"[In The Post-Rapture Diner] the brashness and sadness of our polyglot nation is given voice. Dorothy Barresi speaks in tongues - of 'undetonated cherubs,' sitcoms, and agents provocateurs. Her toughminded, eloquent poems articulate family tangles, unintentional cruelties, innocenc and sophistication. . . . The Post-Rapture Diner creates a language commensurate to the ethical complexities of this particular American moment and to the ongoing human dilemma." --Alice Fulton "[This] new book of poetry imagines southern California as a vast, hot, flat desert wasteland that revises T. S. Eliot's epic locale, finding redemption in lyrical strains of ice-cream trucks and sit-com romance. . . . Barresi's tone is wise and gullible, her cravings material and mystical, metaphorical and theatrical. . . . . I found myself entranced by Barresi's magical specter of the real, the full-bodied images provided by Nureyev or Ralph Kramden-who, after all, has his own ideas about the moon." --Voices in Italian Americana "Barresi's poetry has wit and pathos. . . . Her metaphors are a delight." --Library Journal "What a pleasure to find a poet whose sense of risk and honesty drives her to complicate the emotions and attitudes of her poems--so that sorrow might be suddenly hijacked by bravado, or delight by anger and humor-rather than to wrap us up a neat little parcel of agreeable 'sensitivities'. . . .Deeply imagined, full of toughness and great heart, Dorothy Barresi's poems come from the places where we all live now, in America, in the 1990s. I'd pay to read or hear her anytime, I'd stand in line." --Ploughshares Dorothy Barresi's poems have been published widely in literary journals, including Poetry, Parnassus, the Harvard Review, the Antioch Review and the Kenyon Review, and her essay-reviews appear semi-regularly in the Gettysburg Review. She has been the recipient of Fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, and the North Carolina Arts Council. Her poetry has been awarded a Pushcart Prize and the Hart Crane Memorial Poetry Prize. She is a Professor of English at California State University, Northridge, where she is Chair of the Creative Writing program. She lives in Los Angeles, California.
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Front Matter Front Matter (pp. [i]-[viii])https://doi.org/10.2307/j.ctt5hjnqm.1 -
Table of Contents Table of Contents (pp. [ix]-2)https://doi.org/10.2307/j.ctt5hjnqm.2 -
Some Questions We Might Ask Some Questions We Might Ask (pp. 3-6)https://doi.org/10.2307/j.ctt5hjnqm.3 -
Mother Hunger and Her Seatbelt Mother Hunger and Her Seatbelt (pp. 7-10)https://doi.org/10.2307/j.ctt5hjnqm.4 -
Poem Poem (pp. 11-13)https://doi.org/10.2307/j.ctt5hjnqm.5 -
My Anger in 1934 My Anger in 1934 (pp. 14-19)https://doi.org/10.2307/j.ctt5hjnqm.6 -
Called Up: Tinker to Evers to Chance Called Up: Tinker to Evers to Chance (pp. 20-22)https://doi.org/10.2307/j.ctt5hjnqm.7 -
The Post-Rapture Diner The Post-Rapture Diner (pp. 23-23)https://doi.org/10.2307/j.ctt5hjnqm.8 -
When I Think About America Sometimes (I think of Ralph Kramden) When I Think About America Sometimes (I think of Ralph Kramden) (pp. 24-29)https://doi.org/10.2307/j.ctt5hjnqm.9 -
Still Life with Hummingbird and Typewriter Still Life with Hummingbird and Typewriter (pp. 30-33)https://doi.org/10.2307/j.ctt5hjnqm.10 -
Shirts & Skins Shirts & Skins (pp. 34-37)https://doi.org/10.2307/j.ctt5hjnqm.11 -
Vanity Fair Vanity Fair (pp. 38-41)https://doi.org/10.2307/j.ctt5hjnqm.12 -
On First Looking Into Wells Fargo and Seeing a Rock Star On First Looking Into Wells Fargo and Seeing a Rock Star (pp. 42-44)https://doi.org/10.2307/j.ctt5hjnqm.13 -
The Vinegarroon The Vinegarroon (pp. 45-49)https://doi.org/10.2307/j.ctt5hjnqm.14 -
The Nude Detective, a Complaint The Nude Detective, a Complaint (pp. 50-51)https://doi.org/10.2307/j.ctt5hjnqm.15 -
Vivid Video Vivid Video (pp. 52-56)https://doi.org/10.2307/j.ctt5hjnqm.16 -
On the Poisoning of a Neighborhood Cat On the Poisoning of a Neighborhood Cat (pp. 57-59)https://doi.org/10.2307/j.ctt5hjnqm.17 -
Noah Descending Noah Descending (pp. 60-61)https://doi.org/10.2307/j.ctt5hjnqm.18 -
Crow Sermon Crow Sermon (pp. 62-64)https://doi.org/10.2307/j.ctt5hjnqm.19 -
Surfing as Meditation Surfing as Meditation (pp. 65-67)https://doi.org/10.2307/j.ctt5hjnqm.20 -
Icarus Holds the Trouble Light Icarus Holds the Trouble Light (pp. 68-71)https://doi.org/10.2307/j.ctt5hjnqm.21 -
The Older Brothers of Girls I Grew Up With The Older Brothers of Girls I Grew Up With (pp. 72-74)https://doi.org/10.2307/j.ctt5hjnqm.22 -
The Prodigal Daughter The Prodigal Daughter (pp. 75-77)https://doi.org/10.2307/j.ctt5hjnqm.23 -
For Andrew, Setting Out on a Long Journey Alone For Andrew, Setting Out on a Long Journey Alone (pp. 78-79)https://doi.org/10.2307/j.ctt5hjnqm.24 -
Shoestore Monkey Shoestore Monkey (pp. 80-81)https://doi.org/10.2307/j.ctt5hjnqm.25 -
The Jaws of Life The Jaws of Life (pp. 82-88)https://doi.org/10.2307/j.ctt5hjnqm.26 -
Back Matter Back Matter (pp. 89-92)https://doi.org/10.2307/j.ctt5hjnqm.27