InThe Andes Imagined,Jorge Coronado not only examines but also recasts theindigenismomovement of the early 1900s. Coronado departs from the common critical conception ofindigenismoas rooted in novels and short stories, and instead analyzes an expansive range of work in poetry, essays, letters, newspaper writing, and photography. He uses this evidence to show how the movement's artists and intellectuals mobilize the figure of the Indian to address larger questions about becoming modern, and he focuses on the contradictions at the heart ofindigenismoas a cultural, social, and political movement.
By breaking down these different perspectives, Coronado reveals an underlying current in which intellectuals and artists frequently deployed their indigenous subject in order to imagine new forms of political inclusion. He suggests that these deployments rendered particular variants of modernity and makeindigenismorepresentational practices a privileged site for the examination of the region's cultural negotiation of modernization. His analysis reveals a paradox whereby the un-modernindiobecomes the symbol for the modern itself.
The Andes Imaginedoffers an original and broadly based engagement with indigenismo and its intellectual contributions, both in relation to early twentieth-century Andean thought and to larger questions of theorizing modernity.
Subjects: History, Language & Literature
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