Generation Vet
Generation Vet: Composition, Student Veterans, and the Post-9/11 University
Sue Doe
Lisa Langstraat
Copyright Date: 2014
Published by: University Press of Colorado,
Pages: 242
https://www.jstor.org/stable/j.ctt9qhkpg
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Book Info
Generation Vet
Book Description:

Institutions of higher education are experiencing the largest influx of enrolled veterans since World War II, and these student veterans are transforming post-secondary classroom dynamics. While many campus divisions like admissions and student services are actively moving to accommodate the rise in this demographic, little research about this population and their educational needs is available, and academic departments have been slower to adjust. InGeneration Vet, fifteen chapters offer well-researched, pedagogically savvy recommendations for curricular and programmatic responses to student veterans for English and writing studies departments.

In work with veterans in writing-intensive courses and community contexts, questions of citizenship, disability, activism, community-campus relationships, and retention come to the fore. Moreover, writing-intensive courses can be sites of significant cultural exchanges-even clashes-as veterans bring military values, rhetorical traditions, and communication styles that may challenge the values, beliefs, and assumptions of traditional college students and faculty.

This classroom-oriented text addresses a wide range of issues concerning veterans, pedagogy, rhetoric, and writing program administration. Written by diverse scholar-teachers and written in diverse genres, the essays in this collection promise to enhance our understanding of student veterans, composition pedagogy and administration, and the post-9/11 university.

eISBN: 978-0-87421-942-5
Subjects: Language & Literature
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  1. Front Matter
    Front Matter (pp. i-iv)
  2. Table of Contents
    Table of Contents (pp. v-vi)
  3. ACKNOWLEDGMENTS
    ACKNOWLEDGMENTS (pp. vii-x)
    Sue Doe and Lisa Langstraat
  4. Introduction
    Introduction (pp. 1-28)
    Sue Doe and Lisa Langstraat

    The excerpt from H. Adelbert White’s (1944) essay “Clear Thinking for Army Trainees” appeared inCollege Englishin the same year that the Servicemen’s Readjustment Act of 1944, better known as the GI Bill of Rights, was ratified. Only three years later, when McDonagh’s (1947) comments appeared inthe Journal of Higher Education, the United States was at the peak of GI Bill college enrollment with veterans representing nearly 50 percent of all college students. By 1956, when the original GI Bill was terminated, 7.8 million World War II veterans had used GI Bill benefits for college or vocational training...

  5. PART I: BEYOND THE MILITARY-CIVILIAN DIVIDE:: UNDERSTANDING VETERANS
    • 1 VETERANS IN COLLEGE WRITING CLASSES: Understanding and Embracing the Mutual Benefit
      1 VETERANS IN COLLEGE WRITING CLASSES: Understanding and Embracing the Mutual Benefit (pp. 31-50)
      Sean Morrow and Alexis Hart

      This “gulf” between civilians and their military counterparts to which Captain Maugham drew attention at the end of the Second World War is perhaps even more evident today in an era during which only 1 percent of the US population serves in the active military and only 7 percent are military veterans (Elliott, Gonzalez, and Larsen 2011, 282). Yet, as more veterans take advantage of the post-9/11 GI Bill and matriculate on college campuses in numbers not seen since the 1940s, we college writing instructors are increasingly likely to encounter opportunities to engage with student-veterans and to facilitate their transition...

    • 2 UNIFORM MEETS RHETORIC: Excellence through Interaction
      2 UNIFORM MEETS RHETORIC: Excellence through Interaction (pp. 51-72)
      Angie Mallory and Doug Downs

      We first crossed paths in a first-year composition (FYC) course. Angie, four months out of the navy and in her first university classes; Doug, a specialist in FYC pedagogy whose courses emphasized self-directed inquiry. On the first day, Doug asked the class what as writers they wanted to learn. Angie thought, “You don’tknowwhat we’re supposed to learn? Justtellus.” When asked a question, Doug often turned it back to the class with a “what doyouthink?” In discussions of scholarly readings, Angie waited for definitive “here’s-what-this-text-says” explanations that rarely came. Writing assignments were given as relatively...

    • 3 NOT JUST “YES SIR, NO SIR”: How Genre and Agency Interact in Student-Veteran Writing
      3 NOT JUST “YES SIR, NO SIR”: How Genre and Agency Interact in Student-Veteran Writing (pp. 73-94)
      Erin Hadlock and Sue Doe

      Few things leave as powerful an impression as hundreds of soldiers, sailors, airmen, or marines in formation. Their thunderous “hooahs” create a flash bomb of sound, and their crisp rifle movements are identical and precise. The very nature of a member of the uniformed services in formation—the forward stare and rigid back at attention, the replication of exact angles of boots and the cupping of hands, and the way he or she sloped height of the formation—completely reflects this organization of discipline, rigidity, and uniformity. Over our respective careers, we have had many opportunities to be filled with...

    • 4 FACULTY AS FIRST RESPONDERS: Willing but Unprepared
      4 FACULTY AS FIRST RESPONDERS: Willing but Unprepared (pp. 95-116)
      Linda S. De La Ysla

      In twenty-five years of teaching college writing at both four- and two-year institutions, I have encountered students—traditional age and nontraditional—whose life issues, singly or combined, impeded their success at school: academic unpreparedness, diagnosed and undiagnosed learning disabilities, unemployment and its attendant financial difficulties, substance abuse, family demands, a history of physical or mental abuse, and homelessness. However, over the past four years of teaching at the Community College of Baltimore County (CCBC), I have seen the influx of individuals from a distinct demographic: US military veterans whose deployment to Iraq and Afghanistan has often left them with psychological,...

  6. PART II: VETERANS AND PUBLIC AUDIENCES
    • 5 “I HAVE TO SPEAK OUT”: Writing with Veterans in a Community Writing Group
      5 “I HAVE TO SPEAK OUT”: Writing with Veterans in a Community Writing Group (pp. 119-139)
      Eileen E. Schell and Ivy Kleinbart

      As colleges and universities establish composition courses comprised of cohorts of student-veterans, a parallel movement of “self-sponsored” community writing groups led by and for military veterans is forming across the country. Such groups serve as “sponsors of literacy,” what Brandt (2001, 19) refers to as “agents, local or distant, concrete or abstract, who enable, support, teach, and model, as well as recruit, regulate, suppress, or withhold literacy—and gain advantage by it in some way.” These writing groups actively sponsor veterans by encouraging and supporting their efforts to write about and process their experiences in the military. Examples include Warrior...

    • 6 CLOSER TO HOME: Veterans’ Workshops and the Materiality of Writing
      6 CLOSER TO HOME: Veterans’ Workshops and the Materiality of Writing (pp. 140-155)
      Karen Springsteen

      In the passage above, “closer to home” seems to denote, for Shepherd Bliss, writing that is personal, intimate, and tied to his very sense of self. Bliss notes an almost visceral connection in hearing one’s name spoken aloud, some imprint left upon the conscious body by such a label. In changing this label, Bliss changed his life, granting himself “the peace of a shepherd, rather than the trauma of being called a warrior. I appreciate having a warrior inside and available, but I do not want it to be always leading me” (Bliss 2006, 22).

      The ability to see bits...

    • 7 SIGNATURE WOUNDS: Marking and Medicalizing Post-9/11 Veterans
      7 SIGNATURE WOUNDS: Marking and Medicalizing Post-9/11 Veterans (pp. 156-173)
      Tara Wood

      Much of the conversation regarding how to meet the administrative, educational, financial, and medical needs of student-veteran populations has been aimed at pointing out the gaping absence of effective policies, procedures, organizations, support systems, and institutional measures. To further complicate the task of meeting these needs, veterans returning from combat are frequently diagnosed with the “signature wounds” of Operation Enduring Freedom (OEI) and Operation Iraqi Freedom (OFI): traumatic brain injury (TBI) and posttraumatic stress disorder (PTSD). Disability studies (DS) offers significant perspectives to this conversation, perspectives that are especially attuned to the (potentially) oppressive position of “disabled.” Student-veterans with “signature...

    • 8 EXPLORING STUDENT-VETERAN EXPECTATIONS ABOUT COMPOSING: Motivations, Purposes, and the Influence of Trauma on Composing Practices
      8 EXPLORING STUDENT-VETERAN EXPECTATIONS ABOUT COMPOSING: Motivations, Purposes, and the Influence of Trauma on Composing Practices (pp. 174-196)
      Ashly Bender

      In April 2011, from “somewhere deep in the heart of Afghanistan,” came yet another viral music video remake by a group of deployed military servicepersons. The participating personnel gave their most intense gazes, worked their dance moves, and lip-synced along with Britney Spears in her hit song “Hold It against Me”—all against the backdrop of their Afghan landscape (“Hold It Against Me 266 Rein Marines Official Version” 2011). Both American and British news sources quickly latched on, commenting on and supporting the work of these military service-members. Just four days after the video was published on YouTube, theDaily...

  7. PART III: VETERAN-FRIENDLY COMPOSITION PRACTICES
    • 9 RECOGNIZING SILENCE: Composition, Writing, and the Ethical Space for War
      9 RECOGNIZING SILENCE: Composition, Writing, and the Ethical Space for War (pp. 199-215)
      Roger Thompson

      In a key moment in Saint Augustine’sConfessions, Augustine reflects on the silence of one of his mentors. Though later Augustine emphasizes the power of speech when he overhears a child reading holy words and experiences a moment of conversion, his figuring of Ambrose as a silent reader is instructive to not only Ambrose’s students but to us as teachers in a time of war.

      When he [Ambrose] was reading, his eyes ran over the page and his heart perceived the sense, but his voice and tongue were silent. He did not restrict access to anyone coming in, nor was...

    • 10 A NEW MISSION: Veteran-Led Learning Communities in the Basic Writing Classroom
      10 A NEW MISSION: Veteran-Led Learning Communities in the Basic Writing Classroom (pp. 216-239)
      Ann Shivers-McNair

      Neither basic writers nor veterans are new to our colleges and universities. Indeed, as George Otte and Rebecca Mlynarczyk have observed, with steady increases in enrollment in basic writing courses and since the passage of the Post-9/11 GI Bill, both groups constitute significant and growing populations at many institutions: “Because of the demographic of the US military, many of [the veterans enrolling in colleges and universities] will be first-generation college students who have been out of school for years—a group that has historically needed basic writing or other types of remediation to succeed” (Otte and Mlynarczyk 2010, 181). But...

    • 11 THE VALUE OF SERVICE LEARNING FOR STUDENT-VETERANS: Transitioning to Academic Cultures through Writing and Experiential Learning
      11 THE VALUE OF SERVICE LEARNING FOR STUDENT-VETERANS: Transitioning to Academic Cultures through Writing and Experiential Learning (pp. 240-256)
      Bonnie Selting

      In 2008, an assistant director of a service-learning program at a large, midwestern research-one university shared with her military husband stationed in Iraq that their state’s government was making moves to cap tuition for veterans returning to postsecondary education. She was surprised that her husband did not seem to share her excitement about the moves being made to help ensure military veterans could afford college. When she asked him about his lack of enthusiasm, she found that he and several of his returning-vet buddies were uncomfortable with the idea of sitting in a classroom filled with the eighteen- to twenty-year-olds...

    • 12 “Front and Center”: Marine Student-Veterans, Collaboration, and the Writing Center
      12 “Front and Center”: Marine Student-Veterans, Collaboration, and the Writing Center (pp. 257-281)
      Corrine E. Hinton

      Over the last ten years, the growing body of research on student-veterans has provided scholars and educators with new insights about the transitional challenges student-veterans entering (or reentering) college often face. Only recently have we started to learn about the experiences and perceptions of student-veterans in undergraduate composition courses and the importance of considering these experiences and perceptions within the context of previous learning and writing interactions in the military. We know even less about the possible implications of these students’ experiences and perceptions on student-veteran collaborations in college and university writing centers. As more student-veterans enter or reenter college...

  8. ABOUT THE AUTHORS
    ABOUT THE AUTHORS (pp. 282-284)
  9. INDEX
    INDEX (pp. 285-291)