The Axion Estiis probably the most widely read volume of verse to have appeared in Greece since World War II and remains a classic today. Those who follow the music of Greek composer Mikis Theodorakis have been especially drawn to Odysseus Elytis's work, his prose is widely considered a mirror to the revolutionary music of Theodorakis. The "autobiographical" elements are constantly colored by allusion to the history of Greece, thus, the poems express a contemporary consciousness fully resonant with those echoes of the past that have served most to shape the modern Greek experience.
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Front Matter Front Matter (pp. i-vi)https://doi.org/10.2307/j.ctt7zw917.1 -
Table of Contents Table of Contents (pp. vii-viii)https://doi.org/10.2307/j.ctt7zw917.2 -
FOREWORD FOREWORD (pp. ix-x)Samuel Hazohttps://doi.org/10.2307/j.ctt7zw917.3 The hope of the International Poetry Forum is to be no less international than poetry itself. To be sure, such a hope invites certain practical limitations. While poetry has the destiny of speaking to all men at all times, the International Poetry Forum concerns itself with bringing particular poets into contact with as many people as possible right now. While poetry speaks ultimately from and to the common nationality of flesh and blood, the International Poetry Forum attempts in a proximate way to permit poets of different nationalities and alphabets to have their work known and understood by people of...
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PREFACE PREFACE (pp. xi-xiv)Edmund Keeley and George Savidishttps://doi.org/10.2307/j.ctt7zw917.4 -
THE GENESIS THE GENESIS (pp. 1-14)https://doi.org/10.2307/j.ctt7zw917.5 -
THE PASSION THE PASSION (pp. 15-58)https://doi.org/10.2307/j.ctt7zw917.6 -
THE GLORIA THE GLORIA (pp. 59-76)https://doi.org/10.2307/j.ctt7zw917.7 -
NOTES NOTES (pp. 79-86)https://doi.org/10.2307/j.ctt7zw917.8 -
Back Matter Back Matter (pp. 87-87)https://doi.org/10.2307/j.ctt7zw917.9