Toi Derricotte's fourth collection of poetry.Tenderprobes sexuality, spirituality, emotion, child abuse, mother hatred, and the physical and psychological ravages of violence. These poems are raw and upsetting in subject matter, yet extremely readable.
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Front Matter Front Matter (pp. i-v)https://doi.org/10.2307/j.ctt9qh875.1 -
Table of Contents Table of Contents (pp. vi-viii)https://doi.org/10.2307/j.ctt9qh875.2 -
Preface Preface (pp. ix-xii)https://doi.org/10.2307/j.ctt9qh875.3 -
Tender Tender (pp. 1-2)https://doi.org/10.2307/j.ctt9qh875.4 -
I. -
Exits from Elmina Castle: Cape Coast, Ghana Exits from Elmina Castle: Cape Coast, Ghana (pp. 5-10)https://doi.org/10.2307/j.ctt9qh875.5
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II. -
When My Father Was Beating Me When My Father Was Beating Me (pp. 13-14)https://doi.org/10.2307/j.ctt9qh875.6 I’d hear my mother in the kitchen preparing dinner. I’d hear the spoons hitting the mixing bowl, the clatter of silver falling into the drawer. I’d hear the pot lids clink and rattle. The normality of the sound was startling; it seemed louder than usual, as if she weren’t ashamed, as if she were making a point. Perhaps the house was cut in two by a membrane, and, though her sounds could come to my ears, my screams and cries and whimpers, his demands and humiliations, the sounds of his hands hitting my body, couldn’t pierce back the other way....
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III. -
Black Boys Play the Classics Black Boys Play the Classics (pp. 17-17)https://doi.org/10.2307/j.ctt9qh875.7 -
Shoe Repair Business Shoe Repair Business (pp. 18-18)https://doi.org/10.2307/j.ctt9qh875.8 -
Brother Brother (pp. 19-20)https://doi.org/10.2307/j.ctt9qh875.9 -
Family Secrets Family Secrets (pp. 21-21)https://doi.org/10.2307/j.ctt9qh875.10 -
After a Reading at a Black College After a Reading at a Black College (pp. 22-22)https://doi.org/10.2307/j.ctt9qh875.11 -
For Black Women Who Are Afraid For Black Women Who Are Afraid (pp. 23-23)https://doi.org/10.2307/j.ctt9qh875.12 -
Passing Passing (pp. 24-25)https://doi.org/10.2307/j.ctt9qh875.13 -
Inventory Inventory (pp. 26-26)https://doi.org/10.2307/j.ctt9qh875.14 -
Bookstore Bookstore (pp. 27-27)https://doi.org/10.2307/j.ctt9qh875.15 -
At a Cocktail Party Honoring a Noted Old Southern Writer At a Cocktail Party Honoring a Noted Old Southern Writer (pp. 28-29)https://doi.org/10.2307/j.ctt9qh875.16 -
Workshop on Racism Workshop on Racism (pp. 30-30)https://doi.org/10.2307/j.ctt9qh875.17
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IV. -
Invisible Dreams Invisible Dreams (pp. 33-36)https://doi.org/10.2307/j.ctt9qh875.18 -
Two Poems Two Poems (pp. 37-38)https://doi.org/10.2307/j.ctt9qh875.19
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V. -
1:30 a.m. 1:30 a.m. (pp. 41-44)https://doi.org/10.2307/j.ctt9qh875.20
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VI. -
Dead Baby Speaks Dead Baby Speaks (pp. 47-54)https://doi.org/10.2307/j.ctt9qh875.21
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VII. -
The Body Awakening The Body Awakening (pp. 57-61)https://doi.org/10.2307/j.ctt9qh875.22 -
For Sharan Strange, After a Reading For Sharan Strange, After a Reading (pp. 62-63)https://doi.org/10.2307/j.ctt9qh875.23 -
For Sister Sue Ellen and Her Special Messenger For Sister Sue Ellen and Her Special Messenger (pp. 64-64)https://doi.org/10.2307/j.ctt9qh875.24 -
At Wintergreen: A Retreat for African-American Women Writers At Wintergreen: A Retreat for African-American Women Writers (pp. 65-66)https://doi.org/10.2307/j.ctt9qh875.25 -
The Origins of the Artist: Natalie Cole The Origins of the Artist: Natalie Cole (pp. 67-67)https://doi.org/10.2307/j.ctt9qh875.26 -
On Katchimac Bay: Homer, Alaska On Katchimac Bay: Homer, Alaska (pp. 68-68)https://doi.org/10.2307/j.ctt9qh875.27 -
Coming Coming (pp. 69-70)https://doi.org/10.2307/j.ctt9qh875.28 -
From a Letter: About Snow From a Letter: About Snow (pp. 71-71)https://doi.org/10.2307/j.ctt9qh875.29 -
Death at Still Point Death at Still Point (pp. 72-72)https://doi.org/10.2307/j.ctt9qh875.30 -
The Blessing The Blessing (pp. 73-74)https://doi.org/10.2307/j.ctt9qh875.31 Dear Sister Sylvia,
You told me I should write a letter to my father, to put all of the anger from my childhood in it. You said I should be totally free and, after, burn it and write a blessing. When I approached you and told you I was having a hard time writing a poem, you clarified, “I don’t want you to write a poem. Write a letter, completely free, say what you want, ‘Fuck you, you’re a shit.’ Let go!” I went back to my room realizing I am afraid to let go of “poetry.” My writing has...
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Not Forgotten Not Forgotten (pp. 75-75)https://doi.org/10.2307/j.ctt9qh875.32 -
The Touch The Touch (pp. 76-77)https://doi.org/10.2307/j.ctt9qh875.33 -
Grace Paley Reading Grace Paley Reading (pp. 78-78)https://doi.org/10.2307/j.ctt9qh875.34 -
In the Mountains In the Mountains (pp. 79-79)https://doi.org/10.2307/j.ctt9qh875.35 -
On the Miracle of the Crying Statue: Before You Begin On the Miracle of the Crying Statue: Before You Begin (pp. 80-80)https://doi.org/10.2307/j.ctt9qh875.36 -
Clitoris Clitoris (pp. 81-82)https://doi.org/10.2307/j.ctt9qh875.37
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Back Matter Back Matter (pp. 83-84)https://doi.org/10.2307/j.ctt9qh875.38