Almanac is a collection of lyrical and narrative poems
that celebrate, and mourn the passing of, the world of the small
family farm. But while the poems are all involved in some way with
the rural Midwest, particularly with the people and land of the
northwestern Illinois dairy farm where Austin Smith was born and
raised, they are anything but merely regional. As the poems reflect
on farm life, they open out to speak about childhood and death, the
loss of tradition, the destruction of the natural world, and the
severing of connections between people and the land.
This collection also reflects on a long poetic apprenticeship.
Smith's father is a poet himself, and Almanac is in part a
meditation about the responsibility of the poet, especially the
young poet, when it falls to him to speak for what is vanishing. To
quote another Illinois poet, Thomas James, Smith has attempted in
this book to write poems "clear as the glass of wine / on [his]
father's table every Christmas Eve." By turns exhilarating and
disquieting, this is a remarkable debut from a distinctive new
voice in American poetry.
THE MUMMY IN THE FREEPORT ART MUSEUM
Amongst the masterpieces of the small-town
Picassos and Van Goghs and photographs
of the rural poor and busts of dead Greeks
or the molds of busts donated by the Art
Institute of Chicago to this dying
town's little museum, there was a mummy,
a real mummy, laid out in a dim-lit
room by himself. I used to go
to the museum just to visit him, a pharaoh
who, expecting an afterlife
of beautiful virgins and infinite food
and all the riches and jewels
he'd enjoyed in earthly life,
must have wondered how the hell
he'd ended up in Freeport, Illinois.
And I used to go alone into that room
and stand beside his sarcophagus and say,
"My friend, I've asked myself the same thing."
Subjects: Language & Literature
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