My Brother Is Getting Arrested Againcelebrates the contradictions and quandaries of contemporary American life. These subversive, frequently self-mocking narrative poems are by turns funny and serious, book-smart and street-smart, lyrical and colloquial. Set in Philadelphia, Paris and New Jersey, the poems are at ease with sex happiness and sex trouble, girl-talk and grownup married life, genre parody and antiwar politics, family warfare and family love. Unsentimental but full of emotion, Daisy Fried's new collection, a finalist for the 2005 James Laughlin Prize, is unforgettable.
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Front Matter Front Matter (pp. [i]-[vi])https://doi.org/10.2307/j.ctt7zw9mf.1 -
Table of Contents Table of Contents (pp. [vii]-[viii])https://doi.org/10.2307/j.ctt7zw9mf.2 -
I. -
Cordless Cordless (pp. 3-4)https://doi.org/10.2307/j.ctt7zw9mf.3 -
Doll Ritual Doll Ritual (pp. 5-5)https://doi.org/10.2307/j.ctt7zw9mf.4 -
American Brass American Brass (pp. 6-8)https://doi.org/10.2307/j.ctt7zw9mf.5 -
Neat Hair Neat Hair (pp. 9-9)https://doi.org/10.2307/j.ctt7zw9mf.6 -
Shooting Kinesha Shooting Kinesha (pp. 10-13)https://doi.org/10.2307/j.ctt7zw9mf.7 -
Best of Show Best of Show (pp. 14-15)https://doi.org/10.2307/j.ctt7zw9mf.8 -
Seven Years Seven Years (pp. 16-16)https://doi.org/10.2307/j.ctt7zw9mf.9 These cold days when the insane sky’s clear, heat poofs away beyond its net of edible blue. My cat folds, flops across the laundry steps. Flags the size of jeans pockets flip-flap affixed to rowhouse fronts. The nicest, cleanest hands reach to switch out lights in stores: futons, ring trays, eyeglasses, dresses, go dark. “The bed is not very big.” Cold or no there are fathers calling mothers and children walking home or out; also those of us who are neither father nor mother and have forgotten the complicated unchosen knits and methods of being somebody’s child. Hires Root Beer...
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Jubilate South Philly: City 14 Jubilate South Philly: City 14 (pp. 17-19)https://doi.org/10.2307/j.ctt7zw9mf.10 -
Broken Radios Broken Radios (pp. 20-20)https://doi.org/10.2307/j.ctt7zw9mf.11 -
Gal Noir Gal Noir (pp. 21-22)https://doi.org/10.2307/j.ctt7zw9mf.12 -
The Falling The Falling (pp. 23-24)https://doi.org/10.2307/j.ctt7zw9mf.13
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II. -
Aunt Leah, Aunt Sophie and the Negro Painter Aunt Leah, Aunt Sophie and the Negro Painter (pp. 27-29)https://doi.org/10.2307/j.ctt7zw9mf.14 -
The Hawk The Hawk (pp. 30-30)https://doi.org/10.2307/j.ctt7zw9mf.15 -
Running while Screaming Running while Screaming (pp. 31-32)https://doi.org/10.2307/j.ctt7zw9mf.16 -
The Drunkard’s Bar The Drunkard’s Bar (pp. 33-34)https://doi.org/10.2307/j.ctt7zw9mf.17 -
Go to Your Room Go to Your Room (pp. 35-36)https://doi.org/10.2307/j.ctt7zw9mf.18 -
Empty Woman Empty Woman (pp. 37-38)https://doi.org/10.2307/j.ctt7zw9mf.19 -
At Advent, the Waiting Room At Advent, the Waiting Room (pp. 39-39)https://doi.org/10.2307/j.ctt7zw9mf.20 -
Sugar Sugar (pp. 40-41)https://doi.org/10.2307/j.ctt7zw9mf.21 -
First Boyfriend, 14 First Boyfriend, 14 (pp. 42-42)https://doi.org/10.2307/j.ctt7zw9mf.22 -
Some Loud Men, Some Women Some Loud Men, Some Women (pp. 43-44)https://doi.org/10.2307/j.ctt7zw9mf.23 -
Pablo Picasso Was Never Called an Asshole Pablo Picasso Was Never Called an Asshole (pp. 45-46)https://doi.org/10.2307/j.ctt7zw9mf.24 -
Chicken Factory Chicken Factory (pp. 47-48)https://doi.org/10.2307/j.ctt7zw9mf.25
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III. -
My Brother Is Getting Arrested Again My Brother Is Getting Arrested Again (pp. 51-53)https://doi.org/10.2307/j.ctt7zw9mf.26 -
Used One Speed, Princeton Used One Speed, Princeton (pp. 54-54)https://doi.org/10.2307/j.ctt7zw9mf.27 -
Stealing from Lehigh Dairy Stealing from Lehigh Dairy (pp. 55-57)https://doi.org/10.2307/j.ctt7zw9mf.28 -
Three Times Only Three Times Only (pp. 58-58)https://doi.org/10.2307/j.ctt7zw9mf.29 -
The Conference Notes The Conference Notes (pp. 59-63)https://doi.org/10.2307/j.ctt7zw9mf.30 -
Slack Morning, Reading Sterne for the First Time at 36, after My Husband Has Mocked Me for Years for My Omission, Princeton, Early Fall Slack Morning, Reading Sterne for the First Time at 36, after My Husband Has Mocked Me for Years for My Omission, Princeton, Early Fall (pp. 64-64)https://doi.org/10.2307/j.ctt7zw9mf.31 -
Envy Envy (pp. 65-67)https://doi.org/10.2307/j.ctt7zw9mf.32 -
In a Station of the Metro In a Station of the Metro (pp. 68-68)https://doi.org/10.2307/j.ctt7zw9mf.33 -
Death, a poem in two parts Death, a poem in two parts (pp. 69-70)https://doi.org/10.2307/j.ctt7zw9mf.34
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ACKNOWLEDGMENTS ACKNOWLEDGMENTS (pp. 71-72)https://doi.org/10.2307/j.ctt7zw9mf.35