Gray Matter
Gray Matter
SARA MICHAS-MARTIN
Elisabeth Frost series editor
Copyright Date: 2014
Published by: Fordham University Press
Pages: 80
https://www.jstor.org/stable/j.ctt13x0186
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Book Info
Gray Matter
Book Description:

Simultaneously restless and enchanted, the primary speaker of these poems is a tourist in the truest sense. She finds herself on trains, in the backcountry of the American wilderness, in crowded European hostels, and in Vietnam, eating a partially fertilized egg. All the while, Michigan, the landscape of childhood, serves as her reference point ("A rustic sort of place I can't back away from"). Inspired by the Buddhist concept of anatta, or "no-self," the speaker navigates unfamiliar terrain, sparking the question of identity and the agent of its construction. The poems ask how through perception the body metabolizes experience. From this intersection the passionate investigation of consciousness takes flight, framing the slippage between thinking and being, the feast of the subconscious and the seeds planted from waking life, the impermanence of a given moment, versus the materialism of memory, the reality of isolation despite the presence of a crowd, the influence of culture versus biology's common baseline. Drawing from contemporary neuroscience and rare case studies, the poems illuminate the peculiar, interrelated aspects of the mechanisms of the brain and personality. But there is nothing clinical about these poems, culled from dreams and memory fragments. The question of consciousness gives rise to the distinct human ability to reflect, to invent. Which is what the poems-poignant, strange, radiating musicality-enact: someone gropes for the deer mount its goofy snarl and patchwork hide a ruse underway laughter in the pantry the deer lifted into someone's sleep (from "Staff After Hours") Not the love a mile underground on a train that slows into the station like a sore arm bending, but the kind boarded on a ship and sailed hard into the storm we've made of ourselves. (from "Please do Not Touch") Gray Matter: 1. the material of the brain. 2. an expression naming an idea or situation held in shadow. This book tangles with the unknown, but also celebrates the seductive curiosity its mystery provokes. It is a love letter from the imagination to the scientists and philosophers who, despite remarkable attempts, still cannot locate its source.

eISBN: 978-0-8232-5780-5
Subjects: Language & Literature
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Table of Contents
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  1. Front Matter
    Front Matter (pp. i-viii)
  2. Table of Contents
    Table of Contents (pp. ix-x)
  3. FOREWORD
    FOREWORD (pp. xi-xii)
    Susan Wheeler

    How much of a body is a spirit, and vice versa? Does the biology of our minds make for our behavior, become our destinies? Can we make choices not determined by the chemistries that make up our brains? What does this mean for free will and fate, and for faith itself? Is the spirit quantifiable?

    Each era of scientific revolution—a reconceiving of our world as well as the terms in which science defines it—has had its own profound poetries, from Geoffrey Chaucer’sThe Canterbury Talesto William Carlos Williams’sThe Desert Music and Other Poems. Now Sara Michas-Martin’s...

  4. ACKNOWLEDGMENTS
    ACKNOWLEDGMENTS (pp. xiii-xviii)
  5. Illusion of One
    Illusion of One (pp. 1-4)
  6. In Sleep the Brain Retrieves a Snake
    In Sleep the Brain Retrieves a Snake (pp. 5-6)
  7. Please Do Not Touch
    Please Do Not Touch (pp. 7-8)
  8. Elegy
    Elegy (pp. 9-9)
  9. If I Think About It
    If I Think About It (pp. 10-10)
  10. Female Dorm, Barcelona
    Female Dorm, Barcelona (pp. 11-11)
  11. The Empty Museum
    The Empty Museum (pp. 12-13)
  12. How Are You Feeling?
    How Are You Feeling? (pp. 14-14)
  13. Cage
    Cage (pp. 15-16)
  14. All Night I Felt My Teeth Loosening
    All Night I Felt My Teeth Loosening (pp. 17-20)
  15. Return
    Return (pp. 21-21)
  16. More Than One Way to Drown
    More Than One Way to Drown (pp. 22-23)
  17. To Know It Again
    To Know It Again (pp. 24-24)
  18. Olfaction
    Olfaction (pp. 25-25)
  19. In My Kid Bed, Sleeping, Shotguns Stored Below
    In My Kid Bed, Sleeping, Shotguns Stored Below (pp. 26-26)
  20. Vision
    Vision (pp. 27-29)
  21. Friendship South
    Friendship South (pp. 30-30)
  22. What to Name This
    What to Name This (pp. 31-31)
  23. The Same and the Next
    The Same and the Next (pp. 32-34)
  24. Spoil Song
    Spoil Song (pp. 35-35)
  25. Desire
    Desire (pp. 36-37)
  26. Trichotillomania
    Trichotillomania (pp. 38-38)
  27. Staff After Hours
    Staff After Hours (pp. 39-39)
  28. Crush
    Crush (pp. 40-40)
  29. Audition
    Audition (pp. 41-41)
  30. Gustation
    Gustation (pp. 42-42)
  31. Tryst
    Tryst (pp. 43-44)
  32. In a Time of Transition
    In a Time of Transition (pp. 45-45)
  33. Since He Asked
    Since He Asked (pp. 46-46)
  34. Marriage
    Marriage (pp. 47-50)
  35. Imperfectly Divided
    Imperfectly Divided (pp. 51-51)
  36. Capgrass Syndrome
    Capgrass Syndrome (pp. 52-52)
  37. For Better
    For Better (pp. 53-53)
  38. Problems to Solve: Methods Invented
    Problems to Solve: Methods Invented (pp. 54-54)
  39. Synaptic Sprawl
    Synaptic Sprawl (pp. 55-55)
  40. Cotard Syndrome
    Cotard Syndrome (pp. 56-56)
  41. Café, Person Crying
    Café, Person Crying (pp. 57-58)
  42. Utility
    Utility (pp. 59-59)
  43. Off Season
    Off Season (pp. 60-62)
  44. NOTES
    NOTES (pp. 63-65)
  45. Back Matter
    Back Matter (pp. 66-70)
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