Reginald Shepherd
Series: Pitt Poetry Series
Copyright Date: 1994
Published
by: University of Pittsburgh Press
Pages: 88
https://www.jstor.org/stable/j.ctt7zw955
Book Description:
This first collection of poems enacts the struggle of a young black gay man in his search for identity. Many voices haunt these poems: black and white, male and female, the oppressor's voice as well as the oppressed. The poet's aim, finally, is to rescue some portion of the drowned and the drowning.
eISBN: 978-0-8229-7974-6
Subjects: Language & Literature
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Front Matter Front Matter (pp. i-vi)https://doi.org/10.2307/j.ctt7zw955.1 -
Table of Contents Table of Contents (pp. vii-2)https://doi.org/10.2307/j.ctt7zw955.2 -
I -
The Difficult Music The Difficult Music (pp. 5-5)https://doi.org/10.2307/j.ctt7zw955.3 -
The New World The New World (pp. 6-6)https://doi.org/10.2307/j.ctt7zw955.4 -
Crossing Cocytus Crossing Cocytus (pp. 7-7)https://doi.org/10.2307/j.ctt7zw955.5 -
Wide Sargasso Sea Wide Sargasso Sea (pp. 8-8)https://doi.org/10.2307/j.ctt7zw955.6 -
Slaves Slaves (pp. 9-9)https://doi.org/10.2307/j.ctt7zw955.7 -
Paradise Paradise (pp. 10-10)https://doi.org/10.2307/j.ctt7zw955.8 -
Mine Mine (pp. 11-11)https://doi.org/10.2307/j.ctt7zw955.9 -
Provisional Provisional (pp. 12-12)https://doi.org/10.2307/j.ctt7zw955.10 -
Brotherhood Brotherhood (pp. 13-13)https://doi.org/10.2307/j.ctt7zw955.11 -
Black Money Black Money (pp. 14-14)https://doi.org/10.2307/j.ctt7zw955.12 -
The Lucky One The Lucky One (pp. 15-15)https://doi.org/10.2307/j.ctt7zw955.13 -
Sappho’s Fragment Thirty-One Revised Sappho’s Fragment Thirty-One Revised (pp. 16-16)https://doi.org/10.2307/j.ctt7zw955.14 -
Two or Three Things I Know About Him Two or Three Things I Know About Him (pp. 17-17)https://doi.org/10.2307/j.ctt7zw955.15 -
Shipbuilding Shipbuilding (pp. 18-18)https://doi.org/10.2307/j.ctt7zw955.16 -
Popular Beauty Popular Beauty (pp. 19-19)https://doi.org/10.2307/j.ctt7zw955.17 -
L’Enlèvement d’Amymoné L’Enlèvement d’Amymoné (pp. 20-20)https://doi.org/10.2307/j.ctt7zw955.18
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II -
The Friend The Friend (pp. 23-23)https://doi.org/10.2307/j.ctt7zw955.19 -
Clair de Lune Clair de Lune (pp. 24-24)https://doi.org/10.2307/j.ctt7zw955.20 -
Faithless Faithless (pp. 25-25)https://doi.org/10.2307/j.ctt7zw955.21 -
Three A.M. Eternal Three A.M. Eternal (pp. 26-26)https://doi.org/10.2307/j.ctt7zw955.22 -
Reckless Reckless (pp. 27-27)https://doi.org/10.2307/j.ctt7zw955.23 -
Bacchus Bacchus (pp. 28-28)https://doi.org/10.2307/j.ctt7zw955.24 -
Self-Portrait as Shards of Mirror Self-Portrait as Shards of Mirror (pp. 29-29)https://doi.org/10.2307/j.ctt7zw955.25 -
Johnny Minotaur Johnny Minotaur (pp. 30-30)https://doi.org/10.2307/j.ctt7zw955.26 -
Perfect Perfect (pp. 31-31)https://doi.org/10.2307/j.ctt7zw955.27 -
In the Reading Room In the Reading Room (pp. 32-32)https://doi.org/10.2307/j.ctt7zw955.28 -
What Cannot Be Kept What Cannot Be Kept (pp. 33-33)https://doi.org/10.2307/j.ctt7zw955.29 -
Kindertotenlieder Kindertotenlieder (pp. 34-34)https://doi.org/10.2307/j.ctt7zw955.30 -
Black Is the Color of My True Love’s Hair Black Is the Color of My True Love’s Hair (pp. 35-35)https://doi.org/10.2307/j.ctt7zw955.31 -
A Muse A Muse (pp. 36-36)https://doi.org/10.2307/j.ctt7zw955.32 -
Two Boys Glimpsed in Late Light Two Boys Glimpsed in Late Light (pp. 37-37)https://doi.org/10.2307/j.ctt7zw955.33 -
Narcissus Explains Narcissus Explains (pp. 38-38)https://doi.org/10.2307/j.ctt7zw955.34 -
The First Farewell to Antinoüs The First Farewell to Antinoüs (pp. 39-39)https://doi.org/10.2307/j.ctt7zw955.35 -
Ariadne’s Dancing Floor Ariadne’s Dancing Floor (pp. 40-40)https://doi.org/10.2307/j.ctt7zw955.36 -
Psyche’s Lantern Psyche’s Lantern (pp. 41-42)https://doi.org/10.2307/j.ctt7zw955.37 -
Pindaric Ode to Yet Another White Man as Apollo Pindaric Ode to Yet Another White Man as Apollo (pp. 43-44)https://doi.org/10.2307/j.ctt7zw955.38
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III -
A Primer of Small Stars A Primer of Small Stars (pp. 47-48)https://doi.org/10.2307/j.ctt7zw955.39 -
Phenomenology Phenomenology (pp. 49-49)https://doi.org/10.2307/j.ctt7zw955.40 -
Song to the Siren Song to the Siren (pp. 50-50)https://doi.org/10.2307/j.ctt7zw955.41 -
Where When Was Where When Was (pp. 51-51)https://doi.org/10.2307/j.ctt7zw955.42 -
North Pearl North Pearl (pp. 52-53)https://doi.org/10.2307/j.ctt7zw955.43 -
How Long Has This Been Going On? How Long Has This Been Going On? (pp. 54-54)https://doi.org/10.2307/j.ctt7zw955.44 -
White Days White Days (pp. 55-55)https://doi.org/10.2307/j.ctt7zw955.45 -
Tantalus in May Tantalus in May (pp. 56-56)https://doi.org/10.2307/j.ctt7zw955.46 -
Sunday Sunday (pp. 57-58)https://doi.org/10.2307/j.ctt7zw955.47 -
Narcissus Loved Rivers Best Narcissus Loved Rivers Best (pp. 59-59)https://doi.org/10.2307/j.ctt7zw955.48 -
Self-Portrait as a Man of Reason Self-Portrait as a Man of Reason (pp. 60-60)https://doi.org/10.2307/j.ctt7zw955.49 -
My Foolish Friend My Foolish Friend (pp. 61-61)https://doi.org/10.2307/j.ctt7zw955.50 -
A Brief Manual for Swimmers A Brief Manual for Swimmers (pp. 62-62)https://doi.org/10.2307/j.ctt7zw955.51 -
By Greenwich Time By Greenwich Time (pp. 63-63)https://doi.org/10.2307/j.ctt7zw955.52 -
Nuages Nuages (pp. 64-64)https://doi.org/10.2307/j.ctt7zw955.53 -
Avail Avail (pp. 65-65)https://doi.org/10.2307/j.ctt7zw955.54 -
Self-Portrait as First Snow Self-Portrait as First Snow (pp. 66-66)https://doi.org/10.2307/j.ctt7zw955.55 -
Whatever Wants to Be Seen Must Be Touched Whatever Wants to Be Seen Must Be Touched (pp. 67-69)https://doi.org/10.2307/j.ctt7zw955.56 -
Sebastian’s Summer Poem Sebastian’s Summer Poem (pp. 70-70)https://doi.org/10.2307/j.ctt7zw955.57 -
Rhizome Rhizome (pp. 71-71)https://doi.org/10.2307/j.ctt7zw955.58 -
Almost Almost (pp. 72-72)https://doi.org/10.2307/j.ctt7zw955.59 -
What Is Seized What Is Seized (pp. 73-74)https://doi.org/10.2307/j.ctt7zw955.60 -
Apparently Apparently (pp. 75-75)https://doi.org/10.2307/j.ctt7zw955.61 -
Until She Returns Until She Returns (pp. 76-76)https://doi.org/10.2307/j.ctt7zw955.62
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Back Matter Back Matter (pp. 77-79)https://doi.org/10.2307/j.ctt7zw955.63