Personal Effects
Personal Effects
DEBORAH H. HOLDSTEIN
DAVID BLEICH
Copyright Date: 2001
Published by: University Press of Colorado,
https://doi.org/10.2307/j.ctt46nx6f
Pages: 392
https://www.jstor.org/stable/j.ctt46nx6f
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Book Info
Personal Effects
Book Description:

In Personal Effects, Holdstein and Bleich compile a volume that cuts across the grain of current orthodoxy. These editors and contributors argue that it is fundamental in humanistic scholarship to take account of the personal and collective experiences of scholars, researchers, critics, and teachers. With this volume, then, these scholars move us to explore the intersections of the social with subjectivity, with voice, ideology, and culture, and to consider the roles of these in the work of academics who study writing and literature. Taken together, the essays in this collection carry forward the idea that the personal, the candidly subjective and intersubjective, must be part of the subject of study in humanities scholarship. They propose an understanding of the personal in scholarship that is more helpful because more clearly anchored in human experience.

eISBN: 978-0-87421-469-7
Subjects: Language & Literature
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  1. Front Matter
    Front Matter (pp. [i]-[iv])
    https://doi.org/10.2307/j.ctt46nx6f.1
  2. Table of Contents
    Table of Contents (pp. [v]-[vi])
    https://doi.org/10.2307/j.ctt46nx6f.2
  3. INTRODUCTION: Recognizing the Human in the Humanities
    INTRODUCTION: Recognizing the Human in the Humanities (pp. 1-24)
    David Bleich and Deborah H. Holdstein
    https://doi.org/10.2307/j.ctt46nx6f.3

    In the 1996 issue of PMLA considering “the personal” in scholarship, Michael Bérubé suggests that scholarly use of personal narrative represents “some kind of generic violation of scholarship in the human sciences.” But he concludes that “as long as the scholarship in question concerns humans and is written by humans, readers should at least entertain the possibility that nothing human should be alien to it.” This conclusion, so self-evident, is only now becoming acceptable in the humanities—that is, to admit the full range of human experience into formal scholarly writing.

    The study of language and literature without reference to...

  4. I IDEALS AND CAUTIONS
    • 1 SCHOLARLY MEMOIR: An Un-“Professional” Practice
      1 SCHOLARLY MEMOIR: An Un-“Professional” Practice (pp. 27-50)
      Margaret Willard-Traub
      https://doi.org/10.2307/j.ctt46nx6f.4

      The figure of the solitary thinker comprises a most powerful and enduring representation of scholarly life. This is the figure of the autonomous scholar-teacher, whose intellectual sovereignty and productivity, both in and out of the classroom, seemingly rests as much if not more upon untold hours of secluded reading and writing as it does upon building relationships with others—even those others who eventually may comprise important audiences for the scholar’s writing and teaching.

      Those of us whose experiences inside the institution readily challenge the usefulness of unqualified autonomy as an ideal, simultaneously recognize its appeal. Despite (or, ironically, perhaps...

    • 2 IN THE NAME OF THE SUBJECT: Some Recent Versions of the Personal
      2 IN THE NAME OF THE SUBJECT: Some Recent Versions of the Personal (pp. 51-76)
      Jeffrey Gray
      https://doi.org/10.2307/j.ctt46nx6f.5

      In the past quarter of a century in America, personal accounts have multiplied like Mandelbrot fractals, spreading into spaces formerly inhospitable to them. David Simpson, examining the new primacy of autobiography in The Academic Postmodern and the Rule of Literature, notes that personal stories now “pour off the presses, in literary criticism, ethnography, sociology, cultural studies, and philosophy” (23). Two of these areas in particular, cultural studies and literary criticism, might seem unlikely hosts to such incursions. The twentieth century’s two chief modes of reading, after all, have had little truck with the personal: the New Criticism studiously ignored subjectivity,...

  5. II SELF-INCLUSION IN LITERARY SCHOLARSHIP
    • 3 Radical Introspection: The Personal in Scholarship and Teaching
      3 Radical Introspection: The Personal in Scholarship and Teaching (pp. 79-92)
      Brenda Daly
      https://doi.org/10.2307/j.ctt46nx6f.6

      My best teaching takes place when I am most attentive to students, when I am fully engaged in listening to and learning from them, when I am talking with them, not at them. Unfortunately, I am not always capable of such deep listening. Students sense this immediately. They may not accuse me directly, as my son has on occasion—“Mom, you’re not paying attention!”—but their demeanor changes. It’s a subtle thing, but palpable. Over the years, I have come to understand, primarily through the introspective practice of personal scholarship, that I am most attentive to students after first attending...

    • 4 LOSS, MEMORY, AND THE WORK OF LEARNING: Lessons from the Teaching Life of Anne Sexton
      4 LOSS, MEMORY, AND THE WORK OF LEARNING: Lessons from the Teaching Life of Anne Sexton (pp. 93-118)
      Paula M. Salvio
      https://doi.org/10.2307/j.ctt46nx6f.7

      Anne Sexton was an inspiring, conscientious teacher, a fact that often goes noticed. In addition to her teaching appointment at Boston University, Sexton taught poetry at Mclean Psychiatric Hospital, Colgate University, Oberlin College and Wayland High School in Wayland, Massachusetts. Her collaboration with Herbert Kohl and the Teachers and Writers Collaborative in the 1960s made substantive contributions to revitalizing English education, in part by initiating teaching partnerships among writers, artists and teachers. Sexton is rarely thought of as a dedicated teacher, nor is she immediately associated with the significant contributions she made to Teachers and Writers. Rather, she is most...

  6. III TEACHING AND SCHOLARSHIP FACE TO FACE
    • 5 “KNOWLEDGE HAS A FACE”: The Jewish, the Personal, and the Pedagogical
      5 “KNOWLEDGE HAS A FACE”: The Jewish, the Personal, and the Pedagogical (pp. 121-144)
      Susan Handelman
      https://doi.org/10.2307/j.ctt46nx6f.8

      I am not quite sure know how to begin this essay. A book whose subject is “the place of the personal in the academy” is bound to raise so many rhetorical expectations. I imagine my readers eagerly anticipating liberation from dry impersonal, academic prose, and wondering what secrets might be revealed. So I ask myself: Which rhetorical form should I use in this piece? Must it be a monologic narrative? Could I write it as a dialogue or letter? But which “I” do I present here? What will be my persona ?

      I am comforted to learn that the word...

    • 6 “WHO WAS THAT MASKED AUTHOR?” The Faces of Academic Editing
      6 “WHO WAS THAT MASKED AUTHOR?” The Faces of Academic Editing (pp. 145-162)
      Louise Z. Smith
      https://doi.org/10.2307/j.ctt46nx6f.9

      To what extent and in what ways is academic editing personal? It might look objective. Since 1980, PMLA has had a policy of author-anonymous and referee-anonymous (or “blind”) review of manuscripts. Submissions must exclude internal tip-offs as to their authors’ identities, so that referees can focus on what’s said rather than on who (or whose protegé) said it. Referees’ identities, too, are withheld from authors: no rewards, no reprisals. The object is fairness. Recently, though, PMLA’s editorial board considered doing away with anonymity. With signed submissions, so goes the argument, established authors will not have to bother with the long,...

  7. IV TEACHING AND SCHOLARSHIP PUBLIC AND PRIVATE
    • 7 AUTOBIOGRAPHY: The Mixed Genre of Private and Public
      7 AUTOBIOGRAPHY: The Mixed Genre of Private and Public (pp. 165-177)
      Madeleine R. Grumet
      https://doi.org/10.2307/j.ctt46nx6f.10

      As the social structures of affiliation become more abstract, more diverse, or distant, we find ourselves dashing headlong in retreat to symbols of connection that are increasingly familial–and defensive. Baseball, that great repository of nostalgia, has, for a long time stood as an icon for the intimate and enduring relations of small town life. Bring the Dodgers back to Brooklyn! And even I, who forswore the sport after the Dodgers left, worry that the Yankees will move to New Jersey. If the Marlins could move from obscurity to the playoffs through the purchase of “free” agent Livan Hernandez for...

    • 8 THE SOCIAL CONSTRUCTION OF “EXPRESSIVIST” PEDAGOGY
      8 THE SOCIAL CONSTRUCTION OF “EXPRESSIVIST” PEDAGOGY (pp. 178-198)
      Karen Surman Paley
      https://doi.org/10.2307/j.ctt46nx6f.11

      In his introduction to The Art of the Personal Essay, a nearly eight hundred page anthology from the classical to the contemporary era, Phillip Lopate writes, “The personal essay is the reverse of that Chinese set of boxes that you keep opening, only to find a smaller one within. Here you start with the small … and suddenly find a slightly larger container, insinuated by the essay’s successful articulation and the writer’s self-knowledge” (xxviii). This capacity of the personal essay to open itself up, the way it relies on an implied induction to be realized in the mind of the...

    • 9 The Scope of Personal Writing in Postsecondary English Pedagogy
      9 The Scope of Personal Writing in Postsecondary English Pedagogy (pp. 199-219)
      Diane P. Freedman
      https://doi.org/10.2307/j.ctt46nx6f.12

      One appeal of the personal voice in academic writing is its flexibility, its accessibility, and potential literariness—that is, its reliance on rhythms and word music, imagery, specificity, allusions. Another is its capacity for principled disclosure—of research goals and practices, of researcher stakes, of implications for problem, field, and author. That is the aspect I am interested in as a researcher, as a writer, and in my graduate courses in autobiographical scholarship. But the aspect on which I will focus here is the capacity of personal classroom writing—personal responses to course readings and disciplinary issues and the use...

    • 10 PERSONAL EXPERIENCE PAPER
      10 PERSONAL EXPERIENCE PAPER (pp. 220-231)
      Rachel Brownstein
      https://doi.org/10.2307/j.ctt46nx6f.13

      Keith says he thinks Jane Austen is “naughty”; Sarah purses her lips. He draws big gay quotation marks around the word with his gay voice, reminding the class that nice as pie though he is he’s also naughty and knowing; she looks demurely down through the bottoms of her bifocals, quietly amused, refusing to meet his campily candid blue gaze. There is a sense, in the room, that the bartender and the schoolteacher—members, this semester, of my graduate seminar—are playing themselves to an audience of intimates, like the amateur actors at Mansfield Park. Both of them are sure...

    • 11 “THE WORLD NEVER ENDS”: Professional Judgments at Home, Abroad
      11 “THE WORLD NEVER ENDS”: Professional Judgments at Home, Abroad (pp. 232-250)
      Joycelyn K. Moody
      https://doi.org/10.2307/j.ctt46nx6f.14

      In my Cape Town diary, I wrote:

      7:39 a.m. Thursday 5-18-00

      Woke up in great anger: last night I finished grading the papers on Derricotte’s The Black Notebooks. Two students of color—Mimi and José—never even turned in their papers. Mimi said she’d turn her paper in to me on Tues. night, but then she went to the movies w/Dagni! This is the hazard of living with one’s students! But I know she decided not to submit it—or shit, to write it—after I spat out at her, “Not without a penalty—but do turn it in,” when...

  8. V THE SOCIAL CHARACTER OF PERSONAL NARRATIVE
    • 12 LEARNING TO TAKE IT PERSONALLY
      12 LEARNING TO TAKE IT PERSONALLY (pp. 253-266)
      Kate Ronald and Hephzibah Roskelly
      https://doi.org/10.2307/j.ctt46nx6f.15

      There’s not much about academic life that’s personal. At least, no professional academic is supposed to take any of the activities that make up an academic life personally. The trajectories of our careers—getting hired, published, tenured, promoted, reviewed—are documented in terms of qualifications, criteria, standards. These words feel scientific; they carry with them the respectable aura of observation and impartiality, and academics are encouraged to take comfort in the procedures that determine how—and whether—they will live their professional lives.

      Yet of course all academics know how personal a professional life in a university is. What could...

    • 13 CUENTOS DE MI HISTORIA: An Art of Memory
      13 CUENTOS DE MI HISTORIA: An Art of Memory (pp. 267-276)
      Víctor Villanueva
      https://doi.org/10.2307/j.ctt46nx6f.16

      A Memory. Seattle, 1979.

      She is a contradiction in stereotypes, not to be pegged. He likes her right off. She wants to go to Belltown, the Denny Regrade, to take photos. He wants to go along. He does, feeling insecure and full of bravado, slipping into the walk of bravado he had perfected as a child in Brooklyn. Stop into a small café at the outskirts of downtown, at the entry to the Regrade. It’s a French-style café, the Boulangerie, or some such. To impress her, he speaks French.

      “Un tas de café, s’il vous plais. Et croissants pour les...

    • 14 PERSONAL LANDMARKS ON PEDAGOGICAL LANDSCAPES
      14 PERSONAL LANDMARKS ON PEDAGOGICAL LANDSCAPES (pp. 277-295)
      Katya Gibel Azoulay
      https://doi.org/10.2307/j.ctt46nx6f.17

      In order to reflect on my pedagogical orientation and scholarly interests I will begin and conclude with my book, Black, Jewish and Interracial: Its Not the Color of Your Skin but the Race of Your Kin and Other Myths of Identity (1997). This work represents the culmination of a forty-three year work in progress which divide into two formative periods: childhood and adolescence in the United States and adulthood in Israel. I write this essay from a third moment – an unfolding set of middles: middle-age in the middle of Iowa in the middle of the U.S. In Black, Jewish...

    • 15 THE ANXIETY AND NOSTALGIA OF LITERACY: A Narrative about Race, Language, and a Teaching Life
      15 THE ANXIETY AND NOSTALGIA OF LITERACY: A Narrative about Race, Language, and a Teaching Life (pp. 296-316)
      Morris Young
      https://doi.org/10.2307/j.ctt46nx6f.18

      I look up from my chair at the stranger who has come to take me to an unfamiliar classroom. My legs dangle over the chair seat, feet not reaching the floor as I prepare to hop off. The building this classroom is in is different from my school—more sterile and hospital-like with the long corridors and chairs placed outside doors along the hall. In the yard there are no swings or jungle gyms to play on, a strange absence if this was indeed another school. As we enter the classroom, I notice the walls are not covered with kiddy...

    • 16 WHERE I’M COMING FROM: Memory, Location, And The (Un)making of National Subjectivity
      16 WHERE I’M COMING FROM: Memory, Location, And The (Un)making of National Subjectivity (pp. 317-334)
      Christopher Castiglia
      https://doi.org/10.2307/j.ctt46nx6f.19

      My father didn’t finish high school and my grandfather, a first-generation Sicilian immigrant, left school even sooner. Very little prepared me for my life as not only a college graduate but a college professor, except my sense that my passage through higher education somehow finished a journey started almost a century earlier by my grandfather. In my family, the worst insult was “caffon” (“greenhorn”), a label that summed up a state of ignorance, at once academic (awkward grammar, bad spelling) and national (an inability to adapt to pot-melted “American” culture, a habitual repetition of “Old World” practices and beliefs). By...

    • 17 THE PERSONAL AS HISTORY
      17 THE PERSONAL AS HISTORY (pp. 335-356)
      Richard Ohmann
      https://doi.org/10.2307/j.ctt46nx6f.20

      When I summon up remembrance of my early teaching years, lively courses and fine students swim to the surface, but chiefly a feeling of inadequacy bordering on desperation. A 23-year-old standing in coat and tie before privileged 18-year-olds, I took attendance with gravity, carefully announced that papers would be due or would be returned at the end of the hour, passed around a list of conference times, said OK, please turn to Orwell’s essay, and withal sought to prolong the safe time during which there could be no question who was in charge. I knew the script. They knew the...

  9. REFERENCES
    REFERENCES (pp. 357-376)
    https://doi.org/10.2307/j.ctt46nx6f.21
  10. CONTRIBUTORS
    CONTRIBUTORS (pp. 377-380)
    https://doi.org/10.2307/j.ctt46nx6f.22
  11. INDEX
    INDEX (pp. 381-385)
    https://doi.org/10.2307/j.ctt46nx6f.23