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MLA
“Auteur Theory and the French New Wave: François Truffaut’s The 400 Blows.” Closely Watched Films: An Introduction to the Art of Narrative Film Technique, by Marilyn Fabe, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2004, pp. 120–134. JSTOR, www.jstor.org/stable/10.1525/j.ctt1pnd41.12. Accessed 24 June 2021.
APA
Fabe, M. (2004). Auteur Theory and the French New Wave: François Truffaut’s The 400 Blows. In Closely Watched Films: An Introduction to the Art of Narrative Film Technique (pp. 120-134). Berkeley; Los Angeles; London: University of California Press. Retrieved June 24, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pnd41.12
CHICAGO
Fabe, Marilyn. "Auteur Theory and the French New Wave: François Truffaut’s The 400 Blows." In Closely Watched Films: An Introduction to the Art of Narrative Film Technique, 120-34. Berkeley; Los Angeles; London: University of California Press, 2004. Accessed June 24, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pnd41.12.

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