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MLA
“Feminism and Film Form: Patricia Rozema’s I’Ve Heard the Mermaids Singing.” Closely Watched Films: An Introduction to the Art of Narrative Film Technique, by Marilyn Fabe, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2004, pp. 207–227. JSTOR, www.jstor.org/stable/10.1525/j.ctt1pnd41.17. Accessed 21 June 2021.
APA
Fabe, M. (2004). Feminism and Film Form: Patricia Rozema’s I’ve Heard the Mermaids Singing. In Closely Watched Films: An Introduction to the Art of Narrative Film Technique (pp. 207-227). Berkeley; Los Angeles; London: University of California Press. Retrieved June 21, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pnd41.17
CHICAGO
Fabe, Marilyn. "Feminism and Film Form: Patricia Rozema’s I’ve Heard the Mermaids Singing." In Closely Watched Films: An Introduction to the Art of Narrative Film Technique, 207-27. Berkeley; Los Angeles; London: University of California Press, 2004. Accessed June 21, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pnd41.17.

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