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MLA
“Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle over Positive/Negative Images.” Making Asian American Film and Video: History, Institutions, Movements, by JUN OKADA, Rutgers University Press, New Brunswick; New Jersey; London, 2015, pp. 55–78. JSTOR, www.jstor.org/stable/j.ctt13x1g6w.7. Accessed 3 Aug. 2021.
APA
OKADA, J. (2015). Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle over Positive/Negative Images. In Making Asian American Film and Video: History, Institutions, Movements (pp. 55-78). New Brunswick; New Jersey; London: Rutgers University Press. Retrieved August 3, 2021, from http://www.jstor.org/stable/j.ctt13x1g6w.7
CHICAGO
OKADA, JUN. "Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle over Positive/Negative Images." In Making Asian American Film and Video: History, Institutions, Movements, 55-78. New Brunswick; New Jersey; London: Rutgers University Press, 2015. Accessed August 3, 2021. http://www.jstor.org/stable/j.ctt13x1g6w.7.

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