1998 Agnes Lynch Starrett Prize winner.The Water Between Usis a poetic examination of cultural fragmentation, and the exile's struggle to reconcile the disparate and often conflicting influences of the homeland and the adopted country. The book also centers on other kinds of physical and emotional distances: those between mothers and daughters, those created by being of mixed racial descent, and those between colonizers and the colonized. Despite these distances, or perhaps because of them, the poems affirm the need for a multilayered and cohesive sense of self. McCallum's language is precise and graceful. Drawing from Anancy tales, Greek myth, and biblical stories, the poems deftly alternate between American English and Jamaican patois, and between images both familiar and surreal.
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Front Matter Front Matter (pp. [i]-[v])https://doi.org/10.2307/j.ctt9qh71t.1 -
Table of Contents Table of Contents (pp. [vi]-[viii])https://doi.org/10.2307/j.ctt9qh71t.2 -
I -
In the Garden of Banana and Coconut Trees In the Garden of Banana and Coconut Trees (pp. 3-3)https://doi.org/10.2307/j.ctt9qh71t.3 -
Apple Apple (pp. 4-4)https://doi.org/10.2307/j.ctt9qh71t.4 -
Pleasant Hill Pleasant Hill (pp. 5-6)https://doi.org/10.2307/j.ctt9qh71t.5 -
8 Hope Road 8 Hope Road (pp. 7-7)https://doi.org/10.2307/j.ctt9qh71t.6 -
Poem Where My Mother and Father Are Absent Poem Where My Mother and Father Are Absent (pp. 8-9)https://doi.org/10.2307/j.ctt9qh71t.7 -
What I Saved What I Saved (pp. 10-10)https://doi.org/10.2307/j.ctt9qh71t.8 -
The Perfect Heart The Perfect Heart (pp. 11-11)https://doi.org/10.2307/j.ctt9qh71t.9 -
Fruit Fruit (pp. 12-12)https://doi.org/10.2307/j.ctt9qh71t.10 -
The Feast to Celebrate His Majesty’s Birthday The Feast to Celebrate His Majesty’s Birthday (pp. 13-13)https://doi.org/10.2307/j.ctt9qh71t.11 -
First Rites First Rites (pp. 14-14)https://doi.org/10.2307/j.ctt9qh71t.12 -
Mother, Mother, (pp. 15-15)https://doi.org/10.2307/j.ctt9qh71t.13 -
The Awakening The Awakening (pp. 16-16)https://doi.org/10.2307/j.ctt9qh71t.14 -
jack mandoora me no choose none jack mandoora me no choose none (pp. 17-28)https://doi.org/10.2307/j.ctt9qh71t.15
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II -
What Lies Beneath What Lies Beneath (pp. 31-31)https://doi.org/10.2307/j.ctt9qh71t.16 -
Debt Debt (pp. 32-32)https://doi.org/10.2307/j.ctt9qh71t.17 -
The Spell The Spell (pp. 33-33)https://doi.org/10.2307/j.ctt9qh71t.18 -
The Evolution of Useful Things The Evolution of Useful Things (pp. 34-34)https://doi.org/10.2307/j.ctt9qh71t.19 -
poppies poppies (pp. 35-35)https://doi.org/10.2307/j.ctt9qh71t.20 -
What the Stories Teach What the Stories Teach (pp. 36-36)https://doi.org/10.2307/j.ctt9qh71t.21 -
Dove Dove (pp. 37-37)https://doi.org/10.2307/j.ctt9qh71t.22 -
For you sweetheart, For you sweetheart, (pp. 38-39)https://doi.org/10.2307/j.ctt9qh71t.23 -
Something Like Flying Something Like Flying (pp. 40-40)https://doi.org/10.2307/j.ctt9qh71t.24 -
The Remains The Remains (pp. 41-41)https://doi.org/10.2307/j.ctt9qh71t.25 -
Darkling I Listen Darkling I Listen (pp. 42-42)https://doi.org/10.2307/j.ctt9qh71t.26
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III -
May 1981 May 1981 (pp. 45-45)https://doi.org/10.2307/j.ctt9qh71t.27 -
What I’m Telling You What I’m Telling You (pp. 46-46)https://doi.org/10.2307/j.ctt9qh71t.28 -
Sunset on the Wharf Sunset on the Wharf (pp. 47-47)https://doi.org/10.2307/j.ctt9qh71t.29 -
Losing Footing Losing Footing (pp. 48-48)https://doi.org/10.2307/j.ctt9qh71t.30 -
What We Forget What We Forget (pp. 49-49)https://doi.org/10.2307/j.ctt9qh71t.31 -
Jamaica, 1978 Jamaica, 1978 (pp. 50-50)https://doi.org/10.2307/j.ctt9qh71t.32 -
Jamaica, October 18, 1972 Jamaica, October 18, 1972 (pp. 51-51)https://doi.org/10.2307/j.ctt9qh71t.33 -
Persephone Sets the Record Straight Persephone Sets the Record Straight (pp. 52-53)https://doi.org/10.2307/j.ctt9qh71t.34 -
Mother Love Mother Love (pp. 54-54)https://doi.org/10.2307/j.ctt9qh71t.35 -
untitled untitled (pp. 55-55)https://doi.org/10.2307/j.ctt9qh71t.36 -
What my mother taught me: What my mother taught me: (pp. 56-56)https://doi.org/10.2307/j.ctt9qh71t.37 -
Lullaby Lullaby (pp. 57-57)https://doi.org/10.2307/j.ctt9qh71t.38 -
Discubriendo una Fotografía de Mi Madre Discubriendo una Fotografía de Mi Madre (pp. 58-58)https://doi.org/10.2307/j.ctt9qh71t.39 -
Yu no send. Me no come. Yu no send. Me no come. (pp. 59-61)https://doi.org/10.2307/j.ctt9qh71t.40 -
In my other life, In my other life, (pp. 62-62)https://doi.org/10.2307/j.ctt9qh71t.41 -
Seed Seed (pp. 63-64)https://doi.org/10.2307/j.ctt9qh71t.42
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IV -
the sirens’ defense the sirens’ defense (pp. 67-67)https://doi.org/10.2307/j.ctt9qh71t.43 -
A Warning A Warning (pp. 68-68)https://doi.org/10.2307/j.ctt9qh71t.44 -
Siren Isles Siren Isles (pp. 69-69)https://doi.org/10.2307/j.ctt9qh71t.45 -
I Promise You This I Promise You This (pp. 70-70)https://doi.org/10.2307/j.ctt9qh71t.46 -
Enough Enough (pp. 71-71)https://doi.org/10.2307/j.ctt9qh71t.47 -
The Sea Returns The Sea Returns (pp. 72-72)https://doi.org/10.2307/j.ctt9qh71t.48 -
The Daughter, Left The Daughter, Left (pp. 73-73)https://doi.org/10.2307/j.ctt9qh71t.49 -
When I think of you, When I think of you, (pp. 74-74)https://doi.org/10.2307/j.ctt9qh71t.50 -
Calypso Calypso (pp. 75-76)https://doi.org/10.2307/j.ctt9qh71t.51 -
Apsara Apsara (pp. 77-77)https://doi.org/10.2307/j.ctt9qh71t.52 -
Two Sides Two Sides (pp. 78-78)https://doi.org/10.2307/j.ctt9qh71t.53 -
The Fisherman’s Wife The Fisherman’s Wife (pp. 79-79)https://doi.org/10.2307/j.ctt9qh71t.54 -
The Meeting The Meeting (pp. 80-81)https://doi.org/10.2307/j.ctt9qh71t.55 -
The Exchange The Exchange (pp. 82-82)https://doi.org/10.2307/j.ctt9qh71t.56 -
The Choice Made The Choice Made (pp. 83-83)https://doi.org/10.2307/j.ctt9qh71t.57 -
The tragedy of the mermaid The tragedy of the mermaid (pp. 84-84)https://doi.org/10.2307/j.ctt9qh71t.58 -
What the Oracle Said What the Oracle Said (pp. 85-86)https://doi.org/10.2307/j.ctt9qh71t.59
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Acknowledgments Acknowledgments (pp. 87-88)https://doi.org/10.2307/j.ctt9qh71t.60