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MLA
“Italian Neorealism: Vittorio De Sica’s The Bicycle Thief.” Closely Watched Films: An Introduction to the Art of Narrative Film Technique, by Marilyn Fabe, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2004, pp. 99–119. JSTOR, www.jstor.org/stable/10.1525/j.ctt1pnd41.11. Accessed 24 June 2021.
APA
Fabe, M. (2004). Italian Neorealism: Vittorio De Sica’s The Bicycle Thief. In Closely Watched Films: An Introduction to the Art of Narrative Film Technique (pp. 99-119). Berkeley; Los Angeles; London: University of California Press. Retrieved June 24, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pnd41.11
CHICAGO
Fabe, Marilyn. "Italian Neorealism: Vittorio De Sica’s The Bicycle Thief." In Closely Watched Films: An Introduction to the Art of Narrative Film Technique, 99-119. Berkeley; Los Angeles; London: University of California Press, 2004. Accessed June 24, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pnd41.11.

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