"Miscegenation"
"Miscegenation": Making Race in America
ELISE LEMIRE
Copyright Date: 2002
Published by: University of Pennsylvania Press
Pages: 216
https://www.jstor.org/stable/j.ctt3fhr3d
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Book Info
"Miscegenation"
Book Description:

In the years between the Revolution and the Civil War, as the question of black political rights was debated more and more vociferously, descriptions and pictorial representations of whites coupling with blacks proliferated in the North. Novelists, short-story writers, poets, journalists, and political cartoonists imagined that political equality would be followed by widespread inter-racial sex and marriage. Legally possible yet socially unthinkable, this "amalgamation" of the races would manifest itself in the perverse union of "whites" with "blacks," the latter figured as ugly, animal-like, and foul-smelling. In Miscegenation, Elise Lemire reads these literary and visual depictions for what they can tell us about the connection between the racialization of desire and the social construction of race. Previous studies of the prohibition of interracial sex and marriage in the U.S. have focused on either the slave South or the post-Reconstruction period. Looking instead to the North, and to such texts as the Federalist poetry about Thomas Jefferson and Sally Hemings, James Fenimore Cooper's Last of the Mohicans, Edgar Allan Poe's "Murders in the Rue Morgue," and the 1863 pamphlet in which the word "miscegenation" was first used, Lemire examines the steps by which whiteness became a sexual category and same-race desire came to seem a biological imperative.

eISBN: 978-0-8122-0034-8
Subjects: Language & Literature
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  1. Front Matter
    Front Matter (pp. i-vi)
  2. Table of Contents
    Table of Contents (pp. vii-viii)
  3. List of Illustrations
    List of Illustrations (pp. ix-x)
  4. Introduction: The Rhetorical Wedge Between Preference and Prejudice
    Introduction: The Rhetorical Wedge Between Preference and Prejudice (pp. 1-10)

    Between the Revolution and the Civil War, descriptions and pictorial representations of whites coupling with blacks proliferated in the North. Novelists, short-story writers, poets, journalists, and political cartoonists, among others, devoted a vast amount of energy to depicting blacks and whites dancing, flirting, kissing, and marrying one another. Invariably, the blacks are portrayed as ugly, animal-like, and foul-smelling. This makes them easily distinguishable from the whites, who are usually portrayed as physically attractive. In most cases, the whites portrayed coupling inter-racially are abolitionists. In all cases, the depictions appear when and where the question of black political rights was debated...

  5. 1 Race and the Idea of Preference in the New Republic: The Port Folio Poems About Thomas Jefferson and Sally Hemings
    1 Race and the Idea of Preference in the New Republic: The Port Folio Poems About Thomas Jefferson and Sally Hemings (pp. 11-34)

    On a tour of North and South Carolina in 1773, Bostonian Josiah Quincy, Jr., took note of what he perceived to be the prevailing attitudes there about interracial sex. He recorded his findings in his private journal:

    The enjoyment of a negro or mulatto woman is spoken of as quite a common thing: no reluctance, delicacy or shame is made about the matter. It is far from being uncommon to see a gentleman at dinner, and his reputed offspring a slave to the master of the table. . . . The fathers neither of them blushed or seem[ed] disconcerted. They...

  6. 2 The Rhetoric of Blood and Mixture: Cooper’s “Man Without a Cross”
    2 The Rhetoric of Blood and Mixture: Cooper’s “Man Without a Cross” (pp. 35-52)

    In The Last of the Mohicans (1826), a historical novel about the New York frontier during the French and Indian War and the most popular novel of the 1820s, James Fenimore Cooper has the main protagonist refer repeatedly to race in terms of blood and fractions of blood.¹ Hawk-eye states that he is “the whole blood of the whites” and, on another occasion, that he is “a man of white blood.” On still another occasion, he claims to be “a white man who has no taint of Indian blood.”² Hawk-eye uses the rhetoric of blood in these statements to make...

  7. 3 The Barrier of Good Taste: Avoiding A Sojourn in the City of Amalgamation in the Wake of Abolitionism
    3 The Barrier of Good Taste: Avoiding A Sojourn in the City of Amalgamation in the Wake of Abolitionism (pp. 53-86)

    A double-sided painting from New England circa 1825 provides, on one side, a portrait of a well-dressed man in a bust-length form and, on the flip side, two very provocative vignettes entitled Virginian Luxuries. One vignette depicts the same man posed to strike with a long stick the bared back of man much more dark skinned than himself and the other depicts him kissing a woman also darker than himself (Figures 2 and 3).¹ The frame molding on the flip side of the portrait lacks the hardware typical of the backside of a painting, indicating it was meant to look...

  8. 4 Combating Abolitionism with the Species Argument: Race and Economic Anxieties in Poe’s Philadelphia
    4 Combating Abolitionism with the Species Argument: Race and Economic Anxieties in Poe’s Philadelphia (pp. 87-114)

    Philadelphia was the site of another one of the largest anti-abolitionist riots. In May 1838, a mob burned to the ground the abolitionists’ newly built Pennsylvania Hall for Free Discussion, attempted to burn the Friends Shelter for Colored Orphans, and attacked a black church. The hall was built earlier that year by a joint stock company formed by the abolitionists when they had trouble hiring halls for their meetings. In addition to providing rooms for various “benevolent or moral societies” to meet, the hall was intended to serve as a headquarters for publishing abolitionist newspapers and tracts.¹ In spring 1838,...

  9. 5 Making “Miscegenation”: Alcott’s Paul Frere and the Limits of Brotherhood After Emancipation
    5 Making “Miscegenation”: Alcott’s Paul Frere and the Limits of Brotherhood After Emancipation (pp. 115-144)

    In the years leading up to and during the Civil War, there were radical abolitionists who continued to champion the right to inter-racial marriage. Most prominent were the anti-slavery women of Massachusetts, who between 1838 and 1843 petitioned their state legislature to overturn the law banning interracial marriage as part of their effort to “obtain for . . . [blacks] equal civil and political rights and privileges with the whites.”¹ They and their supporters stated publicly and persistently that marriage should be strictly a matter of personal preference.² A few radical abolitionists also argued not only that inter-marriage should be...

  10. Epilogue: “Miscegenation” Today
    Epilogue: “Miscegenation” Today (pp. 145-148)

    A look at recent discussions about race and sex in everything from the popular press to science articles and historical scholarship reveals that many Americans still believe there is a special category of sex that is “inter-racial.” We imagine that race is produced through sexual reproduction such that sex across imagined race lines must have its own term, must be marked as outside not only the social but the biological norm. In short, we hold on to biology when faced with the issue of race and sex even in the face of our many claims that race is purely a...

  11. Notes
    Notes (pp. 149-178)
  12. Bibliography
    Bibliography (pp. 179-190)
  13. Index
    Index (pp. 191-202)
  14. Acknowledgments
    Acknowledgments (pp. 203-204)
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