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Notes on Sontag

Notes on Sontag

PHILLIP LOPATE
Copyright Date: 2009
Pages: 256
https://www.jstor.org/stable/j.ctt7t4m5
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  • Book Info
    Notes on Sontag
    Book Description:

    Notes on Sontagis a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "foremost interpreters of . . . our recent contemporary moment." Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years.

    Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time.

    eISBN: 978-1-4008-2987-3
    Subjects: Language & Literature

Table of Contents

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  1. Front Matter
    (pp. i-iv)
  2. LIST OF ABBREVIATIONS
    (pp. v-vi)
  3. INTRODUCTION
    (pp. 1-246)

    For a writer to attempt a book about another writer, it requires nerve, some guild sympathy, and perhaps a dose of narcissistic projection. Also timing: when Ivan Bunin, who knew Chekhov, was asked after the older writer’s death to do a biography of him, he hesitated. He waited almost fifty years, accruing nerve, writing his fiction, winning the Nobel Prize, until, at the brink of his own death, he composed a small book largely made up of questions about Che khov and the unknowableness of any human being by another. I cannot wait to win the Nobel Prize. The idea...

  4. ACKNOWLEDGMENTS
    (pp. 247-247)