Tablature
Tablature
Bruce Whiteman
Copyright Date: 2015
Published by: McGill-Queen's University Press
https://www.jstor.org/stable/j.ctt130hctv
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Book Info
Tablature
Book Description:

From the "rubble [that] is the order of the day" in the opening poem to the longing for a "radiant happy ending" in the book's final line, Tablature is a book of poems that traverses a great swath of the heart's experience in compelling and lucid poetic language. Bruce Whiteman's first book of poems in traditional lined form in thirty years is by turns learned and allusive, and emotionally expressive and despairing. These poems engage three large and powerful subjects: the landscapes we see and abide in, music that is comforting and a guide to hearing the poem's compulsions, and love - erotic, domestic, and enduring. Whiteman is keenly observant of the natural world of birds and trees, of rocks and water, alive to the pressures and hurts of daily life, and above all to the ways in which music rescues us from dependency and pulls us back from a "cultivated hysteria." If there is an "intimate / apocalypse," there is also "radiant hope." The poems in Tablature capture readers with their singular music and their bright and unblinking takes on the quotidian challenges of living a life. These are poems of a highly tuned sensibility matched by a sweetness of language.

eISBN: 978-0-7735-8194-4
Subjects: Language & Literature
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Table of Contents
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  1. Front Matter
    Front Matter (pp. i-vi)
  2. Table of Contents
    Table of Contents (pp. vii-viii)
  3. I: LANDSCAPES
    • ECLOGUE
      ECLOGUE (pp. 3-4)
    • REGRET
      REGRET (pp. 5-6)
    • ALMOST NOVEMBER, IOWA
      ALMOST NOVEMBER, IOWA (pp. 7-7)
    • THE UNMASKING
      THE UNMASKING (pp. 8-8)
    • FIRST SNOW, LAST STRAW
      FIRST SNOW, LAST STRAW (pp. 9-9)
    • BEING POSSIBLE
      BEING POSSIBLE (pp. 10-10)
    • BEING POSSIBLE II
      BEING POSSIBLE II (pp. 11-11)
    • LOREM IPSUM
      LOREM IPSUM (pp. 12-12)
    • A MIND LIKE A PACK OF SCATTERED CARDS
      A MIND LIKE A PACK OF SCATTERED CARDS (pp. 13-14)
    • THE ROCK THAT LOOKS LIKE A BEAR
      THE ROCK THAT LOOKS LIKE A BEAR (pp. 15-15)
    • THE SKUNK ON THE BRIDGE OVER THE GIHON RIVER
      THE SKUNK ON THE BRIDGE OVER THE GIHON RIVER (pp. 16-17)
    • SPRING SNOW, VERMONT
      SPRING SNOW, VERMONT (pp. 18-19)
    • TRANCES OF THOUGHT
      TRANCES OF THOUGHT (pp. 20-21)
    • OBJECTS ON A DESK
      OBJECTS ON A DESK (pp. 22-23)
    • IMPROVISATION ON A LINE OF HÖLDERLIN
      IMPROVISATION ON A LINE OF HÖLDERLIN (pp. 24-25)
    • THE LAST SPOT OF EARTH’S ORB
      THE LAST SPOT OF EARTH’S ORB (pp. 26-26)
    • HISTORY
      HISTORY (pp. 27-28)
  4. II: LOVE POEMS AND OTHERS
    • AND TO LIVE WITHOUT A PLAN (A LOVE POEM)
      AND TO LIVE WITHOUT A PLAN (A LOVE POEM) (pp. 31-31)
    • THIS KISS TO THE ENTIRE WORLD
      THIS KISS TO THE ENTIRE WORLD (pp. 32-32)
    • NULLUS AMOR TANTI EST
      NULLUS AMOR TANTI EST (pp. 33-33)
    • OBSESSIONS
      OBSESSIONS (pp. 34-35)
    • INVASIVE PROCEDURES
      INVASIVE PROCEDURES (pp. 36-36)
    • SCHEHERAZADE GARGLED
      SCHEHERAZADE GARGLED (pp. 37-37)
    • THE MIDDLE OF A LIFE
      THE MIDDLE OF A LIFE (pp. 38-39)
    • DEEP SNOW PECULIAR HEART
      DEEP SNOW PECULIAR HEART (pp. 40-40)
    • GREY DAY, DEATH IS FAR AWAY
      GREY DAY, DEATH IS FAR AWAY (pp. 41-41)
    • THE WARNING
      THE WARNING (pp. 42-42)
    • FEBRUARY 15TH
      FEBRUARY 15TH (pp. 43-43)
    • POETRY
      POETRY (pp. 44-45)
    • RAIN ON THE WINDOW
      RAIN ON THE WINDOW (pp. 46-46)
    • THE WORDSWORTH THEFTS
      THE WORDSWORTH THEFTS (pp. 47-48)
    • POEM INCORPORATING A FRAGMENT OF IBYCUS
      POEM INCORPORATING A FRAGMENT OF IBYCUS (pp. 49-50)
    • THE SORROW OF INACHUS
      THE SORROW OF INACHUS (pp. 51-51)
    • ARCHILOCHUS UNWITTINGLY EXCHANGES A COW FOR POETRY
      ARCHILOCHUS UNWITTINGLY EXCHANGES A COW FOR POETRY (pp. 52-53)
    • BEYOND RECOGNITION LOST IN LOVE
      BEYOND RECOGNITION LOST IN LOVE (pp. 54-55)
    • COME WHAT COME WOULD
      COME WHAT COME WOULD (pp. 56-57)
    • HELEN
      HELEN (pp. 58-59)
    • WHITE RAIN IN A BLACK SKY
      WHITE RAIN IN A BLACK SKY (pp. 60-60)
    • MAKING LOVE AT 10 P.M.
      MAKING LOVE AT 10 P.M. (pp. 61-62)
  5. III: MUSIC AT THE HEART
    • THREE MINUTES OF ECSTASY WITH ARNOLD SCHOENBERG
      THREE MINUTES OF ECSTASY WITH ARNOLD SCHOENBERG (pp. 65-66)
    • THE SILENCE OF AN AFTERNOON OF MUSIC
      THE SILENCE OF AN AFTERNOON OF MUSIC (pp. 67-68)
    • THE BLUE PIANO
      THE BLUE PIANO (pp. 69-70)
    • POLYPHONIC SETTING FOR WHITE
      POLYPHONIC SETTING FOR WHITE (pp. 71-71)
    • THE YSAŸE SONATAS
      THE YSAŸE SONATAS (pp. 72-73)
    • LUTE MUSIC
      LUTE MUSIC (pp. 74-74)
    • BERCEUSE
      BERCEUSE (pp. 75-75)
    • A JOYFUL NOISE
      A JOYFUL NOISE (pp. 76-77)
    • TUMULT
      TUMULT (pp. 78-78)
    • FAREWELL TO STROMNESS
      FAREWELL TO STROMNESS (pp. 79-80)
    • STRING QUARTET IN F, OP. 41, NO. 2
      STRING QUARTET IN F, OP. 41, NO. 2 (pp. 81-82)
  6. ACKNOWLEDGMENTS AND NOTES
    ACKNOWLEDGMENTS AND NOTES (pp. 83-85)
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