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The Many Woods of Grief

The Many Woods of Grief: Poems

Lucas Farrell
Copyright Date: 2011
Pages: 80
https://www.jstor.org/stable/j.ctt5vk1dd
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  • Book Info
    The Many Woods of Grief
    Book Description:

    In this striking debut volume, Lucas Farrell offers a lyrical and illuminating field guide to the flora and fauna of “worlds just out of reach.” With the precision and detail of an Audubon sketch, he turns his naturalist’s eye to the vast landscape of human emotion—all the while affirming “how real this world we live in / must be to live in.” Journeying ever outward, from the achingly ordinary to the mysterious “land where there is no land,” the narrator of this collection, equal parts pastoralist and surrealist, explores the vivid inbetweens—between love and loss, hilarity and despair, wild and domestic, real and imagined. Hungry, expressive, and original, these poems glean light from even the darkest of fields.From "Further Along Now"Further along the curves of gesture, the delicateapostrophe, in the tongues of muted suns, we'll findourselves in a clearing, in a meadow of ancient grass,picking apart what has long been picked apart. Furtheralong, the compliments, the tweezers and logic, thelaboratory of hard hats and felt pens and hard headsand clipboards hanging from sky's bloody fender, birddroppings steaming calligraphic so long as the cloudsbecome clouds become clouds and amazed we see insuch preventable warfare our own substancesunchanging. Fountains of ash too diffuse to interpret,too complex to diagnose, I quote the many woods ofgrief, too far alone, too deep.

    eISBN: 978-1-61376-183-0
    Subjects: Language & Literature

Table of Contents

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  1. Front Matter
    (pp. i-vi)
  2. Table of Contents
    (pp. vii-x)
  3. WE ARE ALL OF US NEARLY HOME
    (pp. 1-2)
  4. I

    • GRAFFITI
      (pp. 4-4)
    • GEOSMIN
      (pp. 5-5)
    • THE LAST ARCTIC
      (pp. 6-7)
    • FINGERS POINT AT THE NEW MOON RISING
      (pp. 8-8)
    • STITCHES
      (pp. 9-9)
    • GENERATION OF BIRD
      (pp. 10-18)

      There is a directness of tilt, a subtle knock, and behind the door a face exposed to a face that is not ours. We are gesture and therefore hopeful. This face, this facelessness, is not the source of anxiety but it is a world and therefore. But the composer sees the way string itself unravels and it might be a bug and there’s certainly some crawling and, as a result, hesitation. Our first act is to keep the eyes a moment shut. Her eyes are not shut but there is a blinking which is just to say time is of...

    • SAD TOPOLOGY OF A B-MOVIE LOVE TRYST
      (pp. 19-20)
    • CRABGRASS
      (pp. 21-22)
    • THE ACCORDIONIST
      (pp. 23-24)
    • YOU WHO TAUGHT YOURSELF BRAILLE
      (pp. 25-25)
    • THE DUAL-SHADE OF SIX-PRONG
      (pp. 26-32)
  5. II

    • LOGIC OF RAWHIDE
      (pp. 34-36)
    • REGARDING RAIN
      (pp. 37-43)
    • TO THE VISIONARY
      (pp. 44-44)
    • TRANSLATIONS OF “MY REFRIGERATOR LIGHT MAKES ITS WAY TOWARD YOU” INTO THE 34 LANGUAGES SPOKEN IN THE MANY WOODS OF GRIEF
      (pp. 45-49)
    • BIOGRAPHY OF CREEK
      (pp. 50-50)
    • HER HUNGER, BAROMETRICAL
      (pp. 51-51)
    • WHENSOEVER IT SNOWS, MY VERMONT
      (pp. 52-53)
    • CONVERSATION
      (pp. 54-54)
    • BY WAY OF APOLOGY,
      (pp. 55-56)
    • My Mother’s Quickened Heart (Leonid Shower, 2000)
      (pp. 57-58)
    • THE POINTILLISTS
      (pp. 59-59)
    • THE COOKIECUTTER SHARK (Isistius Brasiliensis)
      (pp. 60-62)
    • FURTHER ALONG NOW
      (pp. 63-70)
    • ROCK CREEK, PRE-DAWN
      (pp. 71-71)
    • ROCK CREEK, PRE-DAWN
      (pp. 72-72)
  6. NOTES
    (pp. 73-74)
  7. ACKNOWLEDGMENTS
    (pp. 75-76)
  8. Back Matter
    (pp. 77-78)