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3-D Revolution: The History of Modern Stereoscopic Cinema
|
2012
|
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Acting for America: Movie Stars of the 1980s
|
2010
|
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Acting in the Cinema
|
1988
|
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Adapting Philosophy: Jean Baudrillard and "The Matrix Trilogy"
|
2009
|
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Afghanistan in the Cinema
|
2010
|
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African Filmmaking: North and South of the Sahara
|
2006
|
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After Hitchcock
|
2006
|
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After the Break: Television Theory Today
|
2013
|
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After the Red Army Faction: Gender, Culture, and Militancy
|
2015
|
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Afterimages of Gilles Deleuze’s Film Philosophy
|
2010
|
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Agnès Varda: Interviews
|
2014
|
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Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century
|
2008
|
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Albert Maysles
|
2009
|
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Alejandro Gonzalez Inarritu
|
2010
|
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Alexander Kluge: Raw Materials for the Imagination
OPEN ACCESS
|
2012
|
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Alexander Payne: Interviews
|
2014
|
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Alfred Hitchcock: The Legacy of Victorianism
|
1995
|
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All about Almodóvar: A Passion for Cinema
|
2009
|
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Allan King's A Married Couple
|
2010
|
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Allegories of Contamination: Pier Paolo Pasolini's Trilogy of Life
|
1996
|
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All-Stars and Movie Stars: Sports in Film and History
|
2008
|
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The Altering Eye: Contemporary International Cinema
OPEN ACCESS
|
2009
|
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Amateur Cinema: The Rise of North American Moviemaking, 1923-1960
|
2015
|
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American Cinema 1890-1909: Themes and Variations
|
2009
|
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American Cinema and the Southern Imaginary
|
2011
|
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American Cinema of the 1910s: Themes and Variations
|
2009
|
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American Cinema of the 1920s: Themes and Variations
|
2009
|
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American Cinema of the 1930s: Themes and Variations
|
2007
|
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American Cinema of the 1960s: Themes and Variations
|
2008
|
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American Cinema of the 1990s: Themes and Variations
|
2008
|
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American Documentary Film: Projecting the Nation
|
2011
|
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American Ethnographic Film and Personal Documentary: The Cambridge Turn
|
2013
|
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American Film Cycles
|
2011
|
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American Films of the 70s
|
2000
|
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American History and Contemporary Hollywood Film
|
2005
|
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American Horror Film: The Genre at the Turn of the Millennium
|
2010
|
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American Independent Cinema: An Introduction
|
2006
|
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The American Jewish Story through Cinema
|
2013
|
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American Postfeminist Cinema: Women, Romance and Contemporary Culture
|
2014
|
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American Showman: Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908-1935
|
2012
|
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Americanizing the Movies and “Movie-Mad” Audiences, 1910-1914
|
2006
|
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Anatomy Live: Performance and the Operating Theatre
OPEN ACCESS
|
2008
|
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The Anatomy of Harpo Marx
|
2012
|
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Andre Bazin's New Media
|
2014
|
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Androids, Humanoids, and Other Folklore Monsters: Science and Soul in Science Fiction Films
|
1993
|
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The Animated Man: A Life of Walt Disney
|
2007
|
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Animating Space: From Mickey to WALL-E
|
2010
|
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Ann Dvorak: Hollywood's Forgotten Rebel
|
2013
|
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Another Steven Soderbergh Experience: Authorship and Contemporary Hollywood
|
2013
|
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The Art and Films of Lynn Hershman Leeson: Secret Agents, Private I
|
2005
|
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Art in Cinema: Documents Toward a History of the Film Society
|
2006
|
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Art in the Cinematic Imagination
|
2006
|
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At Full Speed: Hong Kong Cinema in a Borderless World
|
2001
|
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Atom Egoyan's 'The Adjuster'
|
2009
|
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Atomic Light (Shadow Optics)
|
2005
|
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The Attractive Empire: Transnational Film Culture in Imperial Japan
|
2008
|
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Audiences: Defining and Researching Screen Entertainment Reception
OPEN ACCESS
|
2012
|
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Audiovisions: Cinema and Television as Entr'actes in History
OPEN ACCESS
|
1999
|
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Authorship in Film Adaptation
|
2008
|
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The Autonomous Image: Cinematic Narration and Humanism
|
1981
|
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Avant-Garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties
|
2011
|
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Avoiding the Subject: Media, Culture and the Object
OPEN ACCESS
|
2004
|
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Baad Bitches and Sassy Supermamas: Black Power Action Films
|
2008
|
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Backstory 5: Interviews with Screenwriters of the 1990s
|
2010
|
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Bad Women: Regulating Sexuality in Early American Cinema
|
1995
|
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Bastard Culture!: How User Participation Transforms Cultural Production
OPEN ACCESS
|
2011
|
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The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema
|
2012
|
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The Battle of Britain on Screen: 'The Few' in British Film and Television Drama
|
2007
|
|
Battlefields of Negotiation: Control, Agency, and Ownership in World of Warcraft
OPEN ACCESS
|
2012
|
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Beautiful Circuits: Modernism and the Mediated Life
|
2010
|
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Being Hal Ashby: Life of a Hollywood Rebel
|
2009
|
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Bela Balazs: Early Film Theory: Visible ManandThe Spirit of Film
|
2011
|
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Bergson and the Art of Immanence: Painting, Photography, Film, Performance
|
2013
|
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The Besieged Ego: Doppelgangers and Split Identity Onscreen
|
2013
|
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Best Years: Going to the Movies, 1945-1946
|
2009
|
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Between Stage and Screen: Ingmar Bergman Directs
OPEN ACCESS
|
1995
|
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Between the Sheets, In the Streets: Queer, Lesbian, Gay Documentary
|
1997
|
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Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910-1933
|
2007
|
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Beyond Bruce Lee: Chasing the Dragon Through Film, Philosophy, and Popular Culture
|
2013
|
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Beyond the Epic: The Life and Films of David Lean
|
2006
|
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Beyond the Looking Glass: Narcissism and Female Stardom in Studio-Era Hollywood
|
2014
|
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Beyond the Soundtrack: Representing Music in Cinema
|
2007
|
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Beyond the Subtitle: Remapping European Art Cinema
|
2009
|
|
Bio-pics: A Life in Pictures
|
2015
|
|
Black Directors in Hollywood
|
2003
|
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Black Space
|
2008
|
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Black & White & Noir: America's Pulp Modernism
|
2002
|
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Blackout: Reinventing Women for Wartime British Cinema
|
1991
|
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The Blade Runner Experience: The Legacy of a Science Fiction Classic
|
2005
|
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Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas Anderson
|
2013
|
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Bodies in Pain: Emotion and the Cinema of Darren Aronofsky
|
2015
|
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The Body in the Mirror: Shapes of History in Italian Cinema
|
1992
|
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Body Shots: Early Cinema’s Incarnations
|
2007
|
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Bollywood: Gods, Glamour, and Gossip
|
2012
|
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Bollywood's India: A Public Fantasy
|
2015
|
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Bombay Cinema: An Archive of the City
|
2007
|
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Bonnie Sherr Klein's 'Not a Love Story'
|
2014
|
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Border Bandits
|
2008
|
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The Brain Is the Screen: Deleuze and the Philosophy of Cinema
|
2000
|
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Brass Diva: The Life and Legends of Ethel Merman
|
2007
|
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The Brazilian Road Movie: Journeys of (Self) Discovery
|
2013
|
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Brazilian Women's Filmmaking: From Dictatorship to Democracy
|
2012
|
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Breaking the Fourth Wall: Direct Address in the Cinema
|
2012
|
|
The Brief, Madcap Life of Kay Kendall
|
2002
|
|
British Cinema in the 1950s: A celebration
|
2003
|
|
British Film Directors: A Critical Guide
|
2007
|
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The British New Wave: A certain tendency?
|
2006
|
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Brokeback Mountain
|
2010
|
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The Bronze Screen: Chicana and Chicano Film Culture
|
1993
|
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Bruce Dern: A Memoir
|
2007
|
|
Buñuel and Mexico: The Crisis of National Cinema
|
2003
|
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Buzz: The Life and Art of Busby Berkeley
|
2011
|
|
C. Francis Jenkins, Pioneer of Film and Television
|
2014
|
|
Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson
OPEN ACCESS
|
2003
|
|
Canadian Film and Video: A Bibliography and Guide to the Literature
|
1997
|
|
Candid Eyes: Essays on Canadian Documentaries
|
2003
|
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Canyon Cinema: The Life and Times of an Independent Film Distributor
|
2008
|
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Career Movies: American Business and the Success Mystique
|
2002
|
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Carnal Thoughts: Embodiment and Moving Image Culture
|
2004
|
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Cartographic Cinema
|
2007
|
|
Causes Won, Lost, and Forgotten: How Hollywood and Popular Art Shape What We Know about the Civil War
|
2008
|
|
Cecil B. DeMille's Hollywood
|
2004
|
|
Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas
|
2006
|
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Celluloid Symphonies: Texts and Contexts in Film Music History
|
2011
|
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Celluloid Vampires
|
2007
|
|
Challenge for Change: Activist Documentary at the National Film Board of Canada
|
2010
|
|
Chanteuse in the City: The Realist Singer in French Film
|
2004
|
|
Charles Burnett: Interviews
|
2011
|
|
Charles Walters: The Director Who Made Hollywood Dance
|
2014
|
|
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema
|
2010
|
|
China on Screen: Cinema and Nation
|
2006
|
|
The Chinese Diaspora on American Screens: Race, Sex, and Cinema
|
2012
|
|
Chinese Martial Arts Cinema: The Wuxia Tradition
|
2009
|
|
Chinese Shakespeares: Two Centuries of Cultural Exchange
|
2009
|
|
Chinese Women's Cinema: Transnational Contexts
|
2011
|
|
Christian Petzold
|
2013
|
|
Chronicle of a Camera: The Arriflex 35 in North America, 1945-1972
|
2013
|
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The CIA in Hollywood
|
2012
|
|
Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
|
2012
|
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Cinema and Fascism: Italian Film and Society, 1922–1943
|
2008
|
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Cinema and Semiotic: Peirce and Film Aesthetics, Narration, and Representation
|
2005
|
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Cinema and Sensation: French Film and the Art of Transgression
|
2007
|
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Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua
|
2003
|
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Cinema at the Edges: New Encounters with Julio Medem, Bigas Luna and Jose Luis Guerin
|
2014
|
|
The Cinema Dreams Its Rivals: Media Fantasy Films from Radio to the Internet
|
2006
|
|
Cinema, Emergence, and the Films of Satyajit Ray
|
2010
|
|
The Cinema of Agnès Varda: Resistance and Eclecticism
|
2014
|
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The Cinema of Aki Kaurismäki: Contrarian Stories
|
2013
|
|
The Cinema of Alexander Sokurov: Figures of Paradox
|
2014
|
|
The Cinema of Ang Lee: The Other Side of the Screen
|
2015
|
|
The Cinema of Attractions Reloaded
OPEN ACCESS
|
2006
|
|
The Cinema of Basil Dearden and Michael Relph
|
2009
|
|
The Cinema of Béla Tarr: The Circle Closes
|
2013
|
|
The Cinema of Clint Eastwood: Chronicles of America
|
2014
|
|
A Cinema of Contradiction: Spanish Film in the 1960s
|
2006
|
|
The Cinema of George A. Romero: Knight of the Living Dead
|
2003
|
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The Cinema of George A. Romero: Knight of the Living Dead
|
2015
|
|
The Cinema of István Szabó: Visions of Europe
|
2014
|
|
The Cinema of James Cameron: Bodies in Heroic Motion
|
2014
|
|
The Cinema of Me: The Self and Subjectivity in First Person Documentary
|
2012
|
|
The Cinema of Michael Mann: Vice and Vindication
|
2013
|
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The Cinema of Michael Winterbottom: Borders, Intimacy, Terror
|
2014
|
|
The Cinema of Raúl Ruiz: Impossible Cartographies
|
2013
|
|
The Cinema of Richard Linklater: Walk, Don't Run
|
2013
|
|
The Cinema of Small Nations
|
2007
|
|
The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape
|
2013
|
|
The Cinema of Steven Spielberg: Empire of Light
|
2007
|
|
The Cinema of Takeshi Kitano: Flowering Blood
|
2013
|
|
The Cinema of Terrence Malick: Poetic Visions of America
|
2007
|
|
The Cinema of Terry Gilliam: It's a Mad World
|
2013
|
|
The Cinema of the Dardenne Brothers: Responsible Realism
|
2013
|
|
Cinema, Slavery, and Brazilian Nationalism
|
2015
|
|
Cinema, Space, and Polylocality in a Globalizing China
|
2010
|
|
Cinema Today: A Conversation with Thirty-nine Filmmakers from around the World
|
2011
|
|
Cinemachismo: Masculinities and Sexuality in Mexican Film
|
2006
|
|
Cinematernity: Film, Motherhood, Genre
|
1996
|
|
Cinematic Appeals: The Experience of New Movie Technologies
|
2013
|
|
The Cinematic Body
|
1993
|
|
Cinematic Canines: Dogs and Their Work in the Fiction Film
|
2014
|
|
Cinematic Fictions: The Impact of the Cinema on the American Novel up to World War II
|
2009
|
|
Cinematic Identity: Anatomy of a Problem Film
|
2007
|
|
Cinematic Journeys: Film and Movement
|
2010
|
|
Cinematic Mythmaking: Philosophy in Film
|
2008
|
|
Cinematicity in Media History
|
2013
|
|
Cinephemera: Archives, Ephemeral Cinema, and New Screen Histories in Canada
|
2014
|
|
Cinephilia: Movies, Love and Memory
OPEN ACCESS
|
2005
|
|
Citizen Spielberg
|
2006
|
|
City of Darkness, City of Light: Emigré Filmmakers in Paris 1929-1939
OPEN ACCESS
|
2004
|
|
City of Dreams: The Making and Remaking of Universal Pictures
|
1997
|
|
City That Never Sleeps: New York and the Filmic Imagination
|
2007
|
|
Claire Denis
|
2005
|
|
Classic Hollywood Classic Whiteness
|
2001
|
|
Classic Hollywood: Lifestyles and Film Styles of American Cinema, 1930-1960
|
2015
|
|
Claude Rains: An Actor's Voice
|
2008
|
|
Cleddyf ym Mrwydr yr Iaith?: Y Bwrdd Ffilmiau Cymraeg
|
2013
|
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Closely Watched Films: An Introduction to the Art of Narrative Film Technique
|
2014
|
|
Closely Watched Films: An Introduction to the Art of Narrative Film Technique
|
2004
|
|
Col. William N. Selig, the Man Who Invented Hollywood
|
2012
|
|
The Collaboration
|
2013
|
|
The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past
|
2003
|
|
Columbia Pictures: Portrait of a Studio
|
1992
|
|
The Comedia in English: Translation and Performance
|
2008
|
|
Comedy and Cultural Critique in American Film
|
2013
|
|
Comedy Is a Man in Trouble: Slapstick in American Movies
|
2000
|
|
The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre
|
2015
|
|
Comic Medievalism: Laughing at the Middle Ages
|
2014
|
|
Coming Attractions
|
2004
|
|
A Companion to Golden Age Theatre
|
2007
|
|
A Companion to Latin American Film
|
2004
|
|
A Companion to Luis Buñuel
|
2005
|
|
Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais'sNight and Fog
|
2014
|
|
Constructing the Image of the Mexican Revolution: Cinema and the Archive
|
2010
|
|
Contemporary Action Cinema
|
2011
|
|
Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation
|
1995
|
|
Contemporary Romanian Cinema: The History of an Unexpected Miracle
|
2013
|
|
The Contemporary Television Series
|
2005
|
|
Continental Strangers: German Exile Cinema, 1933-1951
|
2014
|
|
The Cool and the Crazy: Pop Fifties Cinema
|
2015
|
|
The Corporeal Image: Film, Ethnography, and the Senses
|
2006
|
|
Couching Resistance: Women, Film, and Psychoanalytic Psychiatry
|
1993
|
|
Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète
|
2010
|
|
The Counter-Cinema of the Berlin School
|
2013
|
|
Creaturely Poetics: Animality and Vulnerability in Literature and Film
|
2011
|
|
Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir
|
2000
|
|
The Crime Films of Anthony Mann
|
2014
|
|
A Critical Cinema 5: Interviews with Independent Filmmakers
|
2006
|
|
A Critical History of German Film
|
2010
|
|
A Culture of Light: Cinema and Technology in 1920s Germany
|
2005
|
|
Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh
|
2014
|
|
Cutting Edge: Art-Horror and the Horrific Avant-garde
|
2000
|
|
D. W. Griffith: Interviews
|
2012
|
|
Dalton Trumbo: Blacklisted Hollywood Radical
|
2015
|
|
The Dame in the Kimono: Hollywood, Censorship, and the Production Code
|
2001
|
|
Dames in the Driver's Seat: Rereading Film Noir
|
2005
|
|
Dance and the Hollywood Latina: Race, Sex, and Stardom
|
2011
|
|
Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture
|
2011
|
|
Danny Boyle: Interviews
|
2011
|
|
Dante, Cinema, and Television
|
2004
|
|
Dario Argento
|
2012
|
|
Dashiell Hammett and the Movies
|
2014
|
|
David Lynch
|
2012
|
|
David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire
|
2013
|
|
Death and the Moving Image: Ideology, Iconography and I
|
2014
|
|
Death of the Moguls: The End of Classical Hollywood
|
2012
|
|
Deaths in Venice: The Cases of Gustav von Aschenbach
|
2013
|
|
Deathwatch: American Film, Technology, and the End of Life
|
2014
|
|
The Decline of Sentiment: American Film in the 1920s
|
2008
|
|
DEFA after East Germany
|
2014
|
|
Deleuze, Altered States and Film
|
2007
|
|
Deleuze and Horror Film
|
2005
|
|
Deleuze and the Cinemas of Performance: Powers of Affection
|
2012
|
|
The Demons of Modernity: Ingmar Bergman and European Cinema
|
2014
|
|
Denys Arcand's Le Declin de l'empire americain and Les Invasions barbares
|
2008
|
|
Destination London: German-Speaking Emigres and British Cinema, 1925-1950
|
2008
|
|
Deterritorializing the New German Cinema
|
1999
|
|
The Devil You Dance With: Film Culture in the New South Africa
|
2009
|
|
The Differentiation of Modernism: Postwar German Media Arts
|
2013
|
|
Digital Material: Tracing New Media in Everyday Life and Technology
OPEN ACCESS
|
2009
|
|
Disaster Movies: The Cinema of Catastrophe
|
2006
|
|
Discovering Orson Welles
|
2007
|
|
Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language
|
2009
|
|
Distribution Revolution: Conversations about the Digital Future of Film and Television
|
2014
|
|
Divas on Screen: Black Women in American Film
|
2009
|
|
Divine Decadence: Fascism, Female Spectacle, and the Makings of Sally Bowles
|
1992
|
|
Documentary Time: Film and Phenomenology
|
2008
|
|
Documenting Cityscapes: Urban Change in Contemporary Non-Fiction Film
|
2015
|
|
Documenting Ourselves: Film, Video, and Culture
|
1998
|
|
Documents of Utopia: The Politics of Experimental Documentary
|
2015
|
|
Double-Takes: Intersections between Canadian Literature and Film
|
2013
|
|
Doubting the Devout: The Ultra-Orthodox in the Jewish American Imagination
|
2010
|
|
Douglas Fairbanks and the American Century
|
2014
|
|
Dream Factories of a Former Colony: American Fantasies, Philippine Cinema
|
2010
|
|
Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media
|
2015
|
|
Dreams of Difference, Songs of the Same: The Musical Moment in Film
|
2010
|
|
Driven to Darkness: Jewish Emigre Directors and the Rise of Film Noir
|
2009
|
|
Driving Visions
|
2002
|
|
DV-Made China: Digital Subjects and Social Transformations after Independent Film
|
2015
|
|
Dying Swans and Madmen: Ballet, the Body, and Narrative Cinema
|
2008
|
|
Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima
|
2013
|
|
Edgar G. Ulmer: A Filmmaker at the Margins
|
2014
|
|
The Edinburgh Festivals: Culture and Society in Post-war Britain
|
2013
|
|
Edna Ferber's Hollywood: American Fictions of Gender, Race, and History
|
2010
|
|
El camino inverso: del cine al teatro. 'La vida en un hilo', de Edgar Neville y 'Mi adorado Juan', de Miguel Mihura
|
2014
|
|
El niño en el cine argentino de la postdictadura (1983-2008): alegoría y nostalgia
|
2014
|
|
Electric Dreamland: Amusement Parks, Movies, and American Modernity
|
2012
|
|
Electric Sounds: Technological Change and the Rise of Corporate Mass Media
|
2007
|
|
Elegy for Theory
|
2014
|
|
Embattled Shadows: A History of Canadian Cinema, 1895-1939
|
1978
|
|
Embodied Politics in Visual Autobiography
|
2014
|
|
The Emergence of Film Culture: Knowledge Production, Institution Building, and the Fate of the Avant-garde in Europe, 1919-1945
|
2014
|
|
Emile Cohl, Caricature, and Film
|
1990
|
|
Emir Kusturica
|
2015
|
|
The End of Cinema?: A Medium in Crisis in the Digital Age
|
2015
|
|
The End of the World: Apocalypse and its Aftermath in Western Culture
OPEN ACCESS
|
2011
|
|
Engaging the Moving Image
|
2003
|
|
Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood
|
2001
|
|
Eric Rohmer: Interviews
|
2013
|
|
The Ethnic Eye: Latino Media Arts
|
1996
|
|
Ethnographic Film
|
2006
|
|
European Cinema: Face to Face with Hollywood
OPEN ACCESS
|
2005
|
|
European Cinemas in the Television Age
|
2007
|
|
The Europeanization of Cinema: Interzones and Imaginative Communities
|
2014
|
|
Evil Arabs in American Popular Film
|
2006
|
|
Ex-Cinema: From a Theory of Experimental Film and Video
|
2012
|
|
Exhibiting Cinema in Contemporary Art
OPEN ACCESS
|
2013
|
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Existentialism and Contemporary Cinema: A Beauvoirian Perspective
|
2012
|
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Existentialism and Contemporary Cinema: A Sartrean Perspective
|
2014
|
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Experiencing Music Video: Aesthetics and Cultural Context
|
2004
|
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Experimental Latin American Cinema: History and Aesthetics
|
2013
|
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Exporting Perilous Pauline: Pearl White and the Serial Film Craze
|
2013
|
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Eye of the Century: Film, Experience, Modernity
|
2008
|
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The Eyes Have It: Cinema and the Reality Effect
|
2013
|
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F Is for Phony: Fake Documentary and Truth’s Undoing
|
2006
|
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Fabricating the Absolute Fake: America in Contemporary Pop Culture
|
2008
|
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Far from Heaven
|
2011
|
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Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema
|
2013
|
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Fascism in Film: The Italian Commercial Cinema, 1931-1943: The Italian Commercial Cinema, 1931-1943
|
1986
|
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Fassbinder's Germany: History, Identity, Subject
OPEN ACCESS
|
1996
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Faster, Pussycat! Kill! Kill!
|
2014
|
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Fast-Talking Dames
|
2001
|
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Federico Fellini: Contemporary Perspectives
|
2002
|
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Federico Fellini: Painting in Film, Painting on Film
|
2013
|
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Ferocious Reality: Documentary according to Werner Herzog
|
2012
|
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Fight Pictures: A History of Boxing and Early Cinema
|
2008
|
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Figures of Resistance: Essays in Feminist Theory
|
2007
|
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Figuring the Past: Period Film and the Mannerist Aesthetic
OPEN ACCESS
|
2012
|
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Film and Stereotype: A Challenge for Cinema and Theory
|
2011
|
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Film and the Dream Screen: A Sleep and a Forgetting
|
1984
|
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Film and Video Censorship in Modern Britain
|
2011
|
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Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema
OPEN ACCESS
|
2007
|
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Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds
|
2014
|
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Film Dialogue
|
2013
|
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Film Essays and a Lecture
|
1970
|
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Film Festivals: Culture, People, and Power on the Global Screen
|
2011
|
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Film Festivals: From European Geopolitics to Global Cinephilia
OPEN ACCESS
|
2007
|
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Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933)
OPEN ACCESS
|
2003
|
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Film Hieroglyphs
|
2006
|
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Film Histories: An Introduction and Reader
|
2007
|
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Film Manifestos and Global Cinema Cultures: A Critical Anthology
|
2014
|
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Film Noir and the Cinema of Paranoia
|
2009
|
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Film Programming: Curating for Cinemas, Festivals, Archives
|
2015
|
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Film Remakes as Ritual and Disguise: From Carmen to Ripley
OPEN ACCESS
|
2006
|
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Film Rhythm after Sound: Technology, Music, and Performance
|
2015
|
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Film Sequels: Theory and Practice from Hollywood to Bollywood
|
2009
|
|
Film Studies: An Introduction
|
2010
|
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Film Talk: Directors at Work
|
2007
|
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Film Theory: Creating a Cinematic Grammar
|
2014
|
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Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film
|
2009
|
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Film's Musical Moments
|
2006
|
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The Films of Elías Querejeta: A Producer of Landscapes
|
2011
|
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Films that Work: Industrial Film and the Productivity of Media
OPEN ACCESS
|
2009
|
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The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten
|
2006
|
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Finding Ourselves at the Movies: Philosophy for a New Generation
|
2013
|
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Firestorm: American Film in the Age of Terrorism
|
2009
|
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First Cut 2: More Conversations with Film Editors
|
2012
|
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The First Lady of Hollywood: A Biography of Louella Parsons
|
2005
|
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First Person Jewish
|
2008
|
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Five Films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing
|
2006
|
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Flickering Empire: How Chicago Invented the U.S. Film Industry
|
2015
|
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Flickers of Desire: Movie Stars of the 1910s
|
2011
|
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A Foreign Affair: Billy Wilder's American Films
OPEN ACCESS
|
2008
|
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Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary
|
2007
|
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Forgotten Dreams: Revisiting Romanticism in the Cinema of Werner Herzog
|
2016
|
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Framing Africa: Portrayals of a Continent in Contemporary Mainstream Cinema
|
2013
|
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Framing Female Lawyers: Women on Trial in Film
|
2005
|
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Framing Pictures: Film and the Visual Arts
|
2011
|
|
Francis Ford Coppola
|
2014
|
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Francois Ozon
|
2011
|
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François Truffaut and Friends: Modernism, Sexuality, and Film Adaptation
|
2006
|
|
Frankenstein
|
2014
|
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Frankly, My Dear: "Gone with the Wind" Revisited
|
2009
|
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Fred Zinnemann and the Cinema of Resistance
|
2014
|
|
Freedom of the Screen: Legal Challenges to State Film Censorship, 1915-1981
|
2008
|
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Freedom to Offend: How New York Remade Movie Culture
|
2007
|
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French Colonial Documentary: Mythologies of Humanitarianism
|
2008
|
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French Film in Britain: Sex, Art and Cinephilia
|
2013
|
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French Queer Cinema
|
2008
|
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The French Road Movie: Space, Mobility, Identity
|
2013
|
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Fritz Lang: The Nature of the Beast
|
1997
|
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From Bananas to Buttocks
|
2007
|
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From Celluloid to Cyberspace: The Media Arts and the Changing Arts World
OPEN ACCESS
|
2002
|
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From Fidelity to History: Film Adaptations as Cultural Events in the Twentieth Century
|
2013
|
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From Fu Manchu to Kung Fu Panda: Images of China in American Film
|
2014
|
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From Grain to Pixel: The Archival Life of Film in Transition
OPEN ACCESS
|
2009
|
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From Light to Byte: Toward an Ethics of Digital Cinema
|
2012
|
|
From Mae to Madonna: Women Entertainers in Twentieth-Century America
|
1999
|
|
From Self-fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present
|
2015
|
|
From Silver Screen to Spanish Stage: The humorists of the Madrid vanguardia and Hollywood film
|
2011
|
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From Walt to Woodstock
|
2004
|
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The Future of an Illusion: Film, Feminism, and Psychoanalysis
|
1989
|
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Gabriel García Márquez and the Cinema: Life and Works
|
2014
|
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Gangster Priest: The Italian American Cinema of Martin Scorsese
|
2006
|
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The Garden in the Machine: A Field Guide to Independent Films about Place
|
2001
|
|
Garden of Dreams: The Life of Simone Signoret
|
2014
|
|
Gender Meets Genre in Postwar Cinemas
|
2012
|
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Gendering the Nation: Canadian Women's Cinema
|
1999
|
|
Generation Multiplex
|
2002
|
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Generic Histories of German Cinema: Genre and Its Deviations
|
2013
|
|
George A. Romero: Interviews
|
2011
|
|
George Cukor: A Double Life
|
1997
|
|
George Gallup in Hollywood
|
2006
|
|
Germaine Dulac: A Cinema of Sensations
|
2014
|
|
German Film after Germany: Toward a Transnational Aesthetic
|
2008
|
|
German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1990
|
2006
|
|
German Romance V: Erec
|
2014
|
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Ghostlife of Third Cinema: Asian American Film and Video
|
2009
|
|
The Girl from God's Country: Nell Shipman and the Silent Cinema
|
2003
|
|
Girls in the Back Room: Looking at the Lesbian Bar
|
2002
|
|
Giuseppe De Santis
|
1996
|
|
Glamour in a Golden Age: Movie Stars of the 1930s
|
2011
|
|
Global Bollywood
|
2008
|
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Global Bollywood: Travels of Hindi Song and Dance
|
2008
|
|
Global Currents: Media and Technology Now
|
2004
|
|
Global Neorealism: The Transnational History of a Film Style
|
2012
|
|
Gloria Swanson: Ready for Her Close-Up
|
2013
|
|
Godfather: The Intimate Francis Ford Coppola
|
2004
|
|
Gothicka: Vampire Heroes, Human Gods, and the New Supernatural
|
2012
|
|
A Great Big Girl Like Me: The Films of Marie Dressler
|
2009
|
|
Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook
|
1986
|
|
Guts and Glory: The Making of the American Military Image in Film
|
2002
|
|
Hal Hartley
|
2011
|
|
Hal Wallis: Producer to the Stars
|
2004
|
|
Halloween
|
2014
|
|
Harnessing the Technicolor Rainbow: Color Design in the 1930s
|
2007
|
|
Harun Farocki: Working on the Sight-Lines
OPEN ACCESS
|
2004
|
|
Hearst Over Hollywood: Power, Passion, and Propaganda in the Movies
|
2002
|
|
Hearths of Darkness: The Family in the American Horror Film, Updated Edition
|
2014
|
|
Hedy Lamarr: The Most Beautiful Woman in Film
|
2010
|
|
The Heist Film: Stealing with Style
|
2014
|
|
Henry Bumstead and the World of Hollywood Art Direction
|
2003
|
|
Henry James Goes to the Movies
|
2002
|
|
Heritage Film Audiences_x000B_: Period Films and Contemporary Audiences in the UK
|
2011
|
|
Heroes In Hard Times
|
1999
|
|
Herr Lubitsch Goes to Hollywood: German and American Film after World War I
OPEN ACCESS
|
2005
|
|
Hidden Chicano Cinema: Film Dramas in the Borderlands
|
2013
|
|
The Hidden Foundation: Cinema and the Question of Class
|
1996
|
|
A Hidden History of Film Style: Cinematographers, Directors, and the Collaborative Process
|
2015
|
|
Hidden Talent: The Emergence of Hollywood Agents
|
2010
|
|
Hideous Progeny: Disability, Eugenics, and Classic Horror Cinema
|
2011
|
|
High-Class Moving Pictures: Lyman H. Howe and the Forgotten Era of Traveling Exhibition, 1880-1920: Lyman H. Howe and the Forgotten Era of Traveling Exhibition, 1880-1920
|
1991
|
|
Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s
|
2013
|
|
A History of Pain: Trauma in Modern Chinese Literature and Film
|
2008
|
|
Hitchcock Lost and Found: The Forgotten Films
|
2015
|
|
Hitchcock on Hitchcock, Volume 1: Selected Writings and Interviews
|
1995
|
|
Hitchcock on Hitchcock, Volume 2: Selected Writings and Interviews
|
2015
|
|
Hitchcock’s Cryptonymies: Volume I. Secret Agents
|
2005
|
|
Hitchcock’s Cryptonymies: Volume II. War Machines
|
2005
|
|
Hitchcock's Magic
|
2011
|
|
Hitchcock's Motifs
OPEN ACCESS
|
2005
|
|
Hitchcock's Partner in Suspense: The Life of Screenwriter Charles Bennett
|
2014
|
|
Hitchcock's Romantic Irony
|
2007
|
|
Hitler's Heroines: Stardom & Womanhood In Nazi Cinema
|
2003
|
|
Hollywood 1938: Motion Pictures' Greatest Year
|
2012
|
|
Hollywood and Hitler, 1933-1939
|
2013
|
|
Hollywood and the Culture Elite: How the Movies Became American
|
2005
|
|
Hollywood As Historian: American Film in a Cultural Context
|
1983
|
|
Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance
|
2006
|
|
Hollywood Be Thy Name: African American Religion in American Film, 1929–1949
|
2007
|
|
Hollywood Exiles in Europe: The Blacklist and Cold War Film Culture
|
2014
|
|
Hollywood from Vietnam to Reagan... and Beyond: A Revised and Expanded Edition of the Classic Text
|
2003
|
|
Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing
|
2008
|
|
Hollywood Incoherent
|
2010
|
|
Hollywood Independents: The Postwar Talent Takeover
|
2008
|
|
Hollywood Lighting from the Silent Era to Film Noir
|
2010
|
|
Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff
|
2008
|
|
Hollywood Presents Jules Verne: The Father of Science Fiction on Screen
|
2015
|
|
Hollywood Quarterly: Film Culture in Postwar America, 1945-1957
|
2002
|
|
Hollywood Reborn: Movie Stars of the 1970s
|
2010
|
|
Hollywood Science: Movies, Science, and the End of the World
|
2007
|
|
Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars
|
2008
|
|
Hollywood's African American Films: The Transition to Sound
|
2011
|
|
Hollywood's Censor: Joseph I. Breen and the Production Code Administration
|
2007
|
|
Hollywood's Copyright Wars: From Edison to the Internet
|
2012
|
|
Hollywood's Indian: The Portrayal of the Native American in Film
|
1998
|
|
Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino
|
2011
|
|
Hollywood's War with Poland, 1939-1945
|
2010
|
|
Hollywood's West: The American Frontier in Film, Television, and History
|
2005
|
|
Hollywood's White House: The American Presidency in Film and History
|
2003
|
|
Home in Hollywood: The Imaginary Geography of Cinema
|
2004
|
|
Homemade Men in Postwar Austrian Cinema: Nationhood, Genre and Masculinity
|
2013
|
|
Homosexuality and Invisibility in Revolutionary Cuba: Reinaldo Arenas and Tomás Gutiérrez Alea
|
2015
|
|
Hong Kong Documentary Film
|
2014
|
|
Hong Kong Screenscapes: From the New Wave to the Digital Frontier
|
2011
|
|
Hoo-Doo Cowboys and Bronze Buckaroos: Conceptions of the African American West
|
2014
|
|
Horror after 9/11
|
2011
|
|
The Horror Film
|
2004
|
|
The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory
|
2008
|
|
How the West Was Sung: Music in the Westerns of John Ford
|
2007
|
|
Identity Politics on the Israeli Screen
|
2001
|
|
Idols of Modernity: Movie Stars of the 1920s
|
2010
|
|
Imagic Moments: Indigenous North American Film
|
2013
|
|
The Immigrant Scene: Ethnic Amusements in New York, 1880–1920
|
2008
|
|
The Immortal Count: The Life and Films of Bela Lugosi
|
2003
|
|
In Other Los Angeleses: Multicentric Performance Art
|
2002
|
|
In Search of Cinema: Writings on International Film Art
|
2004
|
|
Incorporating Images: Film and the Rival Arts
|
1995
|
|
Incorporations: Race, Nation, and the Body Politics of Capital
|
2006
|
|
Indian Stereotypes in TV Science Fiction
|
2005
|
|
Indie: An American Film Culture
|
2011
|
|
Indie, Inc.: Miramax and the Transformation of Hollywood in the 1990s
|
2012
|
|
Ingmar Bergman: A Reference Guide
|
2005
|
|
Inside the Historical Film
|
2014
|
|
Inspiring Fellini: Literary Collaborations Behind the Scenes
|
2014
|
|
Installation and the Moving Image
|
2015
|
|
Intelligence Work: The Politics of American Documentary
|
2008
|
|
International Politics and Film: Space, Vision, Power
|
2014
|
|
Into the Past: The Cinema of Guy Maddin
|
2010
|
|
Into the Vortex: Female Voice and Paradox in Film
|
2006
|
|
Intrepid Laughter: Preston Sturges and the Movies
|
2013
|
|
Inventing Vietnam: The War in Film and Television
|
1991
|
|
The Invention of Dolores Del Río
|
2000
|
|
An Invention without a Future: Essays on Cinema
|
2014
|
|
Invisible Storytellers: Voice-Over Narration in American Fiction Film
|
1988
|
|
Irving Thalberg: Boy Wonder to Producer Prince
|
2010
|
|
Islands of Empire: Pop Culture and U.S. Power
|
2014
|
|
Israeli Cinema
|
2011
|
|
Italian Film in the Shadow of Auschwitz
|
2007
|
|
Italian Neorealism: Rebuilding the Cinematic City
|
2006
|
|
Italian Neorealist Cinema
|
2012
|
|
Italian Post-Neorealist Cinema
|
2012
|
|
It’s All True: Orson Welles’s Pan-American Odyssey
|
2007
|
|
It's Only a Movie!: Films and Critics in American Culture
|
2001
|
|
"It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age
|
2015
|
|
Jacques Rivette
|
2012
|
|
James Cameron: Interviews
|
2012
|
|
James Ivory in Conversation: How Merchant Ivory Makes Its Movies
|
2005
|
|
Jane Austen in Hollywood
|
2001
|
|
Japanese Cinema in the Digital Age
|
2012
|
|
Japanese Documentary Film: The Meiji Era through Hiroshima
|
2003
|
|
Je T'Aime...Moi Non Plus: Franco-British Cinematic Relations
|
2010
|
|
Jean Desmet and the Early Dutch Film Trade
OPEN ACCESS
|
2003
|
|
Jean Epstein: Critical Essays and New Translations
OPEN ACCESS
|
2012
|
|
Jean-Pierre and Luc Dardenne
|
2010
|
|
Jean-Pierre Jeunet
|
2008
|
|
Jerry Lewis
|
2009
|
|
Jerzy Skolimowski: The Cinema of a Nonconformist
|
2010
|
|
Jet Li: Chinese Masculinity and Transnational Film Stardom
|
2012
|
|
Jim Jarmusch
|
2007
|
|
John Fawcett'sGinger Snaps
|
2013
|
|
John Gilbert: The Last of the Silent Film Stars
|
2013
|
|
John Paizs's Crime Wave
|
2014
|
|
John Sayles
|
2012
|
|
John Waters: Interviews
|
2011
|
|
John Wayne’s World: Transnational Masculinity in the Fifties
|
2013
|
|
Johnny Depp Starts Here
|
2005
|
|
Journalism in the Movies
|
2004
|
|
Journalists in Film: Heroes and Villains
|
2010
|
|
The Journey of G. Mastorna: The Film Fellini Didn't Make
|
2013
|
|
Joyce Wieland's 'The Far Shore'
|
2010
|
|
Keepers of the Flame: NFL Films and the Rise of Sports Media
|
2014
|
|
Killer Images: Documentary Film, Memory, and the Performance of Violence
|
2012
|
|
Killer Tapes and Shattered Screens: Video Spectatorship From VHS to File Sharing
|
2013
|
|
Killing the Indian Maiden: Images of Native American Women in Film
|
2009
|
|
Kim Ki-duk
|
2012
|
|
Kiss the Blood Off My Hands: On Classic Film Noir
|
2014
|
|
Knock Me Up, Knock Me Down: Images of Pregnancy in Hollywood Films
|
2012
|
|
Knockout: The Boxer and Boxing in American Cinema
|
2011
|
|
Kristeva in Focus: From Theory to Film Analysis
|
2014
|
|
La cara oculta del cine
|
2011
|
|
Lady Chatterley's Legacy in the Movies: Sex, Brains, and Body Guys
|
2010
|
|
Land of Smoke and Mirrors: A Cultural History of Los Angeles
|
2013
|
|
Landscapes in Between: Environmental Change in Modern Italian Literature and Film
|
2015
|
|
Landscapes of Loss: The National Past in Postwar French Cinema
|
1999
|
|
Larger Than Life: Movie Stars of the 1950s
|
2010
|
|
Lars von Trier
|
2010
|
|
Last Features: East German Cinema's Lost Generation
|
2014
|
|
The Last Great American Picture Show: New Hollywood Cinema in the 1970s
OPEN ACCESS
|
2004
|
|
Last Words: Considering Contemporary Cinema
|
2014
|
|
Late Godard and the Possibilities of Cinema
|
2013
|
|
Latin American Melodrama: Passion, Pathos, and Entertainment
|
2009
|
|
Latin Hitchcock: How Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella Became Notorious
|
2015
|
|
Latino Images in Film
|
2002
|
|
Legal Tender: Love and Legitimacy in the East German Cultural Imagination
|
2010
|
|
Letterboxed: The Evolution of Widescreen Cinema
|
2011
|
|
Levinas and the Cinema of Redemption: Time, Ethics, and the Feminine
|
2010
|
|
Light Image Imagination
|
2013
|
|
Like a Natural Woman: Spectacular Female Performance in Classical Hollywood
|
2014
|
|
Liquid Metal: The Science Fiction Film Reader
|
2007
|
|
Literary Adaptations in Spanish Cinema
|
2004
|
|
Literature and Film in Cold War South Korea: Freedom's Frontier
|
2012
|
|
Literature and Film in the Third Reich
|
2003
|
|
Living Dangerously: A Biography of Joris Ivens
OPEN ACCESS
|
2000
|
|
Lois Weber in Early Hollywood
|
2015
|
|
Look Closer: Suburban Narratives and American Values in Film and Television
|
2014
|
|
Lost in Translation
|
2010
|
|
Lost Objects of Desire: The Performances of Jeremy Irons
|
2012
|
|
The Lost One: A Life of Peter Lorre
|
2005
|
|
Lourdes Portillo: The Devil Never Sleeps and Other Films
|
2001
|
|
Love in Motion: Erotic Relationships in Film
|
2013
|
|
Love Rules: Silent Hollywood and the Rise of the Managerial Class
|
2003
|
|
The Lumière Galaxy: Seven Key Words for the Cinema to Come
|
2015
|
|
Magic Realist Cinema in East Central Europe
|
2012
|
|
Making a Promised Land: Harlem in Twentieth-Century Photography and Film
|
2013
|
|
Making and Remaking Horror in the 1970s and 2000s: Why Don’t They Do It Like They Used To?
|
2014
|
|
Making Asian American Film and Video: History, Institutions, Movements
|
2015
|
|
Malaysian Cinema, Asian Film: Border Crossings and National Culture
OPEN ACCESS
|
2002
|
|
Male Trouble
|
1993
|
|
Manhood in Hollywood from Bush to Bush
|
2009
|
|
The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy
|
2010
|
|
Mapping Intermediality in Performance
OPEN ACCESS
|
2010
|
|
Mapping the Moving Image: Gesture, Thought and Cinema circa 1900
|
2010
|
|
Marco Bellocchio: The Cinematic I in the Political Sphere
|
2010
|
|
Marie Dressler: The Unlikeliest Star
|
1997
|
|
Marilyn Monroe: A Life of the Actress, Revised and Updated
|
2004
|
|
The Marxist and the Movies: A Biography of Paul Jarrico
|
2007
|
|
Mary Pickford: Queen of the Movies
|
2012
|
|
Mary Wickes: I Know I've Seen That Face Before
|
2013
|
|
Masculine Interests: Homoerotics in Hollywood Film
|
2002
|
|
Masculinities in Polish, Czech and Slovak Cinema: Black Peters and Men of Marble
|
2010
|
|
Masters of Light: Conversations with Contemporary Cinematographers
|
2013
|
|
Masters of Light: Conversations with Contemporary Cinematographers
|
1984
|
|
Masters of Two Arts: Re-creation of European Literatures in Italian Cinema
|
2002
|
|
Maureen O'Hara: The Biography
|
2013
|
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Mavericks on the Border: The Early Southwest in Historical Fiction and Film
|
2001
|
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Maximum Movies—Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson
|
2011
|
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Maya Deren: Incomplete Control
|
2015
|
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Mediated Associations: Cinematic Dimensions of Social Theory
|
2002
|
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Mel Gibson's Passion: The Film, the Controversy, and Its Implications
|
2006
|
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Memento
|
2010
|
|
Memory and popular film
OPEN ACCESS
|
2003
|
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Memory and the Moving Image: French Film in the Digital Era
|
2010
|
|
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
|
2013
|
|
Merchant-Ivory: Interviews
|
2012
|
|
Mexico on Main Street: Transnational Film Culture in Los Angeles before World War II
|
2015
|
|
Michael Haneke
|
2010
|
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Michael Haneke's Cinema: The Ethic of the Image
|
2009
|
|
Michelangelo Red Antonioni Blue: Eight Reflections on Cinema
|
2011
|
|
A Mickey Mouse Reader
|
2014
|
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Migrating to the Movies: Cinema and Black Urban Modernity
|
2005
|
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The Migration of Musical Film: From Ethnic Margins to American Mainstream
|
2014
|
|
Mike Leigh
|
2007
|
|
Mike Leigh
|
2011
|
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Mind the Screen: Media Concepts According to Thomas Elsaesser
OPEN ACCESS
|
2008
|
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Mining the Home Movie: Excavations in Histories and Memories
|
2008
|
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Miracles and Sacrilege: Robert Rossellini, the Church, and Film Censorship in Hollywood
|
2008
|
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Mirando solo a la tierra: Cine y sociedad espectadora en Medellín (1900-1930)
|
2013
|
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Mixed Race Hollywood
|
2008
|
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Mobile Screens: The Visual Regime of Navigation
OPEN ACCESS
|
2012
|
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Modernist America: Art, Music, Movies, and the Globalization of American Culture
|
2011
|
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More than Night: Film Noir in Its Contexts, Updated and Expanded Edition
|
2008
|
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Motion(less) Pictures: The Cinema of Stasis
|
2015
|
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The Mouse Machine: Disney and Technology
|
2008
|
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Mouse Morality
|
2002
|
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Movies About the Movies: Hollywood Reflected
|
1997
|
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Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939
OPEN ACCESS
|
2007
|
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Moving Viewers: American Film and the Spectator's Experience
|
2009
|
|
Multiculturalism and the Mouse
|
2005
|
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Museum Movies: The Museum of Modern Art and the Birth of Art Cinema
|
2005
|
|
Muslim Rap, Halal Soaps, and Revolutionary Theater
|
2011
|
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Mussolini's Dream Factory: Film Stardom in Fascist Italy
|
2013
|
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My Fair Ladies: Female Robots, Androids, and Other Artificial Eves
|
2015
|
|
My Life as a Mankiewicz: An Insider's Journey through Hollywood
|
2012
|
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Myrna Loy: The Only Good Girl in Hollywood
|
2011
|
|
Myth of the Western
|
2014
|
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The Naked Truth: Why Hollywood Doesn't Make X-rated Movies
|
2007
|
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Narrative Mortality: Death, Closure, and New Wave Cinemas
|
1995
|
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Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995
|
2014
|
|
Native Americans on Film: Conversations, Teaching, and Theory
|
2013
|
|
Nazi Film Melodrama
|
2013
|
|
The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersion
|
2014
|
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Negotiating Hollywood: The Cultural Politics of Actors’ Labor
|
1995
|
|
New Austrian Film
|
2014
|
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New Constellations: Movie Stars of the 1960s
|
2012
|
|
The New European Cinema: Redrawing the Map
|
2006
|
|
The New Extremism in Cinema: From France to Europe
|
2011
|
|
The New Face of Political Cinema: Commitment in French Film since 1995
|
2009
|
|
The New German Cinema: Music, History, and the Matter of Style
|
2004
|
|
New Korean Cinema
|
2005
|
|
New Mythological Figures in Spanish Cinema: Dissident Bodies under Franco
OPEN ACCESS
|
2011
|
|
New Neapolitan Cinema
|
2011
|
|
New Punk Cinema
|
2005
|
|
New Taiwanese Cinema in Focus: Moving Within and Beyond the Frame
|
2014
|
|
The New Yorker Theater and Other Scenes from a Life at the Movies
|
2009
|
|
Newsworkers: Toward a History of the Rank and File
|
1995
|
|
Night Passages: Philosophy, Literature, and Film
|
2013
|
|
Nippon Modern: Japanese Cinema of the 1920s and 1930s
|
2008
|
|
No Place Like Home: Locations of Heimat in German Cinema
|
2005
|
|
Noir Anxiety
|
2003
|
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On Location in Cuba: Street Filmmaking during Times of Transition
|
2009
|
|
On-Demand Culture: Digital Delivery and the Future of Movies
|
2013
|
|
One World, Big Screen: Hollywood, the Allies, and World War II
|
2012
|
|
Ostrannenie: On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept
OPEN ACCESS
|
2010
|
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Our Nazis: Representations of Fascism in Contemporary Literature and Film
|
2013
|
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Out of the Inkwell: Max Fleischer and the Animation Revolution
|
2005
|
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OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation
|
2014
|
|
Palestinian Cinema: Landscape, Trauma and Memory
|
2008
|
|
Parallel Lines: Post-9/11 American Cinema
|
2014
|
|
The Passion of Montgomery Clift
|
2010
|
|
D.A. Pennebaker
|
2011
|
|
The Perils of Pedagogy: The Works of John Greyson
|
2013
|
|
Peter Lorre: Face Maker: Constructing Stardom and Performance in Hollywood and Europe
|
2012
|
|
Peter Weir: Interviews
|
2014
|
|
The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe
|
2013
|
|
Phantom Ladies: Hollywood Horror and the Home Front
|
2015
|
|
Philip Kaufman
|
2012
|
|
The Philosophy of Charlie Kaufman
|
2011
|
|
The Philosophy of David Lynch
|
2011
|
|
The Philosophy of Film Noir
|
2006
|
|
The Philosophy of J.J. Abrams
|
2014
|
|
The Philosophy of Joss Whedon
|
2011
|
|
The Philosophy of Martin Scorsese
|
2007
|
|
The Philosophy of Michael Mann
|
2014
|
|
The Philosophy of Neo-Noir
|
2007
|
|
The Philosophy of Science Fiction Film
|
2008
|
|
The Philosophy of Spike Lee
|
2011
|
|
The Philosophy of Stanley Kubrick
|
2007
|
|
The Philosophy of Steven Soderbergh
|
2011
|
|
The Philosophy of the Coen Brothers
|
2009
|
|
The Philosophy of Tim Burton
|
2014
|
|
The Philosophy of War Films
|
2014
|
|
Pier Paolo Pasolini: Contemporary Perspectives
|
1994
|
|
Pierre Batcheff and Stardom in 1920s French Cinema
|
2009
|
|
The Place of Breath in Cinema
|
2012
|
|
The Place of Play: Toys and Digital Cultures
OPEN ACCESS
|
2009
|
|
Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics
|
2015
|
|
Players Unleashed!: Modding The Sims and the Culture of Gaming
OPEN ACCESS
|
2011
|
|
Playing the Waves: Lars von Trier's Game Cinema
OPEN ACCESS
|
2007
|
|
Playing to the World’s Biggest Audience: The Globalization of Chinese Film and TV
|
2007
|
|
A Pocket Guide to Analyzing Films
|
2014
|
|
A Poetics for Screenwriters
|
2001
|
|
Pola Negri: Hollywood's First Femme Fatale
|
2014
|
|
Policing Cinema: Movies and Censorship in Early-Twentieth-Century America
|
2004
|
|
Polish Cinema in a Transnational Context
|
2014
|
|
Polish Film and the Holocaust: Politics and Memory
|
2014
|
|
Polish National Cinema
|
2008
|
|
The Politics and Poetics of Black Film: Nothing But a Man
|
2015
|
|
Popular Cinema of the Third Reich
|
2001
|
|
Popular Egyptian Cinema: Gender, Class, and Nation
|
2006
|
|
Post-Classical Hollywood: Film Industry, Style and Ideology since 1945
|
2010
|
|
Postcolonialism, Diaspora, and Alternative Histories: The Cinema of Evans Chan
|
2015
|
|
Postmodernism and Film: Rethinking Hollywood's Aesthestics
|
2015
|
|
Post-Wall German Cinema and National History: Utopianism and Dissent
|
2012
|
|
Postwall German Cinema: History, Film History and Cinephilia
|
2013
|
|
Precocious Charms: Stars Performing Girlhood in Classical Hollywood Cinema
|
2013
|
|
The President’s Ladies: Jane Wyman and Nancy Davis
|
2014
|
|
Pretty: Film and the Decorative Image
|
2011
|
|
Punk Slash! Musicals: Tracking Slip-Sync on Film
|
2010
|
|
The Pusan International Film Festival, South Korean Cinema and Globalization
|
2012
|
|
Quadrophenia
|
2014
|
|
Quebec National Cinema
|
2001
|
|
Queer Bergman: Sexuality, Gender, and the European Art Cinema
|
2013
|
|
Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys
|
2012
|
|
Queer Issues in Contemporary Latin American Cinema
|
2003
|
|
Quentin Tarantino: Interviews, Revised and Updated
|
2013
|
|
Race under Reconstruction in German Cinema: Robert Stemmle's Toxi
|
2011
|
|
Radical Innocence: A Critical Study of the Hollywood Ten
|
1989
|
|
Ravished Armenia and the Story of Aurora Mardiganian
|
2014
|
|
Realer Than Reel: Global Directions in Documentary
|
2006
|
|
The Reality of Film: Theories of filmic reality.
|
2011
|
|
Reconstructing American Historical Cinema: From Cimarron to Citizen Kane
|
2006
|
|
Reel Knockouts: Violent Women in Film
|
2001
|
|
Reel Vulnerability: Power, Pain, and Gender in Contemporary American Film and Television
|
2013
|
|
Reframing Culture: The Case of the Vitagraph Quality Films
|
1993
|
|
Reframing Italy: New Trends in Italian Women’s Filmmaking
|
2013
|
|
Reimagining To Kill a Mockingbird: Family, Community, and the Possibility of Equal Justice under Law
|
2013
|
|
Reinventing Cinema: Movies in the Age of Media Convergence
|
2009
|
|
The Reluctant Film Art of Woody Allen
|
2001
|
|
Remaking Brazil: Contested National Identites in Contemporary Brazilian Cinema
|
2012
|
|
Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood
|
2013
|
|
Representations of Flight and Expulsion in East German Prose Works
|
2014
|
|
Representing Atrocity in Taiwan: The 2/28 Incident and White Terror in Fiction and Film
|
2007
|
|
Responding to Loss: Heideggerian Reflections on Literature, Architecture, and Film: Heideggerian Reflections on Literature, Architecture, and Film
|
2015
|
|
Re-takes: Postcoloniality and Foreign Film Languages
|
2005
|
|
The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century
|
2014
|
|
Rex Ingram: Visionary Director of the Silent Screen
|
2014
|
|
The Rey Chow Reader
|
2010
|
|
Richard Linklater
|
2012
|
|
Ride, Boldly Ride: The Evolution of the American Western
|
2012
|
|
Rising Sun, Divided Land: Japanese and South Korean Filmmakers
|
2013
|
|
RKO Radio Pictures: A Titan Is Born
|
2012
|
|
Robert Rodriguez: Interviews
|
2012
|
|
Roger Corman: Interviews
|
2011
|
|
Romantics and Modernists in British Cinema
|
2010
|
|
A Rose for Mrs. Miniver: The Life of Greer Garson
|
1999
|
|
Royal Portraits in Hollywood: Filming the Lives of Queens
|
2009
|
|
Rubble Films: German Cinema In Shadow Of 3Rd Reich
|
2001
|
|
Runaway Romances: Hollywood's Postwar Tour of Europe
|
2009
|
|
Sally Potter
|
2009
|
|
Samuel Fuller: Interviews
|
2012
|
|
Sapphism on Screen: Lesbian Desire in French and Francophone Cinema
|
2006
|
|
Satyajit Ray on Cinema
|
2011
|
|
Saul Bass: Anatomy of Film Design
|
2014
|
|
Scenes of Instruction: The Beginnings of the U.S. Study of Film
|
2007
|
|
Schooling in Modernity: The Politics of Sponsored Films in Postwar Italy
|
2014
|
|
Science Fiction Cinema: Between Fantasy and Reality
|
2007
|
|
Scotland: Global Cinema: Genres, Modes and Identities
|
2009
|
|
Screening Cuba: Film Criticism as Political Performance during the Cold War
|
2010
|
|
Screening Gender, Framing Genre: Canadian Literature into Film
|
2007
|
|
Screening Nature: Cinema beyond the Human
|
2013
|
|
Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film
|
2009
|
|
Screening the East: Heimat, Memory and Nostalgia in German Film since 1989
|
2011
|
|
Screening the Gothic
|
2005
|
|
Screening Torture: Media Representations of State Terror and Political Domination
|
2012
|
|
Screening War: Perspectives on German Suffering
|
2010
|
|
Screen/Play: Derrida and Film Theory: Derrida and Film Theory
|
1989
|
|
Screenwriting for a Global Market: Selling Your Scripts from Hollywood to Hong Kong
|
2004
|
|
Scripting Hitchcock: Psycho, The Birds, and Marnie
|
2011
|
|
The Search for Sam Goldwyn
|
1975
|
|
A Second Life: German Cinema's First Decades
OPEN ACCESS
|
1996
|
|
Second Star to the Right: Peter Pan in the Popular Imagination
|
2009
|
|
Self-Projection: The Director’s Image in Art Cinema
|
2014
|
|
The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance
|
2015
|
|
Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility
|
2007
|
|
Serial Fu Manchu: The Chinese Supervillain and the Spread of Yellow Peril Ideology
|
2014
|
|
Shadows, Specters, Shards: Making History in Avant-Garde Film
|
2005
|
|
Shane Meadows: Critical Essays
|
2013
|
|
Shaping the Future of African American Film: Color-Coded Economics and the Story Behind the Numbers
|
2014
|
|
Sharp Cut: Harold Pinter's Screenplays and the Artistic Process
|
2003
|
|
Shell Shock Cinema: Weimar Culture and the Wounds of War
|
2009
|
|
Shining in Shadows: Movie Stars of the 2000s
|
2012
|
|
Shirley Temple and the Performance of Girlhood
|
2015
|
|
Shivers Down Your Spine: Cinema, Museums, and the Immersive View
|
2008
|
|
The Shocking Miss Pilgrim: A Writer in Early Hollywood
|
1999
|
|
Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film
|
2005
|
|
Shooting the Family: Transnational Media and Intercultural Values
OPEN ACCESS
|
2005
|
|
Shot in America: Television, the State, and the Rise of Chicano Cinema
|
2000
|
|
Showbiz Politics: Hollywood in American Political Life
|
2014
|
|
Sidney Poitier: Man, Actor, Icon
|
2004
|
|
Siegfried Kracauer: An Introduction
|
2000
|
|
Siegfried Kracauer's American Writings: Essays on Film and Popular Culture
|
2012
|
|
Silent Film Sound
|
2004
|
|
Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses
|
2002
|
|
Siren City: Sound and Source Music in Classic American Noir
|
2011
|
|
Sites of Disquiet: The Non-Space in spa American Short Narratives and Their Cinematic Transformations
|
2013
|
|
Slow Movies: Countering the Cinema of Action
|
2014
|
|
Small Nation, Global Cinema: The New Danish Cinema
|
2005
|
|
The Social Cinema of Jean Renoir
|
1986
|
|
The Solaris Effect: Art and Artifice in Contemporary American Film
|
2006
|
|
Some Like It Wilder: The Life and Controversial Films of Billy Wilder
|
2010
|
|
The Sopranos: Born Under a Bad Sign
|
2014
|
|
Sound Design and Science Fiction
|
2007
|
|
Sound Technology and the American Cinema: Perception, Representation, Modernity
|
2000
|
|
Southeast Asian Independent Cinema
|
2012
|
|
Spanish Horror Film
|
2012
|
|
The Spanish Prisoner
|
2009
|
|
Spanish Screen Fiction: Between Cinema and Television
|
2009
|
|
Spanish Spaces: Landscape, Space and Place in Contemporary Spanish Culture
OPEN ACCESS
|
2012
|
|
Special Effects: Still in Search of Wonder
|
2002
|
|
Specters of War: Hollywood's Engagement with Military Conflict
|
2012
|
|
Spike Lee
|
2014
|
|
Split Screen Korea: Shin Sang-ok and Postwar Cinema
|
2014
|
|
The Sports Film: Games People Play
|
2014
|
|
Stage-Bound: Feature Film Adaptations of Canadian and Québécois Drama
|
2003
|
|
Stages of Reality: Theatricality in Cinema
|
2012
|
|
Stalinist Cinema and the Production of History: Museum of the Revolution
|
2008
|
|
Stanley Kubrick: Interviews
|
2013
|
|
The Star as Icon: Celebrity in the Age of Mass Consumption
|
2008
|
|
The Star-Spangled Screen: The American World War II Film
|
1985
|
|
Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952
|
2007
|
|
Steven Soderbergh
|
2011
|
|
Storytelling in World Cinemas: Contexts
|
2013
|
|
Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music
|
1992
|
|
Streaming: Movies, Media, and Instant Access
|
2013
|
|
Street Smart: The New York of Lumet, Allen, Scorsese, and Lee
|
2005
|
|
Street with No Name: A History of the Classic American Film Noir
|
2002
|
|
Strindberg's Ghost Sonata
OPEN ACCESS
|
2000
|
|
Stroheim
|
2000
|
|
The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916--1989
|
2014
|
|
Studies in Medievalism XXIV: Medievalism on the Margins
|
2015
|
|
Stupendous, Miserable City: Pasolini’s Rome
|
2007
|
|
The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film
|
2015
|
|
Subjective Realist Cinema: From Expressionism toInception
|
2014
|
|
Sundance to Sarajevo: Film Festivals and the World They Made
|
2002
|
|
Sunset Boulevard
|
1999
|
|
Super Black
|
2011
|
|
Supercinema: Film-Philosophy for the Digital Age
|
2013
|
|
Sync: Stylistics of Hieroglyphic Time
|
2010
|
|
Taiwan Film Directors: A Treasure Island
|
2005
|
|
Take One's Essential Guide to Canadian Film
|
2001
|
|
Taking Exception to the Law: Materializing Injustice in Early Modern English Literature
|
2015
|
|
Taking the long view: a study of longitudinal documentary
|
2010
|
|
Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media
|
2015
|
|
Teenagers And Teenpics: Juvenilization Of American Movies
|
2002
|
|
Television, Tabloids, and Tears: Fassbinder and Popular Culture
|
1995
|
|
Temporality and Film Analysis
|
2012
|
|
The Temptation of Despair
|
2014
|
|
Terence Davies
|
2014
|
|
Terrence Malick
|
2009
|
|
Terror and Joy: The Films of Dusan Makavejev
|
2009
|
|
Theaters of Occupation: Hollywood and the Reeducation of Postwar Germany
|
2008
|
|
Thelma & Louise Live!: The Cultural Afterlife of an American Film
|
2007
|
|
Theorising Media: Power, Form and Subjectivity
|
2011
|
|
Theorizing Art Cinemas: Foreign, Cult, Avant-Garde, and Beyond
|
2013
|
|
Theory of Film Practice
|
1973
|
|
A Theory of Narrative
|
2008
|
|
There’s No Place Like Home Video
|
2002
|
|
They Live
|
2015
|
|
Time Frames: Japanese Cinema and the Unfolding of History
|
2007
|
|
Todd Haynes: Interviews
|
2014
|
|
Todd Haynes
|
2013
|
|
Torture Porn in the Wake of 9/11: Horror, Exploitation, and the Cinema of Sensation
|
2015
|
|
Totalitarianism on Screen: The Art and Politics of The Lives of Others
|
2014
|
|
Touch: Sensuous Theory and Multisensory Media
|
2002
|
|
Transcultural Montage
|
2013
|
|
Transfigurations: Violence, Death and Masculinity in American Cinema
OPEN ACCESS
|
2008
|
|
Transition and Transformation: Victor Sjöström in Hollywood 1923-1930
OPEN ACCESS
|
2013
|
|
Transmedia Frictions: The Digital, the Arts, and the Humanities
|
2014
|
|
Transnational Chinese Cinemas: Identity, Nationhood, Gender
|
1997
|
|
Transnational Representations: The State of Taiwan Film in the 1960s and 1970s
|
2014
|
|
Tsai Ming-Liang and a Cinema of Slowness
|
2014
|
|
Twentieth Century-Fox: The Zanuck-Skouras Years, 19351965
|
2013
|
|
Twilight of the Idols: Hollywood and the Human Sciences in 1920s America
|
2011
|
|
Ulrike Ottinger: The Autobiography of Art Cinema
|
2008
|
|
The Ultimate Stallone Reader: Sylvester Stallone as Star, Icon, Auteur
|
2014
|
|
'Un-American' Hollywood: Politics and Film in the Blacklist Era
|
2007
|
|
Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre
|
2007
|
|
Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination
|
2008
|
|
Unfinished Business: Screening the Italian Mafia in the New Millennium
|
2013
|
|
Universal Women: Filmmaking and Institutional Change in Early Hollywood
|
2010
|
|
The Unmaking of Fascist Aesthetics
|
2001
|
|
Unruly Girls, Unrepentant Mothers
|
2011
|
|
Unruly Women: Performance, Penitence, and Punishment in Early Modern Spain
|
2014
|
|
Upward Mobility and the Common Good: Toward a Literary History of the Welfare State
|
2007
|
|
The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik
|
2013
|
|
Veni, Vidi, Video: The Hollywood Empire and the VCR
|
2001
|
|
Vicarious Kinks: S/M in the Socio-Legal Imaginary
|
2014
|
|
Videoland: Movie Culture at the American Video Store
|
2014
|
|
Visible Nations: Latin American Cinema and Video
|
2000
|
|
Visions of a New Land: Soviet Film from the Revolution to the Second World War
|
2003
|
|
Visions of Dystopia in China's New Historical Novels
|
2015
|
|
Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925
|
2010
|
|
Visions of Paradise: Images of Eden in the Cinema
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2006
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Vocal Apparitions: The Attraction of Cinema to Opera
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2005
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Vocal Tracks: Performance and Sound Media
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2008
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Von Sternberg
|
2010
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Walter Wanger, Hollywood Independent
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1994
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Wanted Cultured Ladies Only!: Female Stardom and Cinema in India, 1930s-1950s
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2009
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War Culture and the Contest of Images
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2012
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Warren Oates: A Wild Life
|
2009
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Washed in Blood: Male Sacrifice, Trauma, and the Cinema
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2012
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Watch and Learn: Rhetorical Devices in Classroom Films after 1940
OPEN ACCESS
|
2012
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Watching the Traffic Go By: Transportation and Isolation in Urban America
|
2007
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Watching the World: Screen documentary and audiences
|
2007
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The Way Hollywood Tells It: Story and Style in Modern Movies
|
2006
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Weimar Cinema: An Essential Guide to Classic Films of the Era
|
2009
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We'll Always Have the Movies: American Cinema during World War II
|
2006
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Werner Herzog: Interviews
|
2014
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The West in Early Cinema: After the Beginning
OPEN ACCESS
|
2006
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What Does a Jew Want?: On Binationalism and Other Specters
|
2011
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What Dreams Were Made Of: Movie Stars of the 1940s
|
2011
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What Have They Built You to Do?: The Manchurian Candidate and Cold War America
|
2006
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What Is Cinema?: Volume I
|
2005
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What Is Cinema?: Volume II
|
2005
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When Frankie Went to Hollywood: Frank Sinatra and American Male Identity
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2008
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When Heimat Meets Hollywood: German Filmmakers and America, 1985-2005
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2007
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Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking
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2013
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The White Savior Film: Content, Critics, and Consumption
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2014
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Whose Lives Are They Anyway?: The Biopic as Contemporary Film Genre
|
2010
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Why Theatre Matters: Urban Youth, Engagement, and a Pedagogy of the Real
|
2014
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Why We Fought: America's Wars in Film and History
|
2008
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Wicked Cinema: Sex and Religion on Screen
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2014
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Willing Seduction: The Blue Angel, Marlene Dietrich, and Mass Culture
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2009
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Wiping the War Paint off the Lens: Native American Film and Video
|
2001
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Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood
|
1997
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Woman with a Movie Camera: My Life as a Russian Filmmaker
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2006
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Women Filmmakers in Mexico: The Country of Which We Dream
|
2001
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Women in Weimar Fashion: Discourses and Displays in German Culture, 1918-1933
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2008
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Women of Vision: Histories in Feminist Film and Video
|
2001
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Women Through the Lens: Gender and Nation in a Century of Chinese Cinema
|
2003
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Wong Kar-wai
|
2005
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Working on Screen: Representations of the Working Class in Canadian Cinema
|
2006
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Working with Walt: Interviews with Disney Artists
|
2008
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World Politics on Screen: Understanding International Relations through Popular Culture
|
2014
|
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The Writers: A History of American Screenwriters and Their Guild
|
2015
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Writing for the Medium: Television in transition
OPEN ACCESS
|
1994
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Youth Culture in Global Cinema
|
2007
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Zachary Scott: Hollywood's Sophisticated Cad
|
2006
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Zaprudered
|
2011
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