Even Cowboys Carry Cell Phones
Even Cowboys Carry Cell Phones
Editor Teresa Milbrodt
Series: Manifest West Series
Copyright Date: 2013
Published by: University Press of Colorado,
Pages: 137
https://www.jstor.org/stable/j.ctt4cgm3s
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Book Info
Even Cowboys Carry Cell Phones
Book Description:

Like any legendary figure, the cowboy is part myth and part reality, memorialized by history and Hollywood, envied by those who spend days at desks and dream of trading swivel chairs for saddles. The writings in this anthology serve as testament to the cultural love, bordering on obsession, of the American cowboy. These works cover the gamut, from the romanticized movie cowboy to ranchers, freelancers, and contemporary wranglers who wear hoodies and work in massive feedlot pens.

The cowboy that emerges from this collection is multifaceted, as the book juxtaposes cowboys spraying longhorns at a car wash to cowboys advertising services on Craigslist and Pepsi-drinking cowboys riding Amtrak trains. There are portraits of the old cowboys, crotchety coffee-swigging men with too many stories about how things were better four decades ago. However, the figure remains one constructed of loyalties-loyalty to work, loyalty to family, loyalty to animals, loyalty to the land.

The image of the cowboy is vivid in our imagination, insperable from Western mythology, a means to connect ourselves with the wild and rugged individuals we dream we used to be. In this age of computers and cubicles we want to touch and preserve that history, but we must allow for shifting traditions. As the thirty-five authors in this collection will remind you, even cowboys carry cell phones.

eISBN: 978-1-60732-290-0
Subjects: Language & Literature
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  1. Front Matter
    Front Matter (pp. i-v)
  2. Table of Contents
    Table of Contents (pp. vi-x)
  3. Foreword
    Foreword (pp. 1-4)
    TERESA MILBRODT

    Like any legendary figure, the cowboy is part myth and part reality, memorialized by history and Hollywood, envied by those who spend days at desks and dream of trading swivel chairs for saddles. The writings in this anthology serve as testament to the cultural love, bordering on obsession, of the American cowboy. These works cover the gamut from the romanticized movie cowboy to ranchers, freelancers, and contemporary wranglers who wear hoodies and work in massive feedlot pens.

    The cowboy that emerges from this collection is multi-faceted, as the book juxtaposes longhorns being sprayed at a car wash with cowboys advertising...

  4. Poetry
    • Detail of the Four Chambers to the Horse’s Heart
      Detail of the Four Chambers to the Horse’s Heart (pp. 7-8)
      Allen Braden
    • Hoof Rot
      Hoof Rot (pp. 9-9)
      Allen Braden
    • Cowboy
      Cowboy (pp. 10-10)
      Sarah Brown-Weitzman
    • Longhorn at the Car Wash
      Longhorn at the Car Wash (pp. 11-11)
      Kathleen Winter
    • The Bad Guy
      The Bad Guy (pp. 12-12)
      Stephen Page
    • Late Harvest
      Late Harvest (pp. 13-13)
      Ellaraine Lockie
    • Those Montana Men
      Those Montana Men (pp. 14-14)
      Ellaraine Lockie
    • Rebellion
      Rebellion (pp. 15-16)
      Ellaraine Lockie
    • Letter to Weingarten Written as the script for an Imaginary Western
      Letter to Weingarten Written as the script for an Imaginary Western (pp. 17-18)
      Adam Tavel
    • The Hero with a Thousand Faces Rides Again
      The Hero with a Thousand Faces Rides Again (pp. 19-19)
      Klipschutz
    • Chico Hot Springs Saloon, MT
      Chico Hot Springs Saloon, MT (pp. 20-21)
      Michelle Bonczek
    • Working Below Zero
      Working Below Zero (pp. 22-22)
      David Lavar Coy
    • Horses and Cowboys Suffer Together
      Horses and Cowboys Suffer Together (pp. 23-24)
      David Lavar Coy
    • Trail Ride
      Trail Ride (pp. 25-28)
      Lyla D. Hamilton
    • Blood Brothers
      Blood Brothers (pp. 29-30)
      Brenda Yates
    • Simile
      Simile (pp. 31-31)
      Anna Moore
    • To Pray at the Altar of this Horse
      To Pray at the Altar of this Horse (pp. 32-33)
      Carol Guerrero-Murphy
    • Lucky Says
      Lucky Says (pp. 34-34)
      Carol Guerrero-Murphy
    • More . . . Your Gunslinger Shadow Grows Amber
      More . . . Your Gunslinger Shadow Grows Amber (pp. 35-35)
      Red Shuttleworth
    • Assisted Living in a Rocking Chair
      Assisted Living in a Rocking Chair (pp. 36-36)
      Tricia Knoll
    • Carrying Our Loads
      Carrying Our Loads (pp. 37-37)
      Carolyn Dahl
    • A Rancher’s Rainstorm
      A Rancher’s Rainstorm (pp. 38-39)
      Carolyn Dahl
    • The Cattle
      The Cattle (pp. 40-41)
      Leonore Wilson
    • Ode to Robert McClure
      Ode to Robert McClure (pp. 42-42)
      John McCarthy
    • Raw
      Raw (pp. 43-43)
      Gina Bernard
    • After Chores
      After Chores (pp. 44-44)
      Don Thackrey
    • Cowboys
      Cowboys (pp. 45-46)
      William Notter
    • The Ranch Woman’s Secret
      The Ranch Woman’s Secret (pp. 47-47)
      William Notter
    • First Rodeo
      First Rodeo (pp. 48-49)
      F. Brett Cox
    • Burial for Horsemen
      Burial for Horsemen (pp. 50-50)
      Tom Sheehan
    • Big Horn Passover
      Big Horn Passover (pp. 51-52)
      Donna Kaz
    • Long After Memory Is Gone
      Long After Memory Is Gone (pp. 53-54)
      Rick Kempa
    • Sonnets of Selecting an Appaloosa
      Sonnets of Selecting an Appaloosa (pp. 55-56)
      Heather Fowler
    • Three Haiku
      Three Haiku (pp. 57-57)
      Sally Clark
    • Prayers for the World
      Prayers for the World (pp. 58-58)
      M. R. Smith
  5. Fiction
    • Cowboy Stories
      Cowboy Stories (pp. 61-70)
      Michael Shay

      Robert Wills was five beers into a Cheyenne Friday night as he told his favorite story to a middle-aged couple from Cincinnati.

      “Buddies used to introduce me as Bob Wills, and the women would say ‘You must be a Texas Playboy,’ and I’d say that I wasn’t any kind of Texan—I’m from Wyoming!” He cackled and tried not to trigger the cough that could go on and on and interfere with talking and drinking. He swallowed the last of the cheap draft and slapped the empty beer glass on the bar’s soggy coaster. He rocked the glass, hoping that...

    • Real Cowboy
      Real Cowboy (pp. 71-77)
      Heather Sappenfield

      He’s a muscular angle against the barn door’s frame. His back and one leg are straight. His other leg is bent, boot heel pressed against wood. Though his eyes are in a wedge of shade beneath his hat, he squints across the pasture, the arena, and the pine forest rising on the mountain. He smokes his cigarette like breathing, not even a pause when he places it at his lips, and he’s careful to flick the ashes into the dirt. His name is Lloyd. He arrived at this Colorado ranch a month ago, and, other than the Idaho license plate...

    • The Society Of Pardners To Melt Alaska
      The Society Of Pardners To Melt Alaska (pp. 78-84)
      Peter Clarke

      The third of January, 1959, was a cowboy’s curse of a bad day for Texas. From the Oklahoma border to Cameron County and the tip of the Rio Grande, pardners awoke having to sober up to their first day of being “second biggest.” Alaska had joined the Union.

      No longer being the biggest, how was Texas to carry on with any straightshooting, self-respecting decency? The friendship between Big and Texas is established upon the fact of Texas being big in the sense of being biggest: The Biggest State in the Union. All the way from trucks to tomboys, everything’s big...

  6. Essays
    • Eight Fragments from My Grandfather’s Body
      Eight Fragments from My Grandfather’s Body (pp. 87-96)
      Joe Wilkins

      I touch my grandfather’s hand, trace the seam of scar that runs his palm from wrist to pinky. The mark is ragged, loud and white against his sun-dark skin. Beneath, the flesh is ridged and drawn, hard to the touch. The cyanide shell, shot from a powdered coyote-getter gun, practically tore his hand in half.

      I have heard the story many times: He’s setting the gun near a sheep-kill along the north bank of Willow Creek, when it accidentally fires. There’s blood and black poison all over his hands and his boots, blood splashing in the dust, and his daughter,...

    • Feedlot Cowboy
      Feedlot Cowboy (pp. 97-116)
      Robert Rebein

      I set the alarm on my cell phone for 3:45 a.m., but anticipation had me up and throwing hay to the horses half an hour before that. Bill Hommertzheim, manager of the southwest Kansas feedlot where I planned to spend the day as a pen rider, had told me to report for work at 6:30 sharp, and since the ranch where I was staying was every bit of one hundred miles away, I knew I’d have to get an early start if I was going to make it on time. While the horses ate, I checked over the saddles and...

    • Hiding in the Cornrows
      Hiding in the Cornrows (pp. 117-125)
      Merrill Shane Jones

      Josh Love and Eric Schneider are mounted up and on the lookout for movement in the tall yellow corn. “I see one now,” Josh says, but I don’t know how he can. As high as these cowboys sit up in their saddles, the corn’s even higher, and there are 140 acres of it—enough to fill more than a hundred football fields.

      “There’s cows in them cornrows.” That’s what Farmer John says. Farmer John, who doesn’t like reporters and isn’t really named Farmer John. He’s losing his hair, just like me, and he keeps it closely cropped as a way...

    • Calving Time
      Calving Time (pp. 126-128)
      Echo Klaproth

      As the oldest of four siblings and the only girl, I grew up under unusual circumstances. The ranch was seventy-five miles from the nearest town, and it was nine miles to the closest neighbor’s. I went to school with my three brothers in our “backyard,” and because I preferred being outdoors, spent any spare time with Dad and a bevy of hired men; I was rarely indoors with Mom. I’m not sure when Dad and I became fully cognizant of the fact that I wasn’t one of the “boys.” I’m now speculating it happened in the spring of my twelfth...

  7. Contributors
    • Contributor Notes
      Contributor Notes (pp. 131-137)
    • About the Editors and Designer
      About the Editors and Designer (pp. 138-139)