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MLA
“May Fourth Realism and Qi Rushan’s Theory of National Drama.” Drama Kings: Players and Publics in the Re-Creation of Peking Opera, 1870-1937, by Joshua Goldstein, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2007, pp. 134–172, www.jstor.org/stable/10.1525/j.ctt1pppgv.9. Accessed 27 July 2021.
APA
Goldstein, J. (2007). May Fourth Realism and Qi Rushan’s Theory of National Drama. In Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870-1937 (pp. 134-172). Berkeley; Los Angeles; London: University of California Press. Retrieved July 27, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pppgv.9
CHICAGO
Goldstein, Joshua. "May Fourth Realism and Qi Rushan’s Theory of National Drama." In Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870-1937, 134-72. Berkeley; Los Angeles; London: University of California Press, 2007. Accessed July 27, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pppgv.9.

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