RUSSELL EDSON
Series: Pitt Poetry Series
Copyright Date: 2001
Published
by: University of Pittsburgh Press
Pages: 96
https://www.jstor.org/stable/j.ctt6wrdrz
Book Description:
This is the first book in the Pitt Poetry Series by this popular and enigmatic poet, considered the foremost writer of prose poetry in America. In eleven collections over thirty years, Edson has created his own poetic genre, a surreal philosophical fable, easy to enter, but difficult to leave behind. InThe Tormented Mirror, Edson continues and refines his form in seventy-three new poems.
eISBN: 978-0-8229-7981-4
Subjects: Language & Literature
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Front Matter Front Matter (pp. [i]-[v])https://doi.org/10.2307/j.ctt6wrdrz.1 -
Table of Contents Table of Contents (pp. [vi]-[viii])https://doi.org/10.2307/j.ctt6wrdrz.2 -
1 -
THE HAUNTED HOUSE THE HAUNTED HOUSE (pp. 3-3)https://doi.org/10.2307/j.ctt6wrdrz.3 -
THE SECRET GRAVEYARD THE SECRET GRAVEYARD (pp. 4-4)https://doi.org/10.2307/j.ctt6wrdrz.4 -
A LETTER FROM HOME A LETTER FROM HOME (pp. 5-5)https://doi.org/10.2307/j.ctt6wrdrz.5 -
CHARACTERS CHARACTERS (pp. 6-6)https://doi.org/10.2307/j.ctt6wrdrz.6 -
AN OLD WOMANʹS CHILDREN AN OLD WOMANʹS CHILDREN (pp. 7-7)https://doi.org/10.2307/j.ctt6wrdrz.7 -
GENITAL SECRETS GENITAL SECRETS (pp. 8-8)https://doi.org/10.2307/j.ctt6wrdrz.8 -
MONKEY ACHIEVEMENT MONKEY ACHIEVEMENT (pp. 9-9)https://doi.org/10.2307/j.ctt6wrdrz.9 -
THAT … THAT … (pp. 10-10)https://doi.org/10.2307/j.ctt6wrdrz.10 -
SWEET TOOTH SWEET TOOTH (pp. 11-11)https://doi.org/10.2307/j.ctt6wrdrz.11 -
THE BABIES THE BABIES (pp. 12-12)https://doi.org/10.2307/j.ctt6wrdrz.12 -
THE FLOWERPOT THE FLOWERPOT (pp. 13-13)https://doi.org/10.2307/j.ctt6wrdrz.13 -
THE GLANDULAR CONDITION THE GLANDULAR CONDITION (pp. 14-14)https://doi.org/10.2307/j.ctt6wrdrz.14 -
THE KEY THE KEY (pp. 15-15)https://doi.org/10.2307/j.ctt6wrdrz.15 -
THE LAWS THE LAWS (pp. 16-16)https://doi.org/10.2307/j.ctt6wrdrz.16 -
THE NEW FATHER THE NEW FATHER (pp. 17-17)https://doi.org/10.2307/j.ctt6wrdrz.17 -
THE POSITION THE POSITION (pp. 18-18)https://doi.org/10.2307/j.ctt6wrdrz.18 -
THE SLEEPERʹS DARK THE SLEEPERʹS DARK (pp. 19-19)https://doi.org/10.2307/j.ctt6wrdrz.19 -
THE TORMENTED MIRROR THE TORMENTED MIRROR (pp. 20-20)https://doi.org/10.2307/j.ctt6wrdrz.20 -
WHERE CHARITY BEGINS WHERE CHARITY BEGINS (pp. 21-22)https://doi.org/10.2307/j.ctt6wrdrz.21
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THE ANTIQUES SHOP THE ANTIQUES SHOP (pp. 25-25)https://doi.org/10.2307/j.ctt6wrdrz.22 -
ACCIDENTS ACCIDENTS (pp. 26-26)https://doi.org/10.2307/j.ctt6wrdrz.23 -
BABY PIANOS BABY PIANOS (pp. 27-27)https://doi.org/10.2307/j.ctt6wrdrz.24 -
BALLS BALLS (pp. 28-28)https://doi.org/10.2307/j.ctt6wrdrz.25 -
MADAMʹS HEART MADAMʹS HEART (pp. 29-29)https://doi.org/10.2307/j.ctt6wrdrz.26 -
MEANWHILE … MEANWHILE … (pp. 30-30)https://doi.org/10.2307/j.ctt6wrdrz.27 -
PORK CHOPS PORK CHOPS (pp. 31-31)https://doi.org/10.2307/j.ctt6wrdrz.28 -
SLEEP SLEEP (pp. 32-32)https://doi.org/10.2307/j.ctt6wrdrz.29 -
THE ACADEMIC SIGH THE ACADEMIC SIGH (pp. 33-33)https://doi.org/10.2307/j.ctt6wrdrz.30 -
A REDUNDANCY OF HORSES A REDUNDANCY OF HORSES (pp. 34-34)https://doi.org/10.2307/j.ctt6wrdrz.31 -
THE ALFRESCO MOMENT THE ALFRESCO MOMENT (pp. 35-35)https://doi.org/10.2307/j.ctt6wrdrz.32 -
THE BLOODWORTHY CORRESPONDENCE THE BLOODWORTHY CORRESPONDENCE (pp. 36-36)https://doi.org/10.2307/j.ctt6wrdrz.33 -
THE BREAST THE BREAST (pp. 37-37)https://doi.org/10.2307/j.ctt6wrdrz.34 -
THE CLOCK THE CLOCK (pp. 38-38)https://doi.org/10.2307/j.ctt6wrdrz.35 -
THE HORSE OF FASHION THE HORSE OF FASHION (pp. 39-39)https://doi.org/10.2307/j.ctt6wrdrz.36 -
SUNSET SUNSET (pp. 40-40)https://doi.org/10.2307/j.ctt6wrdrz.37 -
URINATING URINATING (pp. 41-41)https://doi.org/10.2307/j.ctt6wrdrz.38 -
ON THE WRITING OF A PROSE POEM ON THE WRITING OF A PROSE POEM (pp. 42-42)https://doi.org/10.2307/j.ctt6wrdrz.39
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POETRY POETRY (pp. 45-45)https://doi.org/10.2307/j.ctt6wrdrz.40 -
BREAD BREAD (pp. 46-46)https://doi.org/10.2307/j.ctt6wrdrz.41 -
FEATHERS FEATHERS (pp. 47-48)https://doi.org/10.2307/j.ctt6wrdrz.42 -
MEDICAL STEW MEDICAL STEW (pp. 49-49)https://doi.org/10.2307/j.ctt6wrdrz.43 -
NOCTURNE NOCTURNE (pp. 50-50)https://doi.org/10.2307/j.ctt6wrdrz.44 -
ONE WHO BATHES IN MOONLIGHT ONE WHO BATHES IN MOONLIGHT (pp. 51-51)https://doi.org/10.2307/j.ctt6wrdrz.45 -
SYMMETRY SYMMETRY (pp. 52-52)https://doi.org/10.2307/j.ctt6wrdrz.46 -
THE FRUIT BOWL THE FRUIT BOWL (pp. 53-53)https://doi.org/10.2307/j.ctt6wrdrz.47 -
THE JOY ATTENDANT ON THE LITTLE JOURNEY THE JOY ATTENDANT ON THE LITTLE JOURNEY (pp. 54-54)https://doi.org/10.2307/j.ctt6wrdrz.48 -
THE MESSAGE THE MESSAGE (pp. 55-55)https://doi.org/10.2307/j.ctt6wrdrz.49 -
THE PASSION THE PASSION (pp. 56-56)https://doi.org/10.2307/j.ctt6wrdrz.50 -
THE RABBIT STORY THE RABBIT STORY (pp. 57-57)https://doi.org/10.2307/j.ctt6wrdrz.51 -
NIGHT SONG NIGHT SONG (pp. 58-58)https://doi.org/10.2307/j.ctt6wrdrz.52 -
THE SQUARE WHEEL THE SQUARE WHEEL (pp. 59-59)https://doi.org/10.2307/j.ctt6wrdrz.53 -
THE STUFF OF DREAMS THE STUFF OF DREAMS (pp. 60-60)https://doi.org/10.2307/j.ctt6wrdrz.54 -
THE TRAVELING CIRCUS THE TRAVELING CIRCUS (pp. 61-61)https://doi.org/10.2307/j.ctt6wrdrz.55 -
THE VETERINARIAN THE VETERINARIAN (pp. 62-62)https://doi.org/10.2307/j.ctt6wrdrz.56 -
UNDER GREAT LIGHT FLOODED CLOUDS UNDER GREAT LIGHT FLOODED CLOUDS (pp. 63-64)https://doi.org/10.2307/j.ctt6wrdrz.57
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THE GRINDING THE GRINDING (pp. 67-67)https://doi.org/10.2307/j.ctt6wrdrz.58 -
ALLEGORY ALLEGORY (pp. 68-68)https://doi.org/10.2307/j.ctt6wrdrz.59 -
ANGELS ANGELS (pp. 69-69)https://doi.org/10.2307/j.ctt6wrdrz.60 -
AN OBSERVER OF INCIDENTALITY AN OBSERVER OF INCIDENTALITY (pp. 70-71)https://doi.org/10.2307/j.ctt6wrdrz.61 -
SANITY SANITY (pp. 72-72)https://doi.org/10.2307/j.ctt6wrdrz.62 -
ROUND ROUND (pp. 73-73)https://doi.org/10.2307/j.ctt6wrdrz.63 -
CHICKENS CHICKENS (pp. 74-74)https://doi.org/10.2307/j.ctt6wrdrz.64 -
NICE NICE (pp. 75-75)https://doi.org/10.2307/j.ctt6wrdrz.65 -
THE ENCOUNTER THE ENCOUNTER (pp. 76-76)https://doi.org/10.2307/j.ctt6wrdrz.66 -
THE BATH THE BATH (pp. 77-77)https://doi.org/10.2307/j.ctt6wrdrz.67 -
THE NIGHT INVADED THE NIGHT INVADED (pp. 78-78)https://doi.org/10.2307/j.ctt6wrdrz.68 -
THE METHOD THE METHOD (pp. 79-79)https://doi.org/10.2307/j.ctt6wrdrz.69 -
THE REALITY ARGUMENT: SOME BRIEF NOTES ON HOW THINGS COME TO EXIST, THE QUESTION OF RANDOM SELECTION AND/OR PURPOSEFUL MANUFACTURE, WITH A VIEW TOWARD FINDING THE “THEORY OF EVERYTHING” THE REALITY ARGUMENT: SOME BRIEF NOTES ON HOW THINGS COME TO EXIST, THE QUESTION OF RANDOM SELECTION AND/OR PURPOSEFUL MANUFACTURE, WITH A VIEW TOWARD FINDING THE “THEORY OF EVERYTHING” (pp. 80-81)https://doi.org/10.2307/j.ctt6wrdrz.70 -
THE THEORY THE THEORY (pp. 82-83)https://doi.org/10.2307/j.ctt6wrdrz.71 -
THE TWILIGHT OF THE GODS THE TWILIGHT OF THE GODS (pp. 84-84)https://doi.org/10.2307/j.ctt6wrdrz.72 -
THUS SPAKE POLLY THUS SPAKE POLLY (pp. 85-85)https://doi.org/10.2307/j.ctt6wrdrz.73 -
THE RULE AND ITS EXCEPTION THE RULE AND ITS EXCEPTION (pp. 86-86)https://doi.org/10.2307/j.ctt6wrdrz.74 -
WINGS WINGS (pp. 87-87)https://doi.org/10.2307/j.ctt6wrdrz.75
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Back Matter Back Matter (pp. 88-88)https://doi.org/10.2307/j.ctt6wrdrz.76