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MLA
GROOM, BOB. “Whose ‘Rock Island Line’?: ORIGINALITY IN THE COMPOSITION OF BLUES AND BRITISH SKIFFLE.” Cross the Water Blues: African American Music in Europe, edited by Neil A. Wynn, by Christopher G. Bakriges et al., University Press of Mississippi, JACKSON, 2007, pp. 167–182, www.jstor.org/stable/j.ctt2tvbm7.13. Accessed 21 June 2021.
APA
GROOM, B. (2007). Whose “Rock Island Line”?: ORIGINALITY IN THE COMPOSITION OF BLUES AND BRITISH SKIFFLE. In Bakriges C., Creighton S., Green J., Grist L., Groom B., Lotz R., et al. (Authors) & Wynn N. (Ed.), Cross the Water Blues: African American Music in Europe (pp. 167-182). JACKSON: University Press of Mississippi. Retrieved June 21, 2021, from http://www.jstor.org/stable/j.ctt2tvbm7.13
CHICAGO
GROOM, BOB. "Whose “Rock Island Line”?: ORIGINALITY IN THE COMPOSITION OF BLUES AND BRITISH SKIFFLE." In Cross the Water Blues: African American Music in Europe, edited by Wynn Neil A., by Bakriges Christopher G., Creighton Sean, Green Jeffrey, Grist Leighton, Groom Bob, Lotz Rainer E., Oliver Paul, Parsonage Catherine, Schmeisser Iris, Schwartz Roberta Freund, Springer Robert, Till Rupert, Van Rijn Guido, and Webster David, 167-82. JACKSON: University Press of Mississippi, 2007. Accessed June 21, 2021. http://www.jstor.org/stable/j.ctt2tvbm7.13.

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