Night Shyamalan has provided another kind of imaginative geography, a decidedly spooky one, for Greater Philadelphia. Shyamalan himself lives on Philadelphia’s Main Line and he has set—and filmed—all his movies in the region. Through Shyamalan’s lens, Bucks County has become a place of weird crop circles, and nineteenth-century Chester County the home to a plagued village.

    Shyamalan broke into the national movie scene in 1999 with his wildly successful film The Sixth Sense. The plot revolves around Cole Sear (Haley Joel Osment), an eight-year-old boy who is haunted by ghosts, and Dr. Malcolm Crow (Bruce...

  6. CHAPTER THREE The Delaware Valley Makes the Middle Class
    CHAPTER THREE The Delaware Valley Makes the Middle Class (pp. 115-158)

    I play a game with my students: Raise your hand if you are middle class. All hands invariably go up.

    And there it is. We are all middle class in America. I have heard doctors and lawyers, whose annual incomes top half a million dollars, insist that they too are middle class. It is more central to our sense of ourselves than apple pie, baseball, or moms.

    The purpose of my game, of course, is precisely to get my students to examine just a bit more closely what we mean by middle class and just what constitutes membership in it....

  7. CHAPTER FOUR Two Rivers Run Through It
    CHAPTER FOUR Two Rivers Run Through It (pp. 159-204)

    Sitting at his window in 1789 the Reverend Dr. Duche, a visitor from England to the new nation of the United States, wrote a “Description of Philadelphia” for readers of the American Museum. He looked out over the “majestic Delaware” to the woods on the “opposite shore of New Jersey . . . clothed in their brightest verdure,” which afforded his eyes “a pleasing rest and refreshment . . . after it has glanced across the watry mirror.” While the good reverend doctor found the city only extended about half a mile from the shore of the Delaware, he told...

  8. CHAPTER FIVE In the Mind’s Eye: Imagining the Philadelphia Region
    CHAPTER FIVE In the Mind’s Eye: Imagining the Philadelphia Region (pp. 205-246)

    Boathouse Row with the lights on. The Liberty Bell. The Art Museum. Independence Hall. William Penn on top of City Hall’s tower.

    All of these symbolize Philadelphia. They function visually as instantly recognizable shorthand for the city, and as such tend to get used whenever quick visual cues are necessary: ad campaigns, promo shots on TV, filler during broadcasts of Philadelphia sporting events.

    They serve their purpose well because they are visually compelling and because they are, each of them, distinctive. In the blink of an eye, they signal “Philadelphia” and no place else. After all, most important American cities...

  9. EPILOGUE: The Naked City and the Story of Decline
    EPILOGUE: The Naked City and the Story of Decline (pp. 247-252)

    For the last fifty years we have told roughly the same story about metropolitan America in the Northeast and the Midwest. In the postwar period, those suburbs have grown, proliferated, and thrived, while the cities at the centers of those regions have declined, decayed, and been eclipsed by the rising cities of the South and West.

    It is hard to argue with the numbers, so let’s do a quick review. America urbanized dramatically over the nineteenth century, hand in glove with the rise of the industrial economy. When the nation was founded in Philadelphia, probably over 90 percent of the...

  10. NOTES
    NOTES (pp. 253-264)
  11. INDEX
    INDEX (pp. 265-272)
  12. ACKNOWLEDGMENTS
    ACKNOWLEDGMENTS (pp. 273-274)
University of Pennsylvania Press logo