At the heart of one of the most successful transmedia franchises of all time,Star Trek, lies an initially unsuccessful 1960s television production,Star Trek: The Original Series. InStar Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: "It's a television show." In focusing onStar Trekas a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades ofStar Trek's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics ofStar Trekfrom the original series (1966-1969) to its final television incarnation inEnterprise(2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the filmNemesis(2002) and the first series ofStar Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative "storyworld" of theStar Trektelevision corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, andStar Trekfans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard inStar Trek: The Next Generation.
Subjects: Performing Arts
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