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MLA
Hill, Robert. “Carl Reinecke’s Performance of Mozart’s Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation.” About Bach, edited by Gregory G. Butler et al., University of Illinois Press, URBANA; CHICAGO, 2008, pp. 171–180, www.jstor.org/stable/10.5406/j.ctt3fh3p3.17. Accessed 2 Aug. 2021.
APA
Hill, R. (2008). Carl Reinecke’s Performance of Mozart’s Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation. In Butler G., Stauffer G., & Greer M. (Eds.), About Bach (pp. 171-180). URBANA; CHICAGO: University of Illinois Press. Retrieved August 2, 2021, from http://www.jstor.org/stable/10.5406/j.ctt3fh3p3.17
CHICAGO
Hill, Robert. "Carl Reinecke’s Performance of Mozart’s Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation." In About Bach, edited by Butler Gregory G., Stauffer George B., and Greer Mary Dalton, 171-80. URBANA; CHICAGO: University of Illinois Press, 2008. Accessed August 2, 2021. http://www.jstor.org/stable/10.5406/j.ctt3fh3p3.17.

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