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MLA
“Mimomania: Allegory and Embodiment in Wagner’s Music Dramas.” Mimomania: Music and Gesture in Nineteenth-Century Opera, by Mary Ann Smart, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2004, pp. 163–204, www.jstor.org/stable/10.1525/j.ctt1pnbwr.9. Accessed 2 Aug. 2021.
APA
Smart, M. (2004). Mimomania: Allegory and Embodiment in Wagner’s Music Dramas. In Mimomania: Music and Gesture in Nineteenth-Century Opera (pp. 163-204). Berkeley; Los Angeles; London: University of California Press. Retrieved August 2, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pnbwr.9
CHICAGO
Smart, Mary Ann. "Mimomania: Allegory and Embodiment in Wagner’s Music Dramas." In Mimomania: Music and Gesture in Nineteenth-Century Opera, 163-204. Berkeley; Los Angeles; London: University of California Press, 2004. Accessed August 2, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pnbwr.9.

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