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MLA
“DIGITAL CINEMA’S HETEROGENEOUS APPEAL: Debates on Embodiment, Intersubjectivity, and Immediacy.” Cinematic Appeals: The Experience of New Movie Technologies, by Ariel Rogers, Columbia University Press, New York, 2013, pp. 91–140, www.jstor.org/stable/10.7312/roge15916.8. Accessed 2 Aug. 2021.
APA
Rogers, A. (2013). DIGITAL CINEMA’S HETEROGENEOUS APPEAL: Debates on Embodiment, Intersubjectivity, and Immediacy. In Cinematic Appeals: The Experience of New Movie Technologies (pp. 91-140). New York: Columbia University Press. Retrieved August 2, 2021, from http://www.jstor.org/stable/10.7312/roge15916.8
CHICAGO
Rogers, Ariel. "DIGITAL CINEMA’S HETEROGENEOUS APPEAL: Debates on Embodiment, Intersubjectivity, and Immediacy." In Cinematic Appeals: The Experience of New Movie Technologies, 91-140. New York: Columbia University Press, 2013. Accessed August 2, 2021. http://www.jstor.org/stable/10.7312/roge15916.8.

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