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MLA
“‘Every Word Made Flesh’: Les Huguenots and the Incarnation of the Invisible.” Mimomania: Music and Gesture in Nineteenth-Century Opera, by Mary Ann Smart, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2004, pp. 101–131, www.jstor.org/stable/10.1525/j.ctt1pnbwr.7. Accessed 2 Aug. 2021.
APA
Smart, M. (2004). “Every Word Made Flesh”: Les Huguenots and the Incarnation of the Invisible. In Mimomania: Music and Gesture in Nineteenth-Century Opera (pp. 101-131). Berkeley; Los Angeles; London: University of California Press. Retrieved August 2, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pnbwr.7
CHICAGO
Smart, Mary Ann. "“Every Word Made Flesh”: Les Huguenots and the Incarnation of the Invisible." In Mimomania: Music and Gesture in Nineteenth-Century Opera, 101-31. Berkeley; Los Angeles; London: University of California Press, 2004. Accessed August 2, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pnbwr.7.

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