• • Front Matter
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• • Table of Contents
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• • ACKNOWLEDGEMENTS
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• • Notes on Contributors
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• • INTRODUCTION
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• • Aristotle and Tragicomedy
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• • The Difficult Emergence of Pastoral Tragicomedy:: Guarini’s Il pastor fido and its Critical Reception in Italy, 1586–1601
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• • Transporting Tragicomedy:: Shakespeare and the Magical Pastoral of the Commedia dell’Arte
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• • The Minotaur of the Stage:: Tragicomedy in Spain
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• • Highly Irregular:: Defining Tragicomedy in Seventeenth-Century France
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• • In Lieu of Democracy, or How Not to Lose Your Head:: Theatre and Authority in Renaissance England
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• • Taking Pericles Seriously
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• • ‘The Neutral Term’?:: Shakespearean Tragicomedy and the Idea of the ‘Late Play’
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• • Shakespeare by the Numbers:: On the Linguistic Texture of the Late Plays
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• • Turn and Counterturn:: Merchanting, Apostasy and Tragicomic Form in Massinger’s The Renegado
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• • Dublin Tragicomedy and London Stages
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• • ‘Betwixt Both’:: Sketching the Borders of Seventeenth-Century Tragicomedy
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• • INDEX
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• • Back Matter
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