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Lyrics of Sunshine and Shadow

Lyrics of Sunshine and Shadow: The Tragic Courtship and Marriage of Paul Laurence Dunbar and Alice Ruth Moore

Eleanor Alexander
Copyright Date: 2001
Published by: NYU Press
Pages: 241
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  • Book Info
    Lyrics of Sunshine and Shadow
    Book Description:

    A New York Times Notable Book of 2002! Sexism, racism, self-hatred, and romantic love: all figure in prominently in this scholarly-but nicely hard-boiled-discussion of the bond between the famous Paul Laurence Dunbar and his wife Alice. Eleanor Alexander's analysis of turn-of-the-twentieth-century black marriage is required reading for every student of American, especially African-American, heterosexual relationships." - Nell Painter, Edwards Professor of American History, Princeton University, Author of Sojourner Truth, A Life, A Symbol "Rich in documentation and generous in analysis, Lyrics of Sunshine and Shadow advances our understanding of late nineteenth- and early twentieth-century African American social and cultural history in compelling and unexpected ways. By exposing the devastating consequences of unequal power dynamics and gender relations in the union of the celebrated writers, Paul Laurence Dunbar and Alice Ruth Moore, and by examining the hidden underside of the Dunbars' storybook romance where alcohol, sex, and violence prove fatal, Eleanor Alexander produces a provocative, nuanced interpretation of late Victorian courtship and marriage, of post-emancipation racial respectability and class mobility, of pre-modern sexual rituals and color conventions in an emergent elite black society." - Thadious M. Davis, Vanderbilt University "Eleanor Alexander's vivid account of the most famous black writer of his day, Paul Laurence Dunbar, and his wife Alice, illuminates the world of the African American literati at the opening of the twentieth century. The Dunbars' fairy-tale romance ended abruptly, when Alice walked out on her alcoholic, abusive spouse. Alexander's access to scores of intimate letters and her sensitive interpretation of the Dunbars mercurial highs and lows reveal the tragic consequences of mixing alcohol, ambition and amour. The Dunbars were precursors for another doomed duo: Scott and Zelda Fitzgerald. Alexander's poignant story of the Dunbars sheds important light on love and violence among DuBois's "talented tenth." - Catherine Clinton, author of Fanny Kemble's Civil Wars "Lyrics of Sunshine and Shadow debunks Dunbar myths... Lyrics asks us to consider the ways in which racism and sexism operate together." - The CrisisOn February 10, 1906, Alice Ruth Moore, estranged wife of renowned early twentieth-century poet Paul Laurence Dunbar, boarded a streetcar, settled comfortably into her seat, and opened her newspaper to learn of her husband's death the day before. Paul Laurence Dunbar, son of former slaves, whom Frederick Douglass had dubbed "the most promising young colored man in America," was dead from tuberculosis at the age of 33. Lyrics of Sunshine and Shadow traces the tempestuous romance of America's most noted African-American literary couple. Drawing on a variety of love letters, diaries, journals, and autobiographies, Eleanor Alexander vividly recounts Dunbar's and Moore's tumultuous affair, from a courtship conducted almost entirely through letters and an elopement brought on by Dunbar's brutal, drunken rape of Moore, through their passionate marriage and its eventual violent dissolution in 1902. Moore, once having left Dunbar, rejected his every entreaty to return to him, responding to his many letters only once, with a blunt, one-word telegram ("No"). This is a remarkable story of tragic romance among African-American elites struggling to define themselves and their relationships within the context of post-slavery America. As such, it provides a timely examination of the ways in which cultural ideology and politics shape and complicate conceptions of romantic love.

    eISBN: 978-0-8147-0755-5
    Subjects: History

Table of Contents

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  1. Front Matter
    (pp. i-vi)
  2. Table of Contents
    (pp. vii-viii)
    (pp. ix-x)
    (pp. 1-12)

    On February 1, 1902, T. Thomas Fortune, the mercurial African American editor of theNew York Agenewspaper, slipped a bit of gossip into his letter to Booker T. Washington. Wedged between weighty paragraphs on “race” issues was a juicy tidbit on Fortune’s drinking chum, the gifted African American writer Paul Laurence Dunbar (1872–1906):

    Saturday night [January 25, 1902] Dunbar went home and tried to kill his wife. He left Washington on the 12 o’clock train, and [has] not been heard from…. He is a high class brute, and I will tell you what led up to it when...

  5. ONE The Child Is Father of the Man
    (pp. 13-43)

    One day in 1883, eleven-year-old Paul Laurence Dunbar sat down to write yet another poem.¹ Since the age of six, he had been “rhyming,” as he described his juvenile craft. His inspiration came from verses in his first-grade McGuffy Reader, especially those by the British Poet Laureate, William Wordsworth.² Paul, who in his prime would be designated Poet Laureate of the Negro Race, did not publicize or save his early works.³ In secret, he scribbled them in his spelling book, showing them to no one. They were not even shared with the person who was, and would remain, most important...

  6. TWO To Escape the Reproach of Her Birth and Blood
    (pp. 44-73)

    Even before they met, an infatuated Paul Laurence Dunbar would write Alice Ruth Moore (1875–1935) that he loved her and had loved her since seeing her photograph in the April 1895 issue of the BostonMonthly Reviewmagazine.¹ His ardor sprang from what he saw in that picture. Clearly, judging by her clothing and demeanor, she was middle class. And by the prevailing standards for African American beauty, Alice was practically perfect. Paul saw in the photograph “a glorious face and dear upturned nose.”² There were also long, thick auburn tresses and alabaster skin, “with the African strain slightly...

  7. THREE The Wooing
    (pp. 74-111)

    “The Wooing” is a whimsical summary of the courtship of Paul and Alice.¹ It proceeded as sketched in his poem. Paul saw a photograph of Alice—his maiden fair—with hazel eyes and auburn hair. He fell in love with this image, and the love was unrequited. Paul persevered and “the twain were wed/ Alack and well-a-day.”²

    Written during the early stages of the relationship, the five-stanza lyrical account reeks of romance and levity. There is no indication of the poignant, dramatic relationship that would ensue. Yet, as in reality, the poem’s characters are the key. Like his poetic mirror...

  8. FOUR One Damned Night of Folly
    (pp. 112-145)

    A betrothal exacted different prices from the betrothed, depending on gender. During this rehearsal period for marriage, the woman of that time altered her life and began assuming the subservience prescribed for wives. She was expected to relinquish ambitions for worldly achievement, and to prepare for her preordained occupational roles of homemaker and mother. This was especially true for elite women of color, wrote an African American culture critic, for progress of “the race” depended on it.²

    The engaged woman maintained some autonomy, but she began transferring her independence to her betrothed, entrusting him with her future well-being. This transition...

  9. FIVE Parted
    (pp. 146-175)

    As Mrs. Paul Laurence Dunbar, Alice embraced the companionate ideals of marriage, writing them into barely disguised short stories about her marriage to Paul. In Alice’s “Ellen Fenton,” a long-suffering wife finds happiness only when she and her emotionally distant husband become “real companions and comrades.”¹ Another beleaguered wife of a harddrinking, skirt-chasing author in the short story “No Sacrifice” experiences true love when “all the joy of companionship, the happiness of a new and deeper comradeship” enter their troubled marriage.² To assure her audience that she shared her characters’ ideals, Alice dedicated her second book,The Goodness of St....

    (pp. 176-180)

    The nature of courtship and marriage defies precise explanations. Love, mate selection, and decisions made regarding a relationship are often unfathomable to the outsider. This may be especially true of one examining a romantic liaison from another century. However, one may examine evidence that has been left behind to see what a courtship and marriage reveals of similar past experiences.

    The courtship and marriage of Paul Laurence Dunbar and Alice Ruth Moore Dunbar demonstrate the difficulties that could befall elite African American relationships in the late nineteenth century. While the Dunbar liaison was a highly personal one driven by their...

  11. NOTES
    (pp. 181-224)
    (pp. 225-238)
  13. INDEX
    (pp. 239-242)
    (pp. 243-244)