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MLA
“FRANCE: HISTORY WITHOUT A FACE: Surrealism, Modernity, and the Holocaust in the Cinema of Georges Franju.” Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, by ADAM LOWENSTEIN, Columbia University Press, NEW YORK, 2005, pp. 17–54, www.jstor.org/stable/10.7312/lowe13246.6. Accessed 4 Aug. 2021.
APA
LOWENSTEIN, A. (2005). FRANCE: HISTORY WITHOUT A FACE: Surrealism, Modernity, and the Holocaust in the Cinema of Georges Franju. In Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film (pp. 17-54). NEW YORK: Columbia University Press. Retrieved August 4, 2021, from http://www.jstor.org/stable/10.7312/lowe13246.6
CHICAGO
LOWENSTEIN, ADAM. "FRANCE: HISTORY WITHOUT A FACE: Surrealism, Modernity, and the Holocaust in the Cinema of Georges Franju." In Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, 17-54. NEW YORK: Columbia University Press, 2005. Accessed August 4, 2021. http://www.jstor.org/stable/10.7312/lowe13246.6.

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