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MLA
“CONCLUSION: ICONS of ABUNDANCE.” Corn Palaces and Butter Queens: A History of Crop Art and Dairy Sculpture, by Pamela H. Simpson, NED - New edition ed., University of Minnesota Press, Minneapolis; London, 2012, pp. 181–196, www.jstor.org/stable/10.5749/j.ctttt9p0.13. Accessed 27 July 2021.
APA
Simpson, P. (2012). CONCLUSION: ICONS of ABUNDANCE. In Corn Palaces and Butter Queens: A History of Crop Art and Dairy Sculpture (pp. 181-196). Minneapolis; London: University of Minnesota Press. Retrieved July 27, 2021, from http://www.jstor.org/stable/10.5749/j.ctttt9p0.13
CHICAGO
Simpson, Pamela H. "CONCLUSION: ICONS of ABUNDANCE." In Corn Palaces and Butter Queens: A History of Crop Art and Dairy Sculpture, 181-96. Minneapolis; London: University of Minnesota Press, 2012. Accessed July 27, 2021. http://www.jstor.org/stable/10.5749/j.ctttt9p0.13.

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