Larry Levis
Series: Pitt Poetry Series
Copyright Date: 1985
Published
by: University of Pittsburgh Press
Pages: 104
https://www.jstor.org/stable/j.ctt5hjnvj
Book Description:
Since the appearance of his first book in 1972, Larry Levis has been one of the most original and most highly praised of contemporary American poets. InWinter Stars, a book of love poems and elegies, Levis engages in a process of relentless self-interrogation about his life, about losses and acceptances. What emerges is not merely autobiography, but a biography of the reader, a "representative life" of our time.
eISBN: 978-0-8229-9110-6
Subjects: Language & Literature
-
Front Matter Front Matter (pp. [i]-[viii])https://doi.org/10.2307/j.ctt5hjnvj.1 -
Table of Contents Table of Contents (pp. ix-x)https://doi.org/10.2307/j.ctt5hjnvj.2 -
WINTER STARS -
THE POET AT SEVENTEEN THE POET AT SEVENTEEN (pp. 3-4)https://doi.org/10.2307/j.ctt5hjnvj.3 -
ADOLESCENCE ADOLESCENCE (pp. 5-6)https://doi.org/10.2307/j.ctt5hjnvj.4 -
THE CRY THE CRY (pp. 7-9)https://doi.org/10.2307/j.ctt5hjnvj.5 -
WINTER STARS WINTER STARS (pp. 10-11)https://doi.org/10.2307/j.ctt5hjnvj.6 -
SOUTH SOUTH (pp. 12-18)https://doi.org/10.2307/j.ctt5hjnvj.7 -
IRISH MUSIC IRISH MUSIC (pp. 19-21)https://doi.org/10.2307/j.ctt5hjnvj.8 -
FAMILY ROMANCE FAMILY ROMANCE (pp. 22-24)https://doi.org/10.2307/j.ctt5hjnvj.9
-
-
ELEGIES -
THOUGH HIS NAME IS INFINITE, MY FATHER IS ASLEEP THOUGH HIS NAME IS INFINITE, MY FATHER IS ASLEEP (pp. 27-29)https://doi.org/10.2307/j.ctt5hjnvj.10 -
CHILDHOOD IDEOGRAM CHILDHOOD IDEOGRAM (pp. 30-32)https://doi.org/10.2307/j.ctt5hjnvj.11
-
-
LET NOTHING YOU DISMAY -
IN THE CITY OF LIGHT IN THE CITY OF LIGHT (pp. 35-36)https://doi.org/10.2307/j.ctt5hjnvj.12 -
MY STORY IN A LATE STYLE OF FIRE MY STORY IN A LATE STYLE OF FIRE (pp. 37-39)https://doi.org/10.2307/j.ctt5hjnvj.13 -
THERE ARE TWO WORLDS THERE ARE TWO WORLDS (pp. 40-42)https://doi.org/10.2307/j.ctt5hjnvj.14 -
OKLAHOMA OKLAHOMA (pp. 43-44)https://doi.org/10.2307/j.ctt5hjnvj.15 -
AFTER THE BLUE NOTE CLOSES AFTER THE BLUE NOTE CLOSES (pp. 45-46)https://doi.org/10.2307/j.ctt5hjnvj.16 -
THE QUILT THE QUILT (pp. 47-48)https://doi.org/10.2307/j.ctt5hjnvj.17 -
DECRESCENDO DECRESCENDO (pp. 49-50)https://doi.org/10.2307/j.ctt5hjnvj.18
-
-
PUYÉ -
A LETTER A LETTER (pp. 53-60)https://doi.org/10.2307/j.ctt5hjnvj.19
-
-
VARIATIONS -
WHITMAN: WHITMAN: (pp. 63-64)https://doi.org/10.2307/j.ctt5hjnvj.20 -
SOME GRASS ALONG A DITCH BANK SOME GRASS ALONG A DITCH BANK (pp. 65-67)https://doi.org/10.2307/j.ctt5hjnvj.21 -
TWO VARIATIONS ON A THEME BY KOBAYASHI TWO VARIATIONS ON A THEME BY KOBAYASHI (pp. 68-73)https://doi.org/10.2307/j.ctt5hjnvj.22 -
THOSE GRAVES IN ROME THOSE GRAVES IN ROME (pp. 74-76)https://doi.org/10.2307/j.ctt5hjnvj.23
-
-
SENSATIONALISM -
THE ASSIMILATION OF THE GYPSIES THE ASSIMILATION OF THE GYPSIES (pp. 79-83)https://doi.org/10.2307/j.ctt5hjnvj.24 -
SENSATIONALISM SENSATIONALISM (pp. 84-86)https://doi.org/10.2307/j.ctt5hjnvj.25
-
-
NOTES NOTES (pp. 87-88)https://doi.org/10.2307/j.ctt5hjnvj.26 -
Back Matter Back Matter (pp. 89-89)https://doi.org/10.2307/j.ctt5hjnvj.27