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MLA
“Redefining the ‘Progressive’ Style in Responses to Beethoven’s Late Quartets.” The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities, by MARIE SUMNER LOTT, University of Illinois Press, URBANA; CHICAGO; SPRINGFIELD, 2015, pp. 107–143, www.jstor.org/stable/10.5406/j.ctt15hvxxk.10. Accessed 27 July 2021.
APA
LOTT, M. (2015). Redefining the “Progressive” Style in Responses to Beethoven’s Late Quartets. In The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities (pp. 107-143). URBANA; CHICAGO; SPRINGFIELD: University of Illinois Press. Retrieved July 27, 2021, from http://www.jstor.org/stable/10.5406/j.ctt15hvxxk.10
CHICAGO
LOTT, MARIE SUMNER. "Redefining the “Progressive” Style in Responses to Beethoven’s Late Quartets." In The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities, 107-43. URBANA; CHICAGO; SPRINGFIELD: University of Illinois Press, 2015. Accessed July 27, 2021. http://www.jstor.org/stable/10.5406/j.ctt15hvxxk.10.

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