The Sex Lives of Saints
The Sex Lives of Saints: An Erotics of Ancient Hagiography
Virginia Burrus
Series: Divinations: Rereading Late Ancient Religion
Copyright Date: 2004
Published by: University of Pennsylvania Press
Pages: 224
https://www.jstor.org/stable/j.ctt3fhv1s
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Book Info
The Sex Lives of Saints
Book Description:

Has a repressive morality been the primary contribution of Christianity to the history of sexuality? The ascetic concerns that pervade ancient Christian texts would seem to support such a common assumption. Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive "countereroticism" that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition. Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries-Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of "saintly" loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.

eISBN: 978-0-8122-0072-0
Subjects: History
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  1. Front Matter
    Front Matter (pp. i-iv)
  2. Table of Contents
    Table of Contents (pp. v-vi)
  3. Introduction: Hagiography and the History of Sexuality
    Introduction: Hagiography and the History of Sexuality (pp. 1-18)

    The Sex Lives of Saints? What could such words possibly signify? Surely everyone knows that the repression of erotic desire is the hallmark of Christian sanctity: a “sex life” is precisely what a proper saint lacks. At most, ascetic eros—encoded as yearning for God—may be seen as the residue of an imperfectly sublimated sexuality. Better yet: it is a merely metaphorical expression for a purely desexualized love. Worse still: it reflects pleasure derived from practices of self-denial rooted in a pathological hatred of the body.

    It is difficult simply to contradict such widespread and thus all too easily...

  4. Chapter 1 Fancying Hermits: Sublimation and the Arts of Romance
    Chapter 1 Fancying Hermits: Sublimation and the Arts of Romance (pp. 19-52)

    “How often, when I was living in the desert, in the vast solitude which gives to hermits a savage dwelling-place, parched by the flames of the sun, how often did I fancy myself among the pleasures of Rome (putavi me Romanis interesse deliciis)!” (Ep. 22.7). Thus begins Jerome’s account of his own brief career as a hermit, intruded into a letter written to the Roman virgin Eustochium circa 384, some eight years after he had decisively fled the Syrian desert. In this passage, ascetic fantasy quickly overwhelms historical description. Still inventing himself in the present, Jerome’s interest in his own...

  5. Chapter 2 Dying for a Life: Martyrdom, Masochism, and Female (Auto) Biography
    Chapter 2 Dying for a Life: Martyrdom, Masochism, and Female (Auto) Biography (pp. 53-90)

    Loosing her tongue, Ambrose’s Agnes gives shameless witness to her desire for the executioner’s sword: by such violent proxy is she made Christ’s bride (Ambrose, On Virgins 2).¹ In contrast, Jerome’s unnamed youth (subjected to a still stranger persecution) bites his tongue, thereby excising his shameful desire for the torturess who has him bound and mounted: thus he becomes a hermit (Life of Paul 3). The virgin martyr surges toward an erotic consummation, joyfully impaling herself on the steely blade that may be exchanged for a heavenly husband. (She is something of a literalist as well as a sensualist.) The...

  6. Chapter 3 Hybrid Desire: Empire, Sadism, and the Soldier Saint
    Chapter 3 Hybrid Desire: Empire, Sadism, and the Soldier Saint (pp. 91-127)

    Martin of Tours, a Pannonian ex-soldier credited with the militant conversion of Gaul to Christianity, is best known to us from the Life penned by the Aquitanian ascetic Sulpicius Severus. Much admired for its delicate engagement with classical traditions of historiography and biography, Sulpicius’s Life of Martin also forcefully overwrites prior hagiographical texts. Like Jerome, Sulpicius takes up the task of refuting the singular claims of the Life of Antony, thereby also issuing a challenge to Jerome’s own Lives of Paul and Hilarion—competitors in his competition with the Athanasian Life. The Life of Martin is thus written aggressively, but...

  7. Chapter 4 Secrets of Seduction: The Lives of Holy Harlots
    Chapter 4 Secrets of Seduction: The Lives of Holy Harlots (pp. 128-159)

    The peculiarly promiscuous Lives of loose women are not easy to tie down to a particular time, place, or even textual version, in large part because their immense popularity led quickly to multiple translations and uncertain attributions of authorship. Thus, although the Syriac tale of Mary, part of a longer Life of Abraham also transmitted in Greek and Latin versions, was traditionally assigned to the fourth-century poet-theologian Ephrem, it is almost certainly a fifth-century text, and its author must remain anonymous.¹ The Life of Pelagia claims to be authored by one Jacob, the deacon of the bishop Nonnos, yet neither...

  8. Postscript (Catching My Breath)
    Postscript (Catching My Breath) (pp. 160-162)

    Countereroticism will not tolerate conclusion. There can be no end to love in the lives of saints, no end to the reading and rewriting of holy Lives. Nonetheless, readers, writers, and lovers alike honor the power of the interval, the necessity—even the intense desirability—of the pause. Let us pause, then, in the midst, in between. Let us catch our breath.

    Inspire: write and be read! Expire: let go of the self! In the midst, in between such daunting imperatives, our lives transpire. Heavy breathing, shallow breaths, suspenseful breathlessness: so we might measure the soulful, sensual embodiment of what...

  9. Notes
    Notes (pp. 163-198)
  10. Bibliography
    Bibliography (pp. 199-208)
  11. Index
    Index (pp. 209-214)
  12. Acknowledgments
    Acknowledgments (pp. 215-216)
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