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MLA
“BRITAIN: ʺDIRECT EMOTIONAL REALISMʺ: The People’s War, Classlessness, and Michael Powell’s Peeping Tom.” Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, by ADAM LOWENSTEIN, Columbia University Press, NEW YORK, 2005, pp. 55–82, www.jstor.org/stable/10.7312/lowe13246.7. Accessed 27 July 2021.
APA
LOWENSTEIN, A. (2005). BRITAIN: ʺDIRECT EMOTIONAL REALISMʺ: The People’s War, Classlessness, and Michael Powell’s Peeping Tom. In Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film (pp. 55-82). NEW YORK: Columbia University Press. Retrieved July 27, 2021, from http://www.jstor.org/stable/10.7312/lowe13246.7
CHICAGO
LOWENSTEIN, ADAM. "BRITAIN: ʺDIRECT EMOTIONAL REALISMʺ: The People’s War, Classlessness, and Michael Powell’s Peeping Tom." In Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film, 55-82. NEW YORK: Columbia University Press, 2005. Accessed July 27, 2021. http://www.jstor.org/stable/10.7312/lowe13246.7.

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