Useful Gifts
Useful Gifts
Carole L. Glickfeld
Series: The Flannery O'Connor Award for Short Fiction
Copyright Date: 1989
Published by: University of Georgia Press
Pages: 224
https://www.jstor.org/stable/j.ctt46n661
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Book Info
Useful Gifts
Book Description:

Charged with the mystery of childhood, with curiosity and daring, confusion and fear, the eleven interrelated stories in Useful Gifts explore what Ruthie knows. The youngest child of profoundly deaf parents living in Manhattan in the 1940s and 1950s, Ruthie Zimmer speaks and signs. Interpreting for her parents, she tries to make sense of worlds as close as her family's fourth-floor apartment, as expansive as her rooftop playground and as diverse as the neighborhood below. The ways of language, its ways, its habits, its humor-as well as the demons that rise within us when we fail to communicate-form an undercurrent in many of Carole Glickfeld's stories. In "What My Mother Knows" Hannah Zimmer gleans the neighborhood gossip from her apartment window, telling Ruthie in a gesture that Mrs. Frangione is pregnant again, and announcing in clipped, terse signs that the O'Briens have divorced. "Know drunk?…Unhappy, fight, wife, divorce." There is, in "My Father's Darling" the hoarse, choked screaming of Albert Zimmer, "Honorfatherhonorfatherhonorfather" striking his daughter Melva has she sinks to the floor muttering "Misermisermisermiser" in the distant, disembodied voice of a ventriloquist. And, in "Talking Mama-Losh'n" there is Sidney, Ruthie's older brother, "getting down to business," sprinkling his speech with Yiddish, French and German-words that project a wisdom and cosmopolitanism he clearly craves. Three floors below the Zimmer apartment, Ruthie enters the altogether different realm of Dot, a thrice-married hatcheck girl, and her daughter and son, Glory and Roy Rogers. These are characters who, as their names seem to promise, bring adventure and excitement-from acted-out fantasies of Hollywood to gunfights amid the rooftop battlements of "Fort Arden," from impulsive, stylish haircuts to Chinese food with pork. And, across the stoop, Ruthie visits with the Opals family-Iris, Ivy, and Ione-three daughters whose endless lessons in charm, elocution and posture prime them for future "fame and glory." In Useful Gifts, Carole Glickfeld creates, through the optimistic voice of a young girl, intimacy with the complexity and heartbreak of a world we hope she can survive. In the closing story of the collection, Ruth Zimmer, twenty years older, retraces her neighborhood-not only to preserve her memories but to understand, finally, their effect on her now, a grown woman living three thousand miles away.

eISBN: 978-0-8203-3761-6
Subjects: Language & Literature
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  1. Front Matter
    Front Matter (pp. [i]-[vi])
  2. Table of Contents
    Table of Contents (pp. [vii]-[viii])
  3. 1. Arden Street
    • What My Mother Knows
      What My Mother Knows (pp. 3-10)

      FRANKIE Frangione, standing on the sidewalk, screams up to his ma, up on the second floor in the building across the street from us.

      My ma is watching him from the bedroom window. “Scream lazy walk,” she says to me. In sign language, cause she’s a deaf-mute. Translated means Frankie is screaming up to his ma since he’s too lazy to walk upstairs. All the kids scream up to their ma on account of this block having only walk-ups. The elevator buildings are on the next block up Arden Street, across from the church.

      We live on the fourth floor....

    • In the Shadow of the Boardwalk
      In the Shadow of the Boardwalk (pp. 11-22)

      “CONEY Island is a dump,” my sister said when I asked her how come she wasn’t going with us.

      “It isn’t either,” I said, not because I was born there. I love how different the ocean is from where we live now, near the Hudson River in the Inwood section of Manhattan.

      “You’ve never even seen Far Rockaway,” Melva said, “where the sand is all white. Ask Sidney if you don’t believe me.”

      Of course, my brother wasn’t home. He was at work. Anyway, I tried to imagine a beach full of something that looked like salt but I couldn’t....

    • My Second Favorite
      My Second Favorite (pp. 23-33)

      “FULL d-u-s-t,” my mother says, when I tell her I’m going to Glory’s to play. She waves her hands in the air like dust is blowing around. “No good first f-l-o-o-r,” she tells me, meaning that’s how come it’s so dusty down there. She also blames Dot, Glory’s mother. “Not enough clean,” she says about her. I should never of told her about Dot putting the glasses of Jell-O on their windowsill, instead of in the frigidaire.

      I go downstairs and ring their doorbell. There are names from all of Dot’s three husbands printed real nice under the peephole. Kamahele...

    • Useful Gifts
      Useful Gifts (pp. 34-45)

      MY mother believes in useful gifts, but when I saw the marionette hanging in Schiffman’s Toys on Dyckman Street, I knew what I wanted for Chanukah. She was dangling in the middle of the window, wearing a pink net tutu over a pink satin slip. Her strings were fixed so that she was doing an arabesque, her arms reaching out in front and one leg stuck out in the air behind her, a little crooked. Her hair looked soft, like orangey red cotton, pulled back into a bun that dancers wear. Right off I named her Mitzi, like the girl...

    • Fort Arden
      Fort Arden (pp. 46-59)

      THE thing about Glory and Roy Rogers was that they weren’t too chicken to play on the roof.

      I got the idea when we were at the bottom of the stoop playing Johnny-May-We-Cross-Your-River. I was Johnny and the kids were trying to cross over. “Johnny, may we cross your river?” they yelled out.

      Usually I gave them colors. They could cross if they were wearing the color I said, but when I saw a balloon disappear over the top of my building, I said, “Yes you may, if you’re willing to come up to the roof.”

      Right away my friend...

    • Peola and Petunia
      Peola and Petunia (pp. 60-74)

      “SHE was homely as sin,” my big sister told me. “So plain if you passed her in the street you’d never dream she was a Hollywood star.”

      “How come?” I asked, not sure whether to believe her about Jennifer Jones. In the Photoplay magazine we had open in front of us on the kitchen table, Jennifer Jones looked pretty gorgeous to me. My sister, though, had gotten to see her close up, right in our neighborhood that afternoon, because they were making a movie at the top of Fort Tryon Park.

      She slid the magazine over closer to me. “Look...

    • Talking Mama-Losh’n
      Talking Mama-Losh’n (pp. 75-87)

      THE siren sounded just as my mother and I jammed together in the window, leaning out over the fire escape, our elbows on the sill. Melva had the next window over to herself. Across the street, apartment windows got black as lights went off, one after the other. Within minutes the lampposts were out. It was completely dark, except for tiny flares of matches lighting cigarettes or the glowing embers of those already lit, from the people who hung out across the street from us.

      Down the block a shrill whistle blew. “HEY! YOU! Turn that light out!” boomed my...

    • Plastic Flowers
      Plastic Flowers (pp. 88-101)

      MY whole spring vacation from P.S. 152 my mother spent getting ready for Passover. She redid the foyer closets, vacuuming the back corners and putting in a fresh bunch of mothballs. She laid down new oilcloth on the kitchen shelves and washed the whole inside of the frigidaire. Roaches came out half dead from behind the stove where she had put a lot of roach powder.

      One morning, on account of the garbage truck, I woke up early and found my mother kneeling on the kitchen floor with my father standing over her, yelling the way he does, which was...

    • My Father’s Darling
      My Father’s Darling (pp. 102-117)

      BEFORE Labor Day, Melva asked my father for some money to buy some clothes for school. I was sitting with the cards on the floor in the living room, playing war with myself, and I saw her follow him into the bedroom to ask. I didn’t expect him to reach into his pocket and give her the money right away, but he did. So what did Melva do? She told him ten dollars wasn’t enough.

      “Think me rich?” my father signed.

      “You cheapskate,” she signed right back, maybe because she couldn’t help herself.

      In two seconds flat he had her...

    • Begin the Beguine
      Begin the Beguine (pp. 118-140)

      THE day before my Cousin Rona’s wedding, my Aunt Sadie called from New Jersey. “Tell Mother she shouldn’t bring anything,” she said.

      My mother was by the window sewing. I had to stomp my feet a few times before she felt the vibrations and looked up.

      “S-a-d-i-e telephone,” I told her in sign language.

      My mother got up all excited and knocked the picture frame off the table. “Stupid, hurry,” she signed. Of course, she couldn’t hear her slippers crunching the glass.

      She stood next to me by the phone the whole time I was interpreting back and forth.

      “What...

  4. 2. Retracings
    • Relics of Stars
      Relics of Stars (pp. 143-210)

      USING the full length of their arms, the two women sitting on the bench closest to the entrance of Chasen Center wave at the silver-haired man shuffling back and forth past them. Lost in thought, he is looking down at the sidewalk and does not see them. Discouraged, Trudy Berkowitz drops her arm to her lap, smiles tolerantly while Marian Lowe continues to wave, making grunting sounds which no one except the blind lady sitting on the next bench over can hear. The others taking their morning air just now in front of the brown brick building for the disabled...

  5. Back Matter
    Back Matter (pp. 211-212)
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