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MLA
“The Gendering of National Culture, Or, The Only Good Woman Is a Man.” Drama Kings: Players and Publics in the Re-Creation of Peking Opera, 1870-1937, by Joshua Goldstein, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2007, pp. 237–263, www.jstor.org/stable/10.1525/j.ctt1pppgv.12. Accessed 3 Aug. 2021.
APA
Goldstein, J. (2007). The Gendering of National Culture, Or, The Only Good Woman Is a Man. In Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870-1937 (pp. 237-263). Berkeley; Los Angeles; London: University of California Press. Retrieved August 3, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pppgv.12
CHICAGO
Goldstein, Joshua. "The Gendering of National Culture, Or, The Only Good Woman Is a Man." In Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870-1937, 237-63. Berkeley; Los Angeles; London: University of California Press, 2007. Accessed August 3, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pppgv.12.

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